LMC free concert of songs, duets and music for flute and piccolo in Kirkland on Friday, April 13 preceded by Kirkland Art Walk

Come and see LMC members perform a free concert of songs, duets and music for flute and piccolo on Friday, April 13 starting at 7:30pm at St. John’s Episcopal Church, a new venue as part of LMC’s annual free concert series throughout the Seattle metropolitan area. Click for directions and concert details.

Come early and check out Kirkland’s Art Walk where you can visit downtown Kirkland galleries and businesses and meet with local Kirkland artists. Click for details.

About the performers

Beth Ann Bonnecroy is in demand as a conductor, singer and teacher of voice. In 2013, she joined the music faculty of Seattle Pacific University where she teaches voice and conducts the SPU Women’s Choir. Beth Ann also conducts Vivace, the middle school level singers of the Northwest Girlchoir. With colleague, Rebecca Rottsolk, Beth Ann founded and co-conducts Mirinesse Women’s Choir. Mirinesse received the high honor of performing at the American Choral Directors Association national conference in 2009 and regional conference in 2011. A life-long church musician, Beth Ann has conducted church choirs and handbell choirs of all ages. She is currently a member of the music staff of Phinney Ridge Lutheran church in Seattle where she conducts the Chancel Choir and Handbell Choirs. Also an accomplished soprano, Beth Ann is a frequent recitalist in the Seattle area. Students, aged 15 to adult, fill Beth Ann’s active voice studio. Beth Ann holds a BA of Music in church music/voice from St. Olaf College in Northfield, MN and a Master of Music degree in voice performance from Arizona State University in Tempe, AZ.

Soprano Ya-Li Lee has been performing in the Pacific Northwest since relocating here in 2004. Recently, Ya-Li was a featured soloist in Brahms’ Girls with Gallery Concerts. Other performances include New Year’s Eve Gala with St. James Cathedral and world premiere performances of a scene from the opera Road to Zion by Dolora Zajick as well as The St. Cecilia Cantata and The Seven Last Words by Patrick Stoyanovich. In reference to her performance of The Seven Last Words, the noted music journalist Bernard Jacobson has written: “Ya-Li Lee, who had by far the largest assignment of the three excellent soloists, has a fine voice and used it with skill and taste.”

Joan Lundquist has served as a collaborative pianist for Seattle area musicians and organizations for 30 years. Since moving to the area from Humboldt State University in northern California, where she was staff accompanist, Joan has worked with the Northwest Boychoir, Seattle Choral Company, has taught at Seattle University and Northwest University, and has worked with several area private music teachers. Currently, Ms. Lundquist is the Director of Music at Immanuel Lutheran Church in downtown Seattle and rehearsal accompanist for the Seattle Choral Company.

A second Prize winner in the National Flute Association’s Young Artist Competition, a Carnegie Hall Recital Debut winner with Artists International, and a First Prize winner in the Carmel Chamber Music Society Competition, Dr. Kris Palmer is the founder and director of Black Cedar, an ensemble championing new commissions for flute, cello, and guitar. She is a former member of the New Mexico Symphony Orchestra and the Chamber Orchestra of Albuquerque, and she is currently Principal Flutist with Island City Opera. With a D.M.A. from Rice University in 18th century ornamentation, Dr. Palmer maintains a private studio in Kirkland.

LMC Celebrates National Poetry Month with original works by Member Composers

Join LMC with a concert celebrating National Poetry Month with LMC members performing original works this Wednesday, April 11 at 12:00 at the Seattle Public Library-Central Branch.

National Poetry Month each April is the largest literary celebration in the world, with tens of millions of readers, students, K-12 teachers, librarians, booksellers, literary events curators, publishers, bloggers, and, of course, poets marking poetry’s important place in our culture and our lives. Read more about National Poetry Month at the website.

Click for details about the program.

About the performers at this Wednesday’s concert:

Janet Anderson grew up in Kent, Ohio, and studied music and philosophy at St. Olaf College in Minnesota. Since moving to Seattle in 1992, she has been active as both a pianist and composer, focusing on art song and chamber music. Her compositions have been featured locally on the Ladies Musical Club series, on Classical KING FM 98.1, and at various other venues in Washington State. She teaches piano students of all ages at her home in north Seattle.

Matthew Briggs (guest artist) received his Bachelor of Music degree in composition from Indiana University Jacobs School of music where he studied composition with Sven-David Sandström and percussion with Anthony Cirone. Matthew has performed original compositions at LMC concerts with his wife and LMC member Candice Chin. Matthew is currently studying composition with John Muehleisen.

Jill Carlsen, recorder, has performed with LMC as a soprano soloist, and for the past couple of years has been migrating back to her roots as an instrumentalist. She studies recorder with Vicki Boeckman and plays as a soloist and in ensembles such as the New Baroque Orchestra, Recorder Orchestra of Puget Sound, and Trillium recorder trio. Jill received a degree in piano performance from UW Madison. For her day job, Jill has worked for many years in the software industry, currently as a technical writer and content strategist.

Hilary Field is a past winner of the Northwest Young Artist Series Competition and was the first guitarist to win the Ladies Musical Club (Frances Walton) Competition. She has held faculty positions as the head of the Guitar department atSeattle Pacific University and Pacific Lutheran University. Hilary was recently sponsored by the US Embassy to performand tour in South America, and has been a featured performer in international guitar festivals in Perú, Chile, Québec, and New York. Her latest CD, “Premieres,” features new works for guitar that were composed and dedicated to her.

Joan Lundquist has served as a collaborative pianist for Seattle area musicians and organizations for 30 years. Since moving to the area from Humboldt State University in northern California, where she was staff accompanist, Joan has worked with the Northwest Boychoir, Seattle Choral Company, has taught at Seattle University and Northwest University, and has worked with several area private music teachers. Currently, Ms. Lundquist is the Director of Music at Immanuel Lutheran Church in downtown Seattle and rehearsal accompanist for the Seattle Choral Company.

Dawn Padula, mezzo-soprano, ( is a versatile performer of opera, oratorio, musical theatre, jazz and classical concert repertoire. Opera roles include Carmen, Azucena (Il Trovatore), Ruth (Pirates of Penzance), Cherubino (Le Nozze di Figaro), Suzuki (Madama Butterfly), Meg (Falstaff), The Third Lady (Magic Flute), the Witch (Hansel and Gretel), Maddalena (Rigoletto), Isabella (Italian Girl in Algiers), Erika (Vanessa), and the Sorceress (Dido and Aeneas.) In the Pacific Northwest, she has performed with Tacoma Opera, Kitsap Opera, Concert Opera of Seattle, PLU’s Jazz Under the Stars, Puget Sound Concert Opera, the Tacoma Concert Band, the Oregon Symphony, the Portland Symphonic Choir, the Seattle Bach Choir, the Second City Chamber Series, Classical Tuesdays in Old Town Tacoma Concert Series, Lakewood Playhouse, and Opera Pacifica. With Seattle Opera, she is a Teaching Artist and a member of the Supplementary Chorus. In June 2017, she toured to Varna and Sofia, Bulgaria as the mezzo-soprano soloist in Mozart’s Requiem with the Pazardzhik Symphony. In August 2017, she released her debut classical solo album, Gracious Moonlight, featuring Dominick Argento’s Pulitzer Prize winning song cycle, From the Diary of Virginia Woolf. Dr. Padula is currently the Director of Vocal Studies at the University of Puget Sound School of Music.

Finnish born soprano, Tiina Ritalahti, has performed throughout Washington with Northwest Opera in Schools Etcetera, Puget Sound Opera, Ladies Musical Club and Puget Sound Concert Opera. She has sung such roles as the First Spirit and Pamina in Mozart’s The Magic Flute, Despina in Così fan tutte, Lisa in Bellini’s La sonnambula, Lucy in The Telephone, Monica in The Medium, Laetitia in The Old Maid and the Thief, Ännchen in Der Freischütz by Weber, and Cis in Britten’s Albert Herring. Further, she played Belisa in local composer Kam Morrill’s Love’s Fool. Recently, Tiina sang Olympia in Offenbach’s The Tales of Hoffman. Her passion for singing also extends to art song repertoire, which she performs regularly in recitals and festivals around western Washington.

Kathryn Zufall grew up in New Jersey playing string quartets with her sisters. She graduated from Barnard College in mathematics, and then received her MD from Harvard Medical School. After moving to the Northwest she studied violinwith Emanuel Zetlin and Martin Friedmann while still practicing internal medicine and raising 3 sons. She plays chamber music with friends in the Seattle area, and hosts chamber music weekends at her summer home near Snohomish. This season at Seattle Public Library, Central Branch: Wednesdays at noon May 9, 2018German song and Appalachian Spring for solo piano (C. Menschner and McCullough, piano) For the most current information on all our concerts and/or to sign up for the mailing list, go to our website:

Pianist Bethany Pho makes LMC debut at the Frye on April 7

A concert of piano music by Mozart and Chopin as well as a Brahms viola sonata will be featured at the April 7 concert at the Frye Art Museum beginning at 2pm.

Bethany Pho, pianist, performed for recitals, weddings, special events and department stores throughout her school years. She holds a B.A. in Music and a B.S. in Mechanical Engineering from the University of Colorado, and a Masters in Design Methods from Illinois Institute of Technology. After graduating college, she worked as an engineer/design researcher and played for special events when possible. Piano performance is her true passion and she continually seeks out opportunities to share her music skills. While working as an engineer at The Boeing Company she was inspired by the opportunity to compose music for trade show displays and provide guidance for advertising music. She is now a mother of two boys, revitalizing her music career after realizing how the pursuit of music adds a depth of understanding to every aspect of life.

Born in Taipei, Taiwan, Grace Huang began studying the piano at age five. She earned a Doctoral of Musical Arts degree in piano performance at the University of Washington School of Music, where she studied with Dr. Robin McCabe. As a winner of prestigious Brechemin Scholarship and Elizabeth Goldmann Award, she also had the privilege of working with Seattle Symphony musicians and working in masterclasses with internationally acclaimed pianists. She hopes to share her enthusiasm for music as a solo and collaborative pianist with the community.

Violist Yi Zhou is pursuing a diverse career as a violin/viola teacher, chamber musicianand soloist. She has appeared in many music venues across North America, Europe and China. Yi has been featured at Benaroya Hall, Nordstrom Recital Hall, Meany Hall for the Performing Arts, Chinese Embassy in France and Université de Poitiers etc. She has played the principal viola in a number of orchestras including the UW Symphony. She has also performed at a number of master classes, including those given by Garth Knox, Yizhak Schotten, Manchin Zhang, among others. Yi received her Master’s degree on Viola Performance from University of Washington, supervised by Professor Melia Watras. She has another Master’s degree in Violin Performance from Wuhan Conservatory of Music. Before coming to the US, she was Assistant Professor of the School of Music in Nanchang University.

Click for more details about the concert and location.


Ladies Musical Club featured in The Woodinville Weekly Newspaper

LMC was recently featured in the February 13, 2018 edition of The Woodinvile Weekly newspaper.  With the eye-catching headline “The Ladies Musical Club: A Real Meat and Potatoes Organization”, the article briefly describes the history of the organization and the impact LMC, through its members, continues to make on the Seattle area through its concert series and educational outreach initiatives. Below is an excerpt with a link to the full story:

From The Woodinville Weekly; 13 Feb 2018; Written by Kirsten Abel

The Ladies Musical Club of Seattle has a quaint-sounding name.

“You immediately see hats and gloves and teacups and so on,” said Dorene Kenkman, a Carnation resident and a former Ladies Musical Club president.

But the club—organization might be a better word for it—is anything but quaint.  “This is something that’s got real meat and potatoes to it and it’s been going for over 100 years,” Kenkman said.

Ellen Bartlett Bacon, along with several other women, launched the organization out of her Seattle house in 1891. According to the Ladies Musical Club website, the group was dedicated to “developing the musical talent of its members, and stimulating musical interest in Seattle.”

Click to read the remainder of the story in The Woodinville Weekly.

Spring 2018 Performing Member Auditions to be held on Saturday, May 26.

LMC member auditions to be held on Saturday, May 26, 2018 from 12:30 PM to 4 PM at Queen Anne Christian Church

Ladies Musical Club (LMC) members participate in a wide variety of rewarding music activities and collaborations with other women of similar interests. Join us in growing our presence and influence in the community. LMC membership is open to music and fine-arts advocates as well as actively performing musicians. In addition to our outreach programs, LMC promotes music among its members through interest groups, master classes, special events, professional networking and community building. All ages are welcome!

Applying for membership

Performing and At-Large membership is by invitation of the Board of Trustees, based on audition or résumé review. Annual dues are $100 for both At-large and Performing Members over age 32.  Members who are age 32 and under pay $90 per year. Dues for members accepted during the winter/spring auditions will be half the annual rate. There is a non-refundable $25 application fee, which will be applied to the annual dues for successful applicants. To apply:

Download the LMC application for membership (PDF).
Complete the application. Save and place your name where indicated in the file name.
Email the completed application to our membership committee.
Applicants can email the LMC membership committee at with any questions that are not answered on the website, or if the application process cannot be completed.

LMC Member-musician auditions
LMC Performing Member auditions will be held on Saturday, May 26, 2018 from 12:30 p.m. to 4:00 p.m. at Queen Anne Christian Church, Seattle. Please have your application in by May 12, 2018. An application received after this date may still be considered if the audition schedule permits. If not, the application will remain active for the Spring LMC Auditions.

Applicants wishing to be accepted as a performing member have two options: audition either as a solo performer or as a collaborative/ensemble performer. In either case, the applicant shall prepare three pieces in contrasting styles, for a total of about 15 minutes of music. Music does not have to be memorized. Other requirements for specific instruments and for singers are:

Pianists wishing to audition as accompanists, but not as solo pianists, should bring a collaborator to the audition. This may be a current collaborator or LMC may be able to find a current LMC member for this purpose. If a collaborator is needed, the applicant shall notify LMC with enough time to find someone, and for the applicant to be thoroughly rehearsed by the day of the audition.

Pianists desiring to perform both as soloists and accompanists should plan to complete an audition for each category. In this case, please submit only one application and fee.

Singers should prepare songs in three different languages. At least two of the selections should be art songs, as LMC primarily presents recitals.

Applicants wishing to audition as an ensemble-only performer, please indicate this on the application. We would strongly prefer to hear the audition with a collaborator. If you have questions about this, please contact LMC at

More information about the benefits of membership