Public Concerts

Free Public Concert Series

LMC’s most visible face is its Public Concert Series that offers over 50 free classical music concerts from October through May by LMC member-musicians and guests. The classical music series is presented at a variety of venues throughout the Seattle metro area, including Seattle Art Museum, Frye Art Museum, Seattle Public Library, Central and West Seattle Branches, University House Wallingford, Mirabella, Bellevue’s Crossroads Community Center Theater and the Music Center of the Northwest in North Seattle.

These intimate, one-hour, music programs are free and open to the public. No advance tickets are required. On the day of the performance at the Frye Museum, attendees are asked to obtain a free ticket at the front desk to monitor auditorium seating.

Celebrating Women’s History month with Women Composers @ Seattle Art Museum
Mar 1 @ 12:00 pm

Sisters by Gloria Wilson Swisher (b. 1935)

  1. Sit and Sew (poem by Alice Dunbar Nelson)
  2. Tenebris (poem by Angelina Weld Grimke)
  3. The Cabal at Nickey Nackeys (poem by Aphra Behn)

Regina Thomas, soprano and Janet Anderson, piano

London Songs by Janet Anderson (b. 1967)

A March day in London (words by Amy Levy)
Straw in the street (Amy Levy)
London poets (Amy Levy)
Fog (words by John Davidson)
London’s summer morning (words by Mary Robinson)

Katie Hochman, soprano and Janet Anderson, piano

4. in 1 Nursery Rhymes for Julia (words by Charles Strong) by Nicole Truesdell (b. 1973)

  1. Go to Sleep
  2. The Sly Crocodile
  3. Robin Redbreast
  4. The Plump Prairie Dog

Susan Strick, soprano and Maria Khavin, piano

Cowboy Songs by Libby Larson (b. 1950)

  1. Bucking Bronco
  2. Lift Me into Heaven Slowly
  3. Billy the Kid

Katie Hochman, soprano and Janet Anderson, piano

Music for viola and piano by Rebecca Clarke and Johannes Brahms @ Seattle Art Museum
Apr 5 @ 12:00 pm

Viola sonata in E-Flat Major, Op. 120, No. 2  by Johannes Brahms (1833-1897)

  1. Allegro amabile
  2. Allegro appassionato
  3. Andante con moto; Allegro

Sonata for Viola and Piano by Rebecca Clarke (1886-1979)

  1. Impetuoso
  2. Vivace
  3. Adagio

Yi Zhou, viola and Grace Huang, piano

Americana: music by Copland, Beach and Bernstein @ Seattle Art Museum
May 3 @ 12:00 pm

Autumn Song, Op. 56, No. 1                                                      Amy Marcy Beach (1867-1944)

Four Songs for Children, Op. 75                                                                   Amy Marcy Beach

  1. The Candy Lion
  2. The Thanksgiving Fable
  3. Dolladine
  4. Prayer of a Tired Child

Sleep, Little Darling, Op. 29, No. 3                                                                Amy Marcy Beach

Breanna Hanson, soprano and TBA, piano


Appalachian Spring arranged for solo piano by Aaron Copland (1900-1990)

  1. Very slowly. Introduction of the characters, one by one, in a suffused light.
  2. Fast/Allegro. Sudden burst of unison strings in A major arpeggios starts the action. A sentiment both elated and religious gives the keynote to this scene.
  3. Moderate/Moderato. Duo for the Bride and her Intended – scene of tenderness and passion.
  4. Quite fast. The Revivalist and his flock. Folksy feeling – suggestions of square dances and country fiddlers.
  5. Still faster/Subito Allegro. Solo dance of the Bride – presentiment of motherhood. Extremes of joy and fear and wonder.
  6. Very slowly (as at first). Transition scene to music reminiscent of the introduction.
  7. Calm and flowing/Doppio Movimento. Scenes of daily activity for the Bride and her Farmer husband. There are five variations on a Shaker theme. The theme, sung by a solo clarinet, was taken from a collection of Shaker melodies compiled by Edward D. Andrews, and published under the title “The Gift to Be Simple.” The melody borrowed and used almost literally is called “Simple Gifts.”
  8. Moderate. Coda/Moderato – Coda. The Bride takes her place among her neighbors. At the end the couple are left “quiet and strong in their new house.” Muted strings intone a hushed prayerlike chorale passage. The close is reminiscent of the opening music.

Karin McCullough, piano


I Hate Music  by Leonard Bernstein (1918-1990)

  1. My mother says that babies come in bottles
  2. Jupiter has seven moons
  3. I hate music
  4. A big Indian and a little Indian
  5. I just found out today that I’m a person too

Tiina Ritalahti, soprano and TBA, piano

Flames by Tom Cipullo (b. 1956)
Poisoning Pigeons in the Park by Tom Lehrer (b. 1928)
Another Reason Why I Don’t Keep a Gun in the House by Tom Cipullo

Tiina Ritalahti, soprano & TBA, piano