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Artist Bios, December 2024

Jan Bleakney (Dec 9) has the commonly paired joint interests of math and music. She grew up playing flute and piano in Anacortes, and went on to earn a math degree at the University of Washington. She earned her living as a consulting actuary. Since retiring, Jan has been able to rebalance her time to put music in the forefront, including taking up the Celtic harp. Jan regularly performs with her BMW Flute Trio and Music Performance Group, as well as previously participating in Music Northwest, Phinney Ridge Orchestra and International Artists Carillon. She is so thrilled to have worked with such wonderful teachers, Zart Dombourian-Eby, Mark Andersen and Gwen Baker.

Victoria Chaussee (Dec 21), mezzo-soprano, “sings opera favorites beautifully” – The Seattle Weekly. Ms. Chaussee has performed with many Puget Sound area music organizations including Seattle Opera, Seattle Opera Guild, Puget Sound Concert Opera, Bellevue Opera, and Kitsap Opera. Some of her roles include Azucena in Il Trovatore, Principessa in Suor Angelica, Mama Lucia in Cavalleria Rusticana, Maddelena in Rigoletto, the Mother in Amahl and the Night Visitors, the Mother in Hansel & Gretel and Ursul in Beatrice & Benedict. She has performed in concert with many NW organizations including the Whidbey Island Bach Festival, many performances with Ladies Musical Club and as a national anthem singer for the Seattle Mariners. She is a graduate of Seattle Pacific University and attended the American Institute of Musical Studies. Victoria currently sings with Public Opera and assists with the Metropolitan Opera auditions in Seattle.

Sophia Chou (Dec 21) grew up in New Taipei, Taiwan, and began playing the piano at around age five. She graduated from Carnegie Mellon University with a degree in Computer Science. Sophia has extensive experience in music, including choral and chamber music collaborations. She sees herself as a science-minded individual with an artistic soul.

Karin McCullough (Dec 9, 11) is a Nationally Certified Teacher of Music in Piano who gives private lessons in her Ballard studio and performs frequently in Greater Seattle. She co-led two music history tours in Vienna in the early 2000s, is an active volunteer and acting librarian for Seattle Music Teachers Association, and has often performed on KING FM radio on Sean Maclean’s program, Northwest Focus Live. Her most recent performance there—accompanying Brandi Birdsong in songs by H. Leslie Adams—is available on NPR (https://livesessions.npr.org/videos).

Emily Riesser’s (Dec 11, 21) diverse experience encompasses opera, oratorio, theatre, and new works. She recently portrayed Missy Hart in 9 to 5: The Musical (Twelfth Night Productions), sang Dolcina in Suor Angelica (Puget Sound Concert Opera), and sang Frasquita in Carmen (Kitsap Opera). In concert, Emily is known for her interpretation of Bach cantatas, including Wedding Cantata, which she has sung in several venues. Favorite experiences include singing Iphigenie in Gluck’s Iphigenie en Tauride (Seattle Opera Guild), Violetta in Verdi’s La Traviata (Kitsap Opera), Tamiri in Mozart’s Il re pastore (Off-Center Opera), and soprano chorus at Seattle Opera. Emily is a graduate of Goshen College (Goshen, IN) and past participant in Bel Canto Northwest (Portland State University).

Soprano Tiina Ritalahti (Dec 21) holds degrees in music and vocal performance from the University of Washington. She has performed throughout Washington with Northwest Opera in Schools Etcetera (NOISE), Puget Sound Opera, Ladies Musical Club and Puget Sound Concert Opera, as well as being a featured soloist for the Finlandia Foundation. She has sung such roles as the First Spirit and Pamina in Mozart’s The Magic Flute, Despina in Cosi fan tutte, Lisa in Bellini’s La sonnambula, Änchen in Der Freischütz by Weber, Cis in Britten’s Albert Herring, and Olympia in Offenbach’s The Tales of Hoffman. Further, she has performed in multiple operas by Menotti: Lucy in The Telephone, Monica in The Medium, and Laetitia in The Old Maid and the Thief. Her passion for singing also extends to art song repertoire, which she performs regularly in recitals around Western Washington. Tiina has created unique breathing classes for young singers that combine her knowledge and experience as a massage therapist, certified yoga teacher and singer.

Praised for his ringing voice and easy stage presence, Korland Simmons (Dec 21) is a recent transplant to the Pacific Northwest. Most recently, he has appeared in the following roles: Police Buddy 2/Congregant 2 in Blue (Seattle Opera), Don Ramiro in La Cennerentola (Seattle Opera Guild previews), Don Ottavio in Don Giovanni (OperaBend), and Andres/Cochenille/Franz/Pittichinaccio in Les Contes d’Hoffmann (Pacific Northwest Opera). Previous roles include Don Basilio/Don Curzio (Le Nozze di Figaro), Mendoza (Hiram Titus’ Rosina), Remus (Treemonisha), Remendado (Carmen), Eduardo Milfort (La Cambiale Matrimonio) and Mayor Upfold (Albert Herring).

Soprano Laurel Sprigg (Dec 21) has delighted audiences in the San Francisco Bay Area for many years with her warm, vibrant singing as a concert soloist, recitalist, and chamber music soloist. In public performances, private events, and intimate gatherings, her artistry is communicated through her fresh, clear, and heartfelt singing. Laurel studied vocal performance and music theory at the San Francisco Conservatory of Music, and Dance at Bennington College. An advocate of community engagement, Laurel has given recitals to benefit many community groups. She has recently moved to Poulsbo Washington, and has joined the Bremerton Symphony Chorale, Kitsap Opera outreach program, and the Ladies Musical Club of Seattle.

Susan Strick (Dec 9), soprano, has sung and taught in Seattle for many years. She has appeared with the Seattle Opera, Tacoma Opera, Village Theater (Maria in The Sound of Music) and as a soloist with the Seattle Bach Festival, the Northwest Symphony Orchestra, and the Seattle Choral Company. Susan earned her B.A. in music from Stanford University, M.A. in music from UCLA, and an Opera Diploma from the University of Toronto’s Royal Conservatory. A regional finalist in both the Metropolitan and San Francisco Opera national auditions, she has performed leading roles with many small opera companies. Susan has been a faculty member of the University of Colorado, Colorado Springs, where she created and taught “Opera as Theater” in the Honors seminar program as well as teaching voice and being an active performer, music director, and coach in the theater department. Currently she teaches in Seattle and at Music Works Northwest in Bellevue.

An outstanding member of the Northwest musical community for over 20 years, Regina Thomas (Dec 21) has performed with a variety of companies including Kitsap Opera, Willamette Concert Opera, Bellevue Opera, Puget Sound Concert Opera, Seattle Opera, and the Seattle Opera Guild. Currently Artistic Director of Puget Sound Concert Opera, Regina has served as Seattle Opera Guild’s VP of Education and is a past President and trustee of concerts for LMC. Favorite operatic roles include Adriana Lecouvreur, Suor Angelica, Tosca, and Judith (Bluebeard’s Castle). Concert work includes Schumann’s Frauenleibe und-leben, Elgar’s Sea Pictures, and Wagner’s Wesendonck-Lieder; soprano solos in Beethoven’s Symphony No. 9, Fauré Requiem, and Berio’s Folk Songs for voice and chamber ensemble.

Rob Toren (Dec 11) has been a professional singer for most of his musical life, including most recently undertaking several small roles at Seattle Opera 1998-2014. After retiring from both singing and as a non-profit executive, he has returned to his first love, the piano. Because of his background as a singer and his earlier career days in NYC, he now gravitates towards the art song literature, with programs focusing on both the French (Debussy and Faure) and German traditions (Schubert, Schumann, Brahms, Strauss). He most recently studied with Joyce Gibb.

Melet Whinston (Dec 21) studied under Maria DeRungs, and was first chair in the Portland Junior Symphony and Princeton University Orchestra. She has presented school performances as a member of the Leschi Trio and as a duo with Michael Housley, pianist. She has many years of experience as a chamber musician and solo performer, and performs regularly at St Andrew Presbyterian Church and local recitals.

Dhanushi Wijeyakulasuriya (Dec 11), originally from Sri Lanka, holds a Licentiate Diploma in Singing from Trinity College of Music, London. She began voice lessons in 2004, in Sri Lanka with Menaka Sahabandu and also studied with Asitha Tennekoon. At age 17, she made her debut with the Symphony Orchestra of Sri Lanka, performing selections from operas and operettas. Dhanushi has performed extensively in Sri Lanka. Some highlights include soprano soloist in Vivaldi’s Gloria with the Chamber Music Society of Colombo, scenes from The Marriage of Figaro (Susanna) and The Barber of Seville (Rosina) with the Menaka Singers Opera Ensemble and The Phantom of the Opera (Christine Daae) by the Workshop Players. After moving to the U.S. in 2015 she studied voice with Timothi Williams and Dr. Rachel Copeland at Penn State. Dhanushi has since presented several solo recitals in the U.S. She currently continues her vocal studies with Rachel Anne Moore and Barbara Bonney. In addition to her musical pursuits, she holds a Ph.D. in Statistics from Penn State and works as a Senior Data Scientist at Microsoft.

Sharon Wong (Dec 9) is a pianist passionate about playing chamber music with instrumentalists and singers. She began her collaborative piano journey during high school while serving as the organist and choir accompanist for her church. During her university years Sharon studied with Margaret Fabrizio on an 1812 fortepiano (twin to the piano Broadwood sent to Beethoven) while gratifying her inner nerd, earning a BS and MS in Mechanical Engineering. Recently retired after serving as a technology executive at multiple startups and major software companies, Sharon now happily plays with many chamber ensembles and subs at various churches around Seattle.

Artist Bios, November 2024

Silas Berlin (Nov 23) is a 2021 graduate of Cornish College of the Arts in Seattle. Silas enjoys performing for communities in the Seattle area as well as for private events and parties. He was awarded the silver medal for both the 2020 Seattle Bach festival and Russian Music Competition. He has his own private teaching practice and teaches an adult extension course at Cornish College of the Arts.

Sophia Chou (Nov 23) grew up in New Taipei, Taiwan, and began playing the piano at around age five. She graduated from Carnegie Mellon University with a degree in Computer Science. Sophia has extensive experience in music, including choral and chamber music collaborations. She sees herself as a science-minded individual with an artistic soul.

Erika Fiebig (Nov 23) is a Seattle native and started cello at five. She studied at Oberlin College, coaches the Bellevue Youth Symphony, and plays in the Ballard Civic Orchestra and subs with Yakima Symphony Orchestra. Teachers are Richard Aaron and Rajan Krishnaswami. Find her in the pit at many local theaters and in a quartet at many local weddings!

Katie Hochman (Nov 14), soprano, can be heard regularly giving recitals with Ladies Musical Club of Seattle. She has also enjoyed singing opera and oratorio with Puget Sound Concert Opera (PSCO), Opera Theater Oregon, Portland Opera, Utah Opera, Columbia Chorale and Southwest Washington Symphony (SWS). Highlights include the title role of Massenet’s Cendrillon and Héro in Berlioz’s Beatrice et Bénédict performed with PSCO and Exultate, jubilate performed with SWS.

Inspired by his grandmother and singing “The Sound of Music” in middle school choir, Michael Housley (Nov 13) began teaching himself piano before studying with Dr. David Brunell at the University of Tennessee. Since moving to Seattle to pursue a career in Architecture, Michael collaborates regularly with Melet Whinston (cellist), accompanies the Seattle University Chapel of St. Ignatius Choir and has participated in several Chamber Music Madness retreats with various chamber ensembles.

Sharon Jung (Nov 17) was born and raised in the Pacific Northwest. She is a nurse practitioner, and works in a neurology practice in Tacoma, Washington. She freelances for numerous ensembles in the local area. She has been an LMC member since 1999. She is a former student of LMC member Gail Perstein and is also a former student of Bernard Shapiro.

Violinist Angie Kam (Nov 19) is an established teacher and performer in the Seattle area. As an orchestral musician, Angie plays with the Auburn Symphony Orchestra, Symphony Tacoma, and the Tacoma City Ballet. As a pop violinist, Angie has performed with many artists including the Eagles, Andrea Bocelli, the Trans Siberian Orchestra, The Who, Ramin Djalwadi, Amy Grant, Il Divo, Idina Menzel, Evanescence, Lindsey Stirling, Sarah Brightman, and Michael Buble. She is also an active studio-recording musician for movies and video games. Angie maintains a successful violin studio of over 30 wonderful students in Bellevue. She holds a Bachelor’s Degree in Violin Performance from the University of Oregon, and a Master’s Degree in Violin Performance and String Pedagogy from the Boston Conservatory. In her spare time Angie enjoys mountaineering, skiing, trail running, yoga, and eating.

Mia HyeYeon Kim (Nov 19) is a doctoral student in piano performance at the University of Washington under the guidance of Craig Sheppard. She received her Master of Music degree from New England Conservatory under Victor Rosenbaum, then the Artist Diploma on full scholarship at the Cincinnati Conservatory of Music under Soyeon Kate Lee. Kim won many competitions including the Metropolitan International Piano Competition, Texas International Piano Competition, Memphis International Piano Competition, Seoul Philharmonic Competition, and the UW Concerto Competition. Also, she presented at masterclasses for Richard Goode, John Perry, Julian Martin, and Gary Graffman. She is an avid performer within her community. In 2021, she performed as a collaborative pianist for Lowbrow Opera Collective’s successful production of Dana Kaufman’s opera, the Diary of a Madman in Seattle. Also, she has done volunteer performances at University House Wallingford and she will be doing an additional volunteer performance at Empress Senior Living.

Joan Lundquist (Nov 14, 17) has served as a collaborative pianist for Seattle area musicians and organizations for 30 years. Since moving to the area from Humboldt State University in northern California, where she was staff accompanist, Joan has worked with the Northwest Boychoir, Seattle Choral Company, has taught at Seattle University and Northwest University, and has worked with several area private music teachers. Currently, Ms. Lundquist is the Director of Music at Immanuel Lutheran Church in downtown Seattle and rehearsal accompanist for the Seattle Choral Company.

Gail Perstein (Nov 17, 23) has a Bachelor of Science from Springfield College, a Bachelor of Music from P.L.U., a Master of Music from U.W. (both in oboe performance) and a Master of Arts in Historical Musicology, also from U.W. She splits her time between teaching oboe privately, performing on oboe/English horn, and performing early music. She played in both early and classical music groups at P.L.U. and U.W., and continues performing in various settings, ranging from Tacoma Opera to local church services. Ms. Perstein performed for many years with her own medieval group, Chansonnier, using period instruments. She was a member of the Board of Trustees of the Ladies Musical Club of Seattle for 22 years and chair of the Frances Walton Competition Committee for 23 years.

Soprano Tiina Ritalahti (Nov 17) holds degrees in music and vocal performance from the University of Washington. She has performed throughout Washington with Northwest Opera in Schools Etcetera (NOISE), Puget Sound Opera, Ladies Musical Club and Puget Sound Concert Opera, as well as being a featured soloist for the Finlandia Foundation. She has sung such roles as the First Spirit and Pamina in Mozart’s The Magic Flute, Despina in Cosi fan tutte, Lisa in Bellini’s La sonnambula, Änchen in Der Freischütz by Weber, Cis in Britten’s Albert Herring, and Olympia in Offenbach’s The Tales of Hoffman. Further, she has performed in multiple operas by Menotti: Lucy in The Telephone, Monica in The Medium, and Laetitia in The Old Maid and the Thief. Her passion for singing also extends to art song repertoire, which she performs regularly in recitals around Western Washington. Tiina has created unique breathing classes for young singers that combine her knowledge and experience as a massage therapist, certified yoga teacher and singer.

Eric Shankland (Nov 17) has been playing bassoon since age 15. He played in the NCR band and the Youth Philharmonic in Dayton, Ohio. He studied with Arthur Grossman and played in the University Symphony at the University of Washington, and currently studies with Paul Rafanelli of the Seattle Symphony. He was principal bassoon in the Eastside Symphony (Redmond) for fifteen years. Eric is a research scientist at the University of Washington.

Julie Shankland (Nov 17) has played clarinet since marching band in the Ohio snow. Since moving to Washington, Julie has played in the UW Concert Band, Eastside Symphony, West Seattle Community Orchestras, Rain City Symphony, and various chamber music camps. Julie is an adult student of Jennifer Nelson and recently learned to play bass clarinet. Julie works in the Office of General Counsel at the Washington State Bar Association.

Bernard Shapiro (Nov 17) was principal oboe of the Seattle Symphony and Seattle Opera from 1961-2004, participating in over 80 Seattle Symphony recordings. He appeared as soloist with the Seattle Symphony, Philadelphia Quartet, Balamian Quartet, Seoul Symphony, Korean Broadcast Symphony, and Bellevue Symphony. He was co-founder of the New York Baroque Quintet, English horn with the Royal Ballet Touring Orchestra (London), and received the Fromm foundation Fellowship for Contemporary Music Performance at Princeton University and Tanglewood (1960). Mr. Shapiro has been a member of the faculty at University of Washington, Cornish School, Pacific Lutheran University, Western Washington University, and Seattle Pacific University. At PLU, he participated in many programs as a member of the faculty wind quintet, the Camas Quintet. He graduated from the Music and Art High School of New York City, and holds both a Bachelor of Music and Master of Music Education from Manhattan School of Music. In addition to oboe, he also enjoys playing cello.

Soprano Laurel Sprigg (Nov 19) has delighted audiences in the San Francisco Bay Area for many years with her warm, vibrant singing as a concert soloist, recitalist, and chamber music soloist. In public performances, private events, and intimate gatherings, her artistry is communicated through her fresh, clear, and heartfelt singing. Laurel studied vocal performance and music theory at the San Francisco Conservatory of Music, and Dance at Bennington College. An advocate of community engagement, Laurel has given recitals to benefit many community groups. She has recently moved to Poulsbo Washington, and has joined the Bremerton Symphony Chorale, Kitsap Opera outreach program, and the Ladies Musical Club of Seattle.

An outstanding member of the Northwest musical community for over 20 years, Regina Thomas (Nov 14) has performed with a variety of companies including Kitsap Opera, Willamette Concert Opera, Bellevue Opera, Puget Sound Concert Opera, Seattle Opera, and the Seattle Opera Guild. Currently Artistic Director of Puget Sound Concert Opera, Regina has served as Seattle Opera Guild’s VP of Education and is a past President and trustee of concerts for LMC. Favorite operatic roles include Adriana Lecouvreur, Suor Angelica, Tosca, and Judith (Bluebeard’s Castle). Concert work includes Schumann’s Frauenleibe und-leben, Elgar’s Sea Pictures, and Wagner’s Wesendonck-Lieder; soprano solos in Beethoven’s Symphony No. 9, Fauré Requiem, and Berio’s Folk Songs for voice and chamber ensemble.

Catherine Treadgold (Nov 14), mezzo soprano, began her career in New York, performing in musicals, operas, and oratorios. In Seattle she has toured with NOISE, lectured and sung for Seattle Opera previews, and performed with such groups as Bellevue Opera and Musical Experiences. A former winner of the UW’s Brechemin Scholarship, Ms. Treadgold has a B.A. cum laude from Princeton and a M.M. from the UW. She is a member of Actors’ Equity and was once certified as a stage fighter. For five years, Catherine was a voice professor at Shoreline Community College. To learn more, go to www.catherinetreadgoldmezzo.com.

Melet Whinston (Nov 13) studied under Maria DeRungs, and was first chair in the Portland Junior Symphony and Princeton University Orchestra. She has presented school performances as a member of the Leschi Trio and as a duo with Michael Housley, pianist. She has many years of experience as a chamber musician and solo performer, and performs regularly at St Andrew Presbyterian Church and local recitals.

Kathryn Zufall (Nov 23) grew up in New Jersey playing string quartets with her sisters. She graduated from Barnard College in mathematics, and then received her MD from Harvard Medical School. After moving to the Northwest, she studied violin with Emanuel Zetlin and Martin Friedmann while still practicing internal medicine and raising 3 sons. She plays chamber music with friends in the Seattle area, and hosts chamber music weekends at her summer home near Snohomish.

Artist Bios, October 2024

Madeline Beery (Oct 21), M.Ed., was a music major, and worked as a Music Therapist for several years before pursuing public health professionally. Since moving to Seattle in 1985, she has studied with Zart Dambourian-Eby, SSO, Wendy Wilhelmi, Vancouver Symphony and Pam Mooney, SSO. She has played in the Dubuque, Alexandria, and Kuala Lumpur Symphonies, and now plays in the Rain City Symphony. She was the co-founder and President of AIDS Impact for 20 years that educated health professionals on AIDS, prevention, and infection control in over 42 countries. Her final public health project for WA State was to lead the planning for a pandemic.

A student of Bernard Shapiro and Dan Williams, Rosemary Bell (Oct 21) played in the Seattle Youth Symphony under Vilem Sokol and later studied at the Cornish school. Rosemary has freelanced throughout the Seattle area for 30 years and has played in local orchestras including Thalia Symphony and Broadway Chamber Orchestra. She has been a soloist for many local churches.

Jane Hoyt Buckner, M.D. (Oct 21) studied clarinet under Joseph Longo, principal Clarinetist at the Minnesota Orchestra and was a member of the Minnesota Youth Symphony during her middle and high school years. She attended Carleton College she was principal clarinetist in the Carleton Orchestra, studied voice and was a member of the Carleton Choir. While attending the Johns Hopkins School of Medicine she was a member of the JHU Chamber Music Society, she continued to play chamber music throughout her Residency in Internal Medicine at the University of Minnesota. Jane moved to Seattle 30 years ago and has been a member of Rain City Symphony for over 15 years. She is a practicing rheumatologist at Virginia Mason and the President of the Benaroya Research Institute. As a physician and immunologist, she works to understand and treat autoimmune diseases including rheumatoid arthritis, type 1 diabetes and multiple sclerosis. She is a scientific co-founder of Gentibio, a company developing cell-based therapies to treat autoimmunity.

Diana Gao (Oct 1, 19) is a concert pianist and a Senior Marketing Manager at Microsoft. She earned her MBA degree at the University of Washington (UW) in 2015 and is currently studying the piano with Dr. Robin McCabe from UW. She won the Gold Medal of the Seattle International Piano Competition (Outstanding Amateurs Division) and First Prize in the “Golden Classical Music Awards” International Competition, which earned her a solo performance at Carnegie Hall. She’s an active performer in Seattle and international piano festivals. She’s also a Board member of Classical KING and has been a repeated guest of Classical KING’s Northwest Focus Live program. Since 2020, she has presented annual fundraising recitals through the Microsoft Give campaign supporting local non-profit organizations. Those events reinforced her belief that music has the power to inspire change and make the world a better place.

Stephanie Guasch (Oct 1) is a classically trained singer and educator with over 10 years of experience in formal singing. She earned her Master’s Degree at the Mannes School of Music (New York, NY) and a Bachelor’s Degree in Music Education from the Interamerican University of Puerto Rico (San Germán, P.R.). During her time at Mannes she studied with Ruth Falcon, and performed in multiple master classes, opera workshops, outreach programs, and recitals. Back in her native Puerto Rico, and an active performer, she was a member of the San Juan Philharmonic Chorale as well as Coralia, the renowned concert choir of the University of Puerto Rico led by the distinguished conductor Carmen Acevedo Lucío. Since relocating to Seattle in 2020 Ms. Guasch has been an active freelance vocalist performing in a wide variety of genres including classical music, bossa nova, jazz, Latin jazz, as well as backup singer for local Latin music ensembles.

Emiko Hori (Oct 15), a native of Japan, graduated from the renowned Indiana University Jacobs School of Music in Piano Performance. She studied with Shigeo Neriki, and performed at numerous places including Banff Centre, Schleswig-Holstein Musik Festival, Germany. Emiko became fascinated with and continued her study in Computer Science at Boston University. Busy working in technology companies such as CommerceHub and Microsoft, Emiko thought she would never play the piano again. She was wrong; Emiko became one of the newest performing members of Ladies Musical Club. Emiko enjoys dividing her time between performing concerts, teaching piano, and working at Starbucks HQ’s Digital Commerce team.

Seattle-born cellist Emily Hu (Oct 9) enjoys a diverse career as an orchestral cellist, chamber musician, and recitalist, performing regularly with the Seattle Symphony, Seattle Opera, and the 5th Avenue Theater, as well as with her duo partner of twenty years, pianist Thomas Lee. She is a former member of the Oregon Symphony Orchestra and has appeared at the Oregon Bach Festival and the Bellingham Festival of Music, along with many other ensembles throughout the Pacific Northwest and across the country. Emily is happiest as a chamber musician and has collaborated in recital with artists including Yo-Yo Ma, Lynn Harrell, and Alban Gerhardt. She holds a Bachelor of Music from the Shepherd School of Music at Rice University, where she studied with Norman Fischer, and a Master’s degree from Northwestern University, where she was a student of Hans Jorgen Jensen.

Hailed as “dazzling” by Peninsula Reviews, violinist Caitlin Kelley (Oct 9) enjoys a diverse career as a soloist, chamber musician, orchestral player, and teaching artist. Caitlin has soloed with orchestras across the country and presented recitals in both the United States and Europe. An avid chamber musician, Caitlin is a member of Wild Up, an LA-based modern music collective, and is the co-founder and co-artistic director of Nightjar, Seattle’s newest chamber music society. She has performed as Guest Concertmaster and Interim Assistant Concertmaster of the Louisville Orchestra, and is the former concertmaster of the Colburn and YMF Debut Orchestras. Caitlin performs frequently with the Seattle Symphony, Seattle Opera, and North Corner Chamber Orchestra (NOCCO). Caitlin received a Bachelor of Music degree and Professional Studies Certificate from the Colburn School in Los Angeles, and a Master of Music degree from the Juilliard School in New York.

Monica Kessler (Oct 15) earned her BM in piano performance from Western Washington University and MM in piano performance from Central Washington University. She has extensive teaching and accompanying experience, having taught on faculty at Wenatchee Valley College, Woods House Conservatory, Northshore Christian Academy as well as her own private teaching studio. While continuing to perform she also has a career as a full-time real estate broker.

Peter Klein (Oct 21) grew up in Lexington, Massachusetts. He earned a BFA in Theater and Music from Emerson College in Boston, also studying at the Longy School of Music. His bassoon teachers include Louise Cavalieri Goni, Dan Welcher and Francine Peterson. He currently plays in the Rain City Symphony and in several informal chamber groups. Peter has composed several chamber and choral pieces, incidental music for theatrical productions, and musicals for children. Now retired from a career in information technology, he also announced classical music at public radio stations and wrote about music for newspapers and magazines.

Lisa Lanza (guest artist, Oct 19) has been performing as a solo artist and collaborator for over thirty years on the Olympic Peninsula and in the greater Seattle Area. She has studied with the pianist Maria Joao Pires at Belgais, Portugal and Paul Roberts at The Guildhall School of Theater and Arts in London. She holds a Master of Music degree in Piano Performance and Accompanying from The University of Redlands. As a guest artist she has performed on the Music at St. Leonard’s concert series, Hythe, England, the Young Concert Artists Competition, at Weill Hall, NY, the Olympic Music Festival, Quilcene, WA, Sierra Opera Institute’s chamber music series, Mammoth, CA, the Bloedel Reserve, Bainbridge Island, WA. As an opera and musical theater accompanist she has worked with companies from Orange County to Seattle Opera, to Issaquah’s Village Theater and Key City Players in Port Townsend. She holds 1st and 2nd prize medals from the Greater Spokane Music & Allied Arts Festival for her interpretations of Beethoven and Chopin.

Pianist Thomas Lee (Oct 9) has performed extensively around the region and beyond, including solo performances at Carnegie Hall’s Weill Recital Hall, as well as concerto performances with the UW Symphony and the Kostroma Symphony in Russia, and multiple appearances on KING-FM Radio. Tom has claimed top prizes at the NFMC Young Artist Competition, Buono & Bradshaw Int’l Piano Competition, American Fine Arts Festival Concerto Competition, Indianapolis Matinee Musicale Piano Competition, and the Frances Walton Competition. Under the tutelage of Craig Sheppard, Andre Watts, Jon Kimura Parker, Thomas has earned degrees from Rice University, Indiana University, and the University of Washington. His doctoral dissertation, “Evocations of Nature in the Piano Music of Franz Liszt and the Seeds of Impressionism,” uncovers some long-neglected origins of pianistic Impressionism. As a committed educator, Tom has adjudicated and lectured throughout WA, and serves on the board of directors of the SMTA as VP of Student Development.

Karin McCullough (Oct 15) is a Nationally Certified Teacher of Music in Piano who gives private lessons in her Ballard studio and performs frequently in Greater Seattle. She co-led two music history tours in Vienna in the early 2000s, is an active volunteer and acting librarian for Seattle Music Teachers Association, and has often performed on KING FM radio on Sean Maclean’s program, Northwest Focus Live. Her most recent performance there—accompanying Brandi Birdsong in songs by H. Leslie Adams—is available on NPR (https://livesessions.npr.org/videos).

Sean-Wyn Ng (Oct 21) is a cellist from Mesa, Arizona. She has experience performing as a soloist and in orchestral and chamber music settings. In addition to the Ladies Musical Club of Seattle, she is involved with the Seattle Philharmonic and Amazon Symphony Orchestra. Sean-Wyn has also previously played with the MCC Community Orchestra, Princeton Sinfonia, and the Phoenix Youth Symphony. She graduated from Princeton University with a degree in computer science in 2021 and currently works as a software engineer at Amazon.

Known for her expressive and passionate performances, Jensina Oliver (Oct 15) has delighted audiences as soloist and chamber musician in the United States, China, Canada, Costa Rica, Israel, and throughout Europe. Her performances with orchestra include appearances with the Hubei Provincial Orchestra of Wuhan, China, and the Utah Philharmonia. She was a national finalist of the MTNA Chamber Music Competition, a resident artist at the Banff Chamber Music Festival, and has won several solo and concerto competitions throughout the United States. Dr. Oliver is in high demand as guest performer, clinician, and adjudicator at events, conferences, and competitions throughout the Pacific Northwest. She has taught at Shoreline Community College since 1998 and has a thriving piano studio with students of all ages. Dr. Oliver currently resides with her family in Shoreline, WA, where she loves to enjoy all of the beautiful outdoor opportunities that the Pacific Northwest provides.

Soprano Laurel Sprigg (Oct 19) has delighted audiences in the San Francisco Bay Area for many years with her warm, vibrant singing as a concert soloist, recitalist, and chamber music soloist. In public performances, private events, and intimate gatherings, her artistry is communicated through her fresh, clear, and heartfelt singing. Laurel studied vocal performance and music theory at the San Francisco Conservatory of Music, and Dance at Bennington College. An advocate of community engagement, Laurel has given recitals to benefit many community groups. She has recently moved to Poulsbo Washington, and has joined the Bremerton Symphony Chorale, Kitsap Opera outreach program, and the Ladies Musical Club of Seattle.

Artist Bios, September 2024

Hilary Field (Sep 27) is a past winner of the Northwest Young Artist Series Competition and was the first guitarist to win the Ladies Musical Club Frances Walton Competition. She has held faculty positions as the head of the Guitar department at Seattle Pacific University and Pacific Lutheran University. Hilary was recently awarded a US Artists International Grant to perform a concert tour throughout Chile with the International Guitar Festival Entrecuerdas in October 2024, and has performed concerts throughout North and South America. Her latest CD, “Premieres,” features new works for guitar that were composed and dedicated to her. She has received grants for composing and performing new music by the Seattle Office of Arts and Culture, 4Culture, and Artist Trust. The Seattle Times exclaims that classical guitarist, “Hilary Field, is a dynamic player. She doesn’t just recite what can often be complex work, but imbues it with fire and grace.” www.hilaryfield.com

Stephanie Guasch (Sep 27) is a classically trained singer and educator with over 10 years of experience in formal singing. She earned her Master’s Degree at the Mannes School of Music (New York, NY) and a Bachelor’s Degree in Music Education from the Interamerican University of Puerto Rico (San Germán, P.R.). During her time at Mannes she studied with Ruth Falcon, and performed in multiple master classes, opera workshops, outreach programs, and recitals. Back in her native Puerto Rico, and an active performer, she was a member of the San Juan Philharmonic Chorale as well as Coralia, the renowned concert choir of the University of Puerto Rico led by the distinguished conductor Carmen Acevedo Lucío. Since relocating to Seattle in 2020 Ms. Guasch has been an active freelance vocalist performing in a wide variety of genres including classical music, bossa nova, jazz, Latin jazz, as well as backup singer for local Latin music ensembles.

Stasia Kulsa (Sep 27), flutist, has a Master of Arts in Music from Washington State University that she completed under the guidance of Dr. Sophia Tegart. In addition, she has undergraduate degrees in Music Performance and Mechanical Engineering from WSU. While at WSU, she performed with the Symphonic Wind Ensemble, Orchestra, the Latin Jazz Ensemble, and the Crimson Flute Choir. Since graduating, she has been performing with the Bremerton WestSound Symphony and working as an Acoustics Engineer at Blue Origin.

Karin McCullough (Sep 27) is a Nationally Certified Teacher of Music in Piano who gives private lessons in her Ballard studio and performs frequently in Greater Seattle. She co-led two music history tours in Vienna in the early 2000s, is an active volunteer and acting librarian for Seattle Music Teachers Association, and has often performed on KING FM radio on Sean Maclean’s program, Northwest Focus Live. Her most recent performance there—accompanying Brandi Birdsong in songs by H. Leslie Adams—is available on NPR (https://livesessions.npr.org/videos).

Susan Payne O’Brien (Sep 27) is a poet, performer and opera director living in Seattle. Her writing for theater has been seen on the stages of 2nd Story Chicago, Around the Coyote, Links Hall, The Piven Theatre Workshop and The International Puppetry Festival. She is the founding artistic director of Forte, an all-female improvisational comic opera troupe. In her teaching and work with theatrical and operatic ensembles she is committed to helping students and artists of all levels access authenticity of voice. Recently, she has worked with emerging operatic performers at The Santa Fe Opera, Chicago Opera Theater, DePaul University and The Chicago College of Performing Arts. She is a frequent soloist with Seattle Pro Musica and will be featured in their Spring performances of Ralph Vaughan Williams’ The Sea Symphony in conjunction with The Auburn Symphony.

Artist Bios, July 2024

Jan Bleakney (July 16) has the commonly paired joint interests of math and music. She grew up playing flute and piano in Anacortes, and went on to earn a math degree at the University of Washington. She earned her living as a consulting actuary. Since retiring, Jan has been able to rebalance her time to put music in the forefront, including taking up the Celtic harp. Jan regularly performs with her BMW Flute Trio and Music Performance Group, as well as previously participating in Music Northwest, Phinney Ridge Orchestra, and International Artists Carillon. She is so thrilled to have worked with such wonderful teachers, Zart Dombourian-Eby, Mark Andersen, and Gwen Baker.

Diana Gao (July 16) manages a double life as a Senior Marketing Manager at Microsoft and a concert pianist. She earned her MBA degree at the University of Washington (UW) in 2015 and is currently studying the piano with Dr. Robin McCabe from UW. She won the Gold Medal of the Seattle International Piano Competition (Outstanding Amateurs Division) and First Prize in the “Golden Classical Music Awards” International Competition, which earned her a solo performance at Carnegie Hall. She’s an active performer in Seattle and international piano festivals. She’s also a Board member of Classical KING and has been a repeated guest of Classical KING’s Northwest Focus Live program. Since 2020, she has presented annual fundraising recitals through the Microsoft Give campaign supporting local non-profit organizations. Those events reinforced her belief that music has the power to inspire change and make the world a better place.