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Performing Artists, September 2022

Dora Barnes (Sep 23) was born and raised in Yakima, Washington and now resides in Seattle. She is a classically trained vocalist, pianist, and saxophonist, and is currently studying with Davida Kagen. Dora attended Yakima Valley Community College and Central Washington University with a focus on vocal performance. Dora has performed with the Seattle Art Song Society, Ladies Musical Club, and the Puget Sound Concert Opera, among others. Notably, she has performed as Zerlina in Don Giovanni, placed 1st in the PAFE Opera division, placed 3rd in the Seattle Opera Guild’s Singer Development Awards, and was an honorable mention in the Metropolitan Opera National Council Awards. When not singing opera, Dora is the lead singer and plays saxophone in two Motown/Oldies bands, and also composes her own music.

Selina Chu (Sep 29) has been a part of the music community in the Pacific Northwest for almost 40 years, as a master teacher and performer. She has served as an adjudicator and visiting artist as well as Board member for such organizations as Washington State Music Teachers Association, National Federation of Music Clubs, and LMC’s Frances Walton Competition. Selina holds advanced degrees in piano performance, from the College-Conservatory of Music at the University of Cincinnati and the University of Washington, as well as national certification as a teacher of music through MTNA. Thirteen years of experience as Alaska Dance Theatre’s Principal Accompanist taught her to play well with others, and she has a special place in her heart for all types of ensembles. She is known for her sense of humor and unfortunate ability to carry a tune.

Emiko Hori (Sep 29), a native of Japan, graduated from the renowned Indiana University Jacobs School of Music in Piano Performance. She studied with Shigeo Neriki, and performed at numerous places including Banff Centre, Schleswig-Holstein Musik Festival, Germany. Emiko became fascinated with and continued her study in Computer Science at Boston University. Busy working in technology companies such as CommerceHub and Microsoft, Emiko thought she would never play the piano again. She was wrong; Emiko became one of the newest performing members of Ladies Musical Club. Emiko enjoys dividing her time between performing concerts, teaching piano, and working at Starbucks HQ’s Digital Commerce team.

Pianist Dr. Minju Kim (Sep 29), a native of South Korea, has established herself as a versatile soloist, chamber musician and collaborative pianist. Minju has won numerous awards, including the Sidney Wright Accompanying Competition, Korean Music Association Competition, and Korea-Germany Brahms Association Competition. With her avid interest in chamber music, Minju joined Bowdoin International Music Festival and Music Academy of the West as a fellow in collaborative piano. Currently, Minju serves as collaborative pianist at Shoreline Community College, Seattle University, and Northwest Girlchoir, and works with several private studios for instruments and voice. Minju holds degrees in Piano Performance from Seoul National University (B.M.), Indiana University (M.M./P.D.), and University of Texas in Austin (D.M.A), and in Collaborative Piano from New England Conservatory (M.M.).

Dr. Jennifer Li (Sep 29) completed her Doctorate of Musical Arts in Piano Performance from the Manhattan School of Music in 2001. In that same year, she was awarded the Special Presentation Award by Artists International, which presented her solo debut recital at Carnegie’s Weill Recital Hall. Jennifer has performed in master classes for renowned concert pianists including John Perry, Lazar Berman, John O’Conor, and Roslyn Tureck, among others. She has given solo recitals in New York, New Jersey, Maryland, Washington, and the Netherlands. Since returning to her hometown of Seattle in 2003, Jennifer has established a successful private teaching studio and continues to perform as a soloist and chamber musician.

Luke Raffanti (Sep 23) has been a frequent piano performer around Seattle since moving here in 2017. Before the pandemic, he performed frequently at house concerts, retirement homes, and for benefit concerts. In 2018, he earned the top prize in the Chopin Northwest solo piano competition and in 2019 he was featured as vocal accompanist and solo pianist on Classical KING FM. He has enjoyed collaborating with several professional opera companies: Seattle Opera, Seattle Modern Opera Company, and Northwest Opera in Schools, as well as numerous individual professional vocalists. Luke teaches roughly 40 students of all ages at Cascade Piano Studio in Ravenna, and is the collaborative pianist and organist at Richmond Beach Congregational United Church of Christ in Shoreline. Lately Luke has been taking voice lessons with Davida Kagen and singing with Seattle Pro Musica. He earned a BM in classical piano performance and a BA in environmental studies from Oberlin College and Conservatory of Music.

Valentina Rodov (Sep 29) was born and raised in Moscow, Russia, and received her music education as a concert pianist from the famous Moscow Conservatory. She performed solo and in chamber groups prior to emigrating to the United States. Once in the USA, Valentina decided to become a lawyer, which she successfully accomplished upon graduating from law school in Los Angeles and passing the California Bar. Valentina practiced law as business litigator in Southern California for over twenty years until she and her husband moved to Seattle. With great support and encouragement from the Seattle music community, Valentina came back to piano playing, and soon became a frequent and critically acclaimed recitalist and chamber music performer at various venues in the Seattle area.

Revere Taylor (guest artist, Sep 23) is a multidisciplinary performer originally hailing from Santa Fe, New Mexico. He attended the Royal Conservatoire of Scotland before graduating with a Bachelor of Music from New Mexico State University. He earned his Master of Music degree from University of Northern Colorado, where he performed the roles of Germont in La traviata, Rambaldo in La rondine, and Eisenstein in Die Fledermaus. He performed Ping in Turandot with Opera Fort Collins, and sang Melitone in La forza del destino with Opera Classica Europa in Kloster Eberbach in Germany. He is now a regular chorister at Seattle Opera, where he has appeared in 11 mainstage productions and numerous educational outreach performances. Revere is also the lead singer of the acclaimed power metal band Greyhawk, with whom he performs both in the Northwest and at heavy metal festivals worldwide.

Eliza Woodyard (guest artist, Sep 23) enjoys performing in operas, concerts, recitals, and vocal ensembles locally and abroad. Recent performances include the title role in MARThA with Lowbrow Opera Collective, excerpts from The Tiger and the Deep Blue Sea with City Cantabile Choir, Mozart’s Exsultate Jubilate  at St. James Cathedral, Hansel and Gretel (Gretel) and The Tales of Hoffmann: The Doll Act (Olympia) with Northwest Opera In Schools, Charpentier’s Te Deum with Seattle Baroque Orchestra, and Michel Edward’s Symphony No. 4  with Octava Chamber Orchestra. She is a member of the Seattle Opera Chorus and has also directed operas such as Dido and Aeneas at Olympic College, Diary of a Madman with Lowbrow Opera Collective, and Suor Angelica with Seattle Modern Opera Company. Eliza holds a Bachelor of Music degree from New Mexico State University and a Master of Music degree from University of Northern Colorado.

Performing Artists, May 2022

Sydney Belden (May 21) is a junior at the University of Washington, pursuing a double degree in Environmental Studies and Classical Vocal Performance. She is a student of the UW School of Music training as a coloratura soprano under the study of the accomplished Dr. Tom Harper, and sings in the highly acclaimed University of Washington Chamber Singers, which is comprised of graduate students in the UWSoM and advanced undergraduates, directed by Dr. Geoffery Boers. Sydney is also appearing in the Puget Sound Opera’s Falstaff as a chorister in June as well as productions in their 2022-2033 season.

Lawrence Chu (May 6) is a native of the Seattle area, and currently resides in Bellevue with his family. His former instructors include Phyllis Allport, Frances Walton and Eva Heinitz. After completing 34 years of practice in Emergency Medicine locally, he has begun to reexplore the cello under the guidance of Nathan Chan. He is delighted to have been accepted as an official member of the Ladies Musical Club.

Selina Chu (May 6) holds a special place in her heart for all types of ensemble playing, from duo-piano recitals to choral works, chamber music, and dance collaboration. During her association with Alaska Dance Theatre as their Principal Accompanist, Selina developed a lifelong interest in the expressive relationships between movement and music. She holds a Bachelor of Music degree from the University of Washington, a Master of Music from the University of Cincinnati’s College-Conservatory of Music, and permanent National Certification from MTNA. Selina maintains an independent piano studio in Issaquah and has served as an adjudicator, clinician, and master teacher throughout the Pacific Northwest. She is known for her sense of humor and creative approach to learning and performance.

Emiko Hori (May 6, 27), a native of Japan, graduated from renowned Indiana University Jacobs School of Music in Piano Performance. She studied with Shigeo Neriki, performed at numerous places including Banff Centre, Schleswig-Holstein Musik Festival, Germany, and others. Emiko became fascinated with and continued her study in Computer Science at Boston University. Busy working in technology companies such as CommerceHub and Microsoft, Emiko thought she would never play the piano again. She was wrong; Emiko became one of the newest performing members of Ladies Musical Club. Emiko enjoys dividing her time between performing concerts, teaching piano, and working at Starbucks HQ’s Digital Commerce team.

Inspired by his grandmother and singing “The Sound of Music” in middle school choir, Michael Housley (May 21) began teaching himself piano before studying with Dr. David Brunell at the University of Tennessee. Since moving to Seattle to pursue a career in Architecture, Michael collaborates regularly with Melet Whinston (cellist), accompanies the Seattle University Chapel of St. Ignatius Choir and has participated in several Chamber Music Madness retreats with various chamber ensembles.

Violinist Adrianna Hulscher (May 19) began her studies at the age of 6, inspired by a gift from her parents—a record of Mozart’s delightful opera The Magic Flute. She is currently a freelance violinist in the Seattle area, and a member of the Pacific Northwest Ballet Orchestra. She developed her musical skills at the New England Conservatory and the Guildhall School of Music and Drama in London. Adrianna is a member of the St. Helens String Quartet, and has also performed with Seattle Opera and the Seattle Symphony. As a soloist, she has performed Bartok’s 1st violin Concerto with the University of Texas Symphony and The Lark Ascending by Vaughn Williams with the Lake Sammamish Symphony. Adrianna lives in Seattle with her husband and six year old daughter, Amelia.

Pianist Dr. Minju Kim (May 21), a native of South Korea, has established herself as a versatile soloist, chamber musician and collaborative pianist. Minju has won numerous awards, including the Sidney Wright Accompanying Competition, Korean Music Association Competition, and Korea-Germany Brahms Association Competition. With her avid interest in chamber music, Minju joined Bowdoin International Music Festival and Music Academy of the West as a fellow in collaborative piano. Currently, Minju serves as collaborative pianist at Shoreline Community College, Seattle University, and Northwest Girlchoir, and works with several private studios for instruments and voice. Minju holds degrees in Piano Performance from Seoul National University (B.M.), Indiana University (M.M./P.D.), and University of Texas in Austin (D.M.A), and in Collaborative Piano from New England Conservatory (M.M.).

Joan Lundquist (May 13) has served as a collaborative pianist for Seattle area musicians and organizations for 30 years. Since moving to the area from Humboldt State University in northern California, where she was staff accompanist, Joan has worked with the Northwest Boychoir, Seattle Choral Company, has taught at Seattle University and Northwest University, and has worked with several area private music teachers. Currently, Ms. Lundquist is the Director of Music at Immanuel Lutheran Church in downtown Seattle and rehearsal accompanist for the Seattle Choral Company.

Karin McCullough (May 19) took the less-traveled road to a music career. A serious pianist while growing up in Illinois, she suppressed her aspirations and instead became a paralegal. One day she was asked to accompany opera singers at a Fremont Bistro—a weekly engagement lasting 5 years. By then her popularity as an accompanist, soloist and piano teacher let her trade her life as a paralegal for that of a full-time musician. Karin is a Nationally Certified Teacher of Music in Piano. Karin maintains a flourishing piano studio in Ballard and performs frequently in the Seattle area. She is an active volunteer and member of Seattle Music Teachers Association (SMTA), Principal Organizer for the local chapter of Bach in the Subways, of which she is on the Board of Directors, and has served on the boards of SMTA and Musical Experiences, a nonprofit classical music education organization. Karin is the pianist for Third Church of Christ, Scientist, and is the former program Director for Haller Lake Music Series, a neighborhood classical music series featuring local musicians in recital.

Erika Pierson (May 27) earned her bachelor’s in Cello Performance from Indiana University and her master’s in Performance from the University of Michigan. Between her degrees, Erika studied in Berlin, at the Hochschule der Kunste, and in London under Eileen Croxford, FRCM. Her other teachers included Richard Aaron, Tsuyoshi Tsutsumi, Markus Nyikos, and Erling Blondal Bengtsson. Erika has given solo recitals in England, Germany, Spain, and in the United States, and has soloed with orchestras in Berlin, Ann Arbor, and Everett, WA. On the less classical side of things, she has also performed with Mannheim Steamroller, Rod Stewart, The Walkmen, and Deltron 3030. Currently Erika performs regularly as the cellist in NOCCO Chamber Orchestra, and freelances and teaches in the Seattle area.

Born in Northern CA, Luke Raffanti (May 20) has been a frequent piano performer around Seattle since moving here in 2017. Before the pandemic, he performed frequently at house concerts, retirement homes, and for benefit concerts. In 2018, he earned the top prize in the Chopin Northwest solo piano competition and in 2019 he was featured as vocal accompanist and solo pianist on Classical KING FM. He has enjoyed collaborating with several professional opera companies: Seattle Opera, Seattle Modern Opera Company, and Northwest Opera in Schools, as well as numerous individual professional vocalists. Luke teaches roughly 40 students of all ages at Cascade Piano Studio in Ravenna, and is the collaborative pianist and organist at Richmond Beach Congregational United Church of Christ in Shoreline. Lately Luke has been branching out into voice, and singing in the Seattle Pro Musica choir. He earned a BM in classical piano performance and a BA in environmental studies from Oberlin College and Conservatory of Music.

Emily Riesser’s (May 13) diverse experience encompasses opera, oratorio, theatre, and new works. She recently portrayed Elle in a staging of Poulenc’s one-voice opera, The Human Voice (Ladies Musical Club), sang Frasquita in Carmen (Kitsap Opera), and played a nun in Sister Act (Tacoma Musical Playhouse). In concert, Emily is known for her interpretation of Bach cantatas, including Wedding Cantata, which she sang recently in several venues. Favorite experiences include singing Iphigenie in Gluck’s Iphigenie en Tauride (Seattle Opera Guild), Violetta in Verdi’s La traviata (Kitsap Opera), Tamiri in Mozart’s Il re pastore (Off-Center Opera), and soprano chorus at Seattle Opera. Emily is a graduate of Goshen College (Goshen, IN) and past participant in Bel Canto Northwest (Portland State University).

Melet Whinston (May 21) trained under Maria DeRungs, and was first chair in the Portland Junior Symphony and Princeton University Orchestra. She has presented school performances as a member of Leschi Trio and as a solo performer (with piano). She has many years of experience as chamber musician and solo performer, and she performs regularly at Parkshore and other retirement facilities and schools.

Performing Artists, April 2022

Lin Chen (Apr 22) is a freelance vocalist, violinist and music educator in the Greater Seattle area. Growing up in Australia, she was fortunate to study music with esteemed teachers from the Griffith Conservatorium in Brisbane and the Sydney conservatorium. Her experience in vocal performance expands multiple genres including Classical, Musical theatre and Jazz. She currently studies voice with Dr Kari Ragan. Lin is also a violin coach for the Bellevue Youth Symphony Orchestra (BYSO) and performs with a number of local ensembles including her own string quartet—Quartet Evolution. Her career highlights include performing at the Sydney Opera House, Westminster Abbey and Cologne Cathedral. She enjoys giving regular recitals in Seattle with the Ladies Musical Club.

Tim Fuller (guest artist, Apr 22) holds a bachelor’s degree from Wesleyan University, where he studied South Indian drumming along with piano performance. He is active in the Seattle area as a collaborative pianist and soloist. He also dances with the Radost and Datina folk ensembles. He is especially passionate about the chamber music of Brahms, Prokofiev and Enescu.

Inspired by his grandmother and singing “The Sound of Music” in middle school choir, Michael Housley (guest artist, Apr 11) began teaching himself piano before studying with Dr. David Brunell at the University of Tennessee. Since moving to Seattle to pursue a career in Architecture, Michael collaborates regularly with Melet Whinston (cellist), accompanies the Seattle University Chapel of St. Ignatius Choir and has participated in several Chamber Music Madness retreats with various chamber ensembles.

Joan Lundquist (Apr 23) has served as a collaborative pianist for Seattle area musicians and organizations for 30 years. Since moving to the area from Humboldt State University in northern California, where she was staff accompanist, Joan has worked with the Northwest Boychoir, Seattle Choral Company, has taught at Seattle University and Northwest University, and has worked with several area private music teachers. Currently, Ms. Lundquist is the Director of Music at Immanuel Lutheran Church in downtown Seattle and rehearsal accompanist for the Seattle Choral Company.

Born in Northern CA, Luke Raffanti (Apr 11) has been a frequent piano performer around Seattle since moving here in 2017. Before the pandemic, he performed frequently at house concerts, retirement homes, and for benefit concerts. In 2018, he earned the top prize in the Chopin Northwest solo piano competition and in 2019 he was featured as vocal accompanist and solo pianist on Classical KING FM. He has enjoyed collaborating with several professional opera companies: Seattle Opera, Seattle Modern Opera Company, and Northwest Opera in Schools, as well as numerous individual professional vocalists. Luke teaches roughly 40 students of all ages at Cascade Piano Studio in Ravenna, and is the collaborative pianist and organist at Richmond Beach Congregational United Church of Christ in Shoreline. Lately Luke has been branching out into voice, and singing in the Seattle Pro Musica choir. He earned a BM in classical piano performance and a BA in environmental studies from Oberlin College and Conservatory of Music.

Emily Riesser’s (Apr 23) diverse experience encompasses opera, oratorio, theatre, and new works. She recently portrayed Elle in a staging of Poulenc’s one-voice opera, The Human Voice (Ladies Musical Club), sang Frasquita in Carmen (Kitsap Opera), and played a nun in Sister Act (Tacoma Musical Playhouse). In concert, Emily is known for her interpretation of Bach cantatas, including Wedding Cantata, which she sang recently in several venues. Favorite experiences include singing Iphigenie in Gluck’s Iphigenie en Tauride (Seattle Opera Guild), Violetta in Verdi’s La traviata (Kitsap Opera), Tamiri in Mozart’s Il re pastore (Off-Center Opera), and soprano chorus at Seattle Opera. Emily is a graduate of Goshen College (Goshen, IN) and past participant in Bel Canto Northwest (Portland State University).

Soprano, Tiina Ritalahti (Apr 23), holds degrees in music and vocal performance from the University of Washington. She has performed throughout Washington with Northwest Opera in Schools Etcetera (NOISE), Puget Sound Opera, Ladies Musical Club and Puget Sound Concert Opera as well as being a featured soloist for the Finlandia Foundation. She has sung such roles as the First Spirit and Pamina in Mozart’s The Magic Flute, Despina in Cosi fan tutte, Lisa in Bellini’s La sonnambula, Änchen in Der Freischütz by Weber, Cis in Britten’s Albert Herring, and Olympia in Offenbach’s The Tales of Hoffman. Further she has performed in multiple operas by Menotti: Lucy in The Telephone, Monica in The Medium, and Laetitia in The Old Maid and the Thief. Her passion for singing also extends to art song repertoire, which she performs regularly in recitals around Western Washington. Tiina has created unique breathing classes for young singers that combine her knowledge and experience as a massage therapist, certified yoga teacher and singer.

Eric Shankland (Apr 29) has been playing bassoon since age 15. He played in the NCR band and the Youth Philharmonic in Dayton, Ohio. He studied with Arthur Grossman and played in the University Symphony at the University of Washington, and currently studies with Paul Rafanelli of the Seattle Symphony. He was principal bassoon in the Eastside Symphony (Redmond) for fifteen years. Eric is a research scientist at the University of Washington.

Julie Shankland (Apr 29) has played clarinet since marching band in the Ohio snow. Since moving to Washington, Julie has played in the UW Concert Band, Eastside Symphony, West Seattle Community Orchestras, Rain City Symphony, and various chamber music camps. Julie is an adult student of Jennifer Nelson and recently learned to play bass clarinet. Julie works in the Office of General Counsel at the Washington State Bar Association.

Melet Whinston (Apr 11) studied under Maria DeRungs, and was first chair in the Portland Junior Symphony and Princeton University Orchestra. She has presented school performances as a member of the Leschi Trio and as as a duo with Michael Housley, pianist. She has many years of experience as a chamber musician and solo performer, and performs regularly at St Andrew Presbyterian Church and local recitals.

 

LMC President Vicki White-Miltun Receives 2022 Lifetime Achievement Award from WMEA

Vicki White Miltun Portrait
Vicki White-Miltun, LMC’s President and WMEA 2022 Lifetime Achievement Award Recipient

SEATTLE, Washington: Vicki White-Miltun, LMC President for the 2021 – 2023 term, received the prestigious 2022 Lifetime Achievement Award from the Washington Music Educators Association (WMEA) over the weekend. She was previously named WMEA Educator of the Year in 2001 and was inducted into the WMEA Hall of Fame in 2002.

In addition to serving as current President of LMC, Vicki’s leadership in the profession includes serving as President of the Washington Music Educators Association (1996-1998), Seattle Alumnae Chapter of Sigma Alpha Iota Music Fraternity (1973-1974), and the WA Unit of the American String Teachers Association (1982-1985). She holds a seat on the WMEA Young Musicians Excelling Board. A Mercer Island Home Town Hero (2002) and last Fall’s Grand Marshall of the Mercer Island High School Homecoming Parade, Vicki will retire from teaching in June and will continue her first term as LMC President from 2021 – 2023.

A lifelong violinist, Vicki started her teaching career at the age of 19 giving violin lessons in a summer program in her native Joplin, MO. Director of Orchestras for the Mercer Island School District for over 40 years, she taught four years in the Seattle Public Schools Elementary Instrumental Program. A sought after conductor and adjudicator for many All City, District, Regional and All State Orchestras, she has been recognized many times for her outstanding teaching. Vicki was named National High School Music Teacher of the Year (2008) by the National Federation of High Schools.

Performing Artists, March 2022

Vicki Boeckman (Mar 31) has been performing and teaching since the 1980s. She is embracing the new virtual world with enthusiasm, curiosity, and a sense of awe, finding it to be positive and rewarding amidst the challenges we are all facing. Pre-pandemic she was an internationally acclaimed performing and recording artist who traveled all over the U.S. and to many other countries to perform and teach. Vicki resided in Denmark from 1981-2004 and had the opportunity to collaborate with some of the finest musicians of the day including Jaap ter Linden, John Holloway, René Jacobs, Lars Ulrik Mortensen, Pedro Memelsdorf and Markus Zahnhausen. Her Danish recorder trio Wood’N’Flutes had a fantastic 15-year run performing all over Europe and working with contemporary composers in addition to doing children’s theater. She was an adjunct professor at the Royal Danish Academy of Music in Copenhagen for 12 years and taught at the Ishøj Municipal School of Music for 23 years. Many of those students are now professionals, performing and teaching in conservatories in Denmark and around Europe. Locally Vicki has been a featured soloist with the Seattle Symphony, Seattle Baroque Orchestra, Portland Baroque Orchestra, The Oregon Symphony, Portland Opera, Medieval Women’s Choir, Gallery Concerts, Philharmonia Northwest Orchestra, and the Skagit Symphony. She is currently music director for the Seattle Recorder Society, co-director for the Recorder Orchestra of Puget Sound (ROPS), and Artistic Director for the Port Townsend Early Music Workshop. She dearly hopes that these organizations can withstand the challenges of separation and continue to thrive.

Lin Chen (Mar 31) is a freelance vocalist, violinist and music educator in the Greater Seattle area. Growing up in Australia, she was fortunate to study music with esteemed teachers from the Griffith Conservatorium in Brisbane and the Sydney conservatorium. Her experience in vocal performance expands multiple genres including Classical, Musical theatre and Jazz. She currently studies voice with Dr Kari Ragan. Lin is also a violin coach for the Bellevue Youth Symphony Orchestra (BYSO) and performs with a number of local ensembles including her own string quartet—Quartet Evolution. Her career highlights include performing at the Sydney Opera House, Westminster Abbey and Cologne Cathedral. She enjoys giving regular recitals in Seattle with the Ladies Musical Club.

Katie Hochman (Mar 31), soprano, can be heard regularly giving recitals with Ladies Musical Club of Seattle. She has also enjoyed singing opera and oratorio with Puget Sound Concert Opera (PSCO), Opera Theater Oregon, Portland Opera, Utah Opera, Columbia Chorale and Southwest Washington Symphony (SWS). Highlights include the title role of Massenet’s Cendrillon and Héro in Berlioz’s Beatrice et Bénédict performed with PSCO and Exultate, jubilate performed with SWS.

Sharon Jung (Mar 14) was born and raised in the Pacific Northwest. She is a nurse practitioner, and works in a neurology practice in Tacoma, Washington. She freelances for numerous ensembles in the local area. She has been an LMC member since 1999. She is a former student of LMC member Gail Perstein and is also a former student of Bernard Shapiro.

Andrew Kam (Mar 4) received his BM in Music Education from the University of Miami and an MM in Violin Performance from the University of Oregon. Mr. Kam currently serves as the Orchestra Director at Bellevue High School and conductor for the Cadet String Orchestra with Bellevue Youth Symphony Orchestra. Mr. Kam regularly adjudicates for both small and large ensemble festivals and has served as guest conductor for honors orchestras in the Puget Sound region. As a professional violinist, Mr. Kam is a violinist with Symphony Tacoma. He is one of the recording violinists heard on Kesha’s 2018 Grammy nominated single “Praying,” and has performed on other movie and popular music productions. Each year, Mr. Kam and his wife Angie (violin) tour with Trans-Siberian Orchestra during the band’s stops in Seattle and Portland. Mr. Kam is originally from Honolulu, Hawaii. He enjoys rock climbing, skiing, cooking, and traveling. Mr. Kam also loves hiking with his dog Burt.

Violinist Angie Kam (Mar 4) is an established performer and teacher in the Seattle area. She enjoys playing regular recitals as a performing chamber musician and soloist with the Ladies Musical Club of Seattle. As a professional orchestral violinist, she is assistant principal second violinist of the Yakima Symphony Orchestra, and a section player in the North Corner Chamber Orchestra. Angie has performed with many major pop groups including the Trans-Siberian Orchestra, Ramin Djawadi (Game of Thrones composer), Il Divo, Idina Menzel, Evanescence, Lindsey Stirling, Sarah Brightman, and Michael Bublé. She is also an active studio recording musician for movies and video games. When she’s not playing, practicing, or teaching, Angie enjoys mountaineering, skiing, hiking, running, eating, and spending time with her family (husband and dog).

Joan Lundquist (Mar 4, 31) has served as a collaborative pianist for Seattle area musicians and organizations for 30 years. Since moving to the area from Humboldt State University in northern California, where she was staff accompanist, Joan has worked with the Northwest Boychoir, Seattle Choral Company, has taught at Seattle University and Northwest University, and has worked with several area private music teachers. Currently, Ms. Lundquist is the Director of Music at Immanuel Lutheran Church in downtown Seattle and rehearsal accompanist for the Seattle Choral Company.

Karin McCullough (Mar 31) took the less-traveled road to a music career. A serious pianist while growing up in Illinois, she suppressed her aspirations and instead became a paralegal. One day she was asked to accompany opera singers at a Fremont Bistro—a weekly engagement lasting 5 years. By then her popularity as an accompanist, soloist and piano teacher let her trade her life as a paralegal for that of a full-time musician. Karin is a Nationally Certified Teacher of Music in Piano. Karin maintains a flourishing piano studio in Ballard and performs frequently in the Seattle area. She is an active volunteer and member of Seattle Music Teachers Association (SMTA), Principal Organizer for the local chapter of Bach in the Subways, of which she is on the Board of Directors, and has served on the boards of SMTA and Musical Experiences, a nonprofit classical music education organization. Karin is the pianist for Third Church of Christ, Scientist, and is the former program Director for Haller Lake Music Series, a neighborhood classical music series featuring local musicians in recital.

Gail Perstein (Mar 14) has a Bachelor of Science from Springfield College, a Bachelor of Music from P.L.U., a Master of Music from U.W. (both in oboe performance) and a Master of Arts in Historical Musicology, also from U.W. She splits her time between teaching oboe privately, performing on oboe/English horn, and performing early music. She played in both early and classical music groups at P.L.U. and U.W., and continues performing in various settings, ranging from Tacoma Opera to local church services. Ms. Perstein performed for many years with her own medieval group, Chansonnier, using period instruments. She was a member of the Board of Trustees of the Ladies Musical Club of Seattle for 22 years and chair of the Frances Walton Competition Committee for 23 years.

Erika Pierson (Mar 31) earned her bachelor’s in Cello Performance from Indiana University and her master’s in Performance from the University of Michigan. Between her degrees, Erika studied in Berlin, at the Hochschule der Kunste, and in London under Eileen Croxford, FRCM. Her other teachers included Richard Aaron, Tsuyoshi Tsutsumi, Markus Nyikos, and Erling Blondal Bengtsson. Erika has given solo recitals in England, Germany, Spain, and in the United States, and has soloed with orchestras in Berlin, Ann Arbor, and Everett, WA. On the less classical side of things, she has also performed with Mannheim Steamroller, Rod Stewart, The Walkmen, and Deltron 3030. Currently Erika performs regularly as the cellist in NOCCO Chamber Orchestra, and freelances and teaches in the Seattle area.

Born in Northern CA, Luke Raffanti (Mar 25) has been a frequent piano performer around Seattle since moving here in 2017. Before the pandemic, he performed frequently at house concerts, retirement homes, and for benefit concerts. In 2018, he earned the top prize in the Chopin Northwest solo piano competition and in 2019 he was featured as vocal accompanist and solo pianist on Classical KING FM. He has enjoyed collaborating with several professional opera companies: Seattle Opera, Seattle Modern Opera Company, and Northwest Opera in Schools, as well as numerous individual professional vocalists. Luke teaches roughly 40 students of all ages at Cascade Piano Studio in Ravenna, and is the collaborative pianist and organist at Richmond Beach Congregational United Church of Christ in Shoreline. Lately Luke has been branching out into voice, and singing in the Seattle Pro Musica choir. He earned a BM in classical piano performance and a BA in environmental studies from Oberlin College and Conservatory of Music.

Soprano, Tiina Ritalahti (Mar 4), holds degrees in music and vocal performance from the University of Washington. She has performed throughout Washington with Northwest Opera in Schools Etcetera (NOISE), Puget Sound Opera, Ladies Musical Club and Puget Sound Concert Opera as well as being a featured soloist for the Finlandia Foundation. She has sung such roles as the First Spirit and Pamina in Mozart’s The Magic Flute, Despina in Cosi fan tutte, Lisa in Bellini’s La sonnambula, Änchen in Der Freischütz by Weber, Cis in Britten’s Albert Herring, and Olympia in Offenbach’s The Tales of Hoffman. Further she has performed in multiple operas by Menotti: Lucy in The Telephone, Monica in The Medium, and Laetitia in The Old Maid and the Thief. Her passion for singing also extends to art song repertoire, which she performs regularly in recitals around Western Washington. Tiina has created unique breathing classes for young singers that combine her knowledge and experience as a massage therapist, certified yoga teacher and singer.

Valentina Rodov (Mar 25) was born and raised in Moscow, Russia, and received her music education as a concert pianist from the famous Moscow Conservatory. She performed solo and in chamber groups prior to emigrating to the United States. Once in the U.S., Valentina decided to become a lawyer, which she successfully accomplished upon graduating from law school in Los Angeles and passing the California Bar. Valentina practiced law as business litigator in Southern California for over twenty years until she and her husband moved to Seattle. With great support and encouragement from the Seattle music community, Valentina came back to piano playing, and soon became a frequent and critically acclaimed recitalist and chamber music performer at various venues in the Seattle area.

Eric Shankland (Mar 14) has been playing bassoon since age 15. He played in the NCR band and the Youth Philharmonic in Dayton, Ohio. He studied with Arthur Grossman and played in the University Symphony at the University of Washington, and currently studies with Paul Rafanelli of the Seattle Symphony. He was principal bassoon in the Eastside Symphony (Redmond) for fifteen years. Eric is a research scientist at the University of Washington.

Julie Shankland (Mar 14) has played clarinet since marching band in the Ohio snow. Since moving to Washington, Julie has played in the UW Concert Band, Eastside Symphony, West Seattle Community Orchestras, Rain City Symphony, and various chamber music camps. Julie is an adult student of Jennifer Nelson and recently learned to play bass clarinet. Julie works in the Office of General Counsel at the Washington State Bar Association.

An outstanding member of the Northwest musical community for over 20 years, Regina Thomas (Mar 31) has performed with a variety of companies including Kitsap Opera, Willamette Concert Opera, Bellevue Opera, Puget Sound Concert Opera, Seattle Opera, and the Seattle Opera Guild. Currently LMC’s trustee of concerts and Artistic Director of Puget Sound Concert Opera, Regina has served as Seattle Opera Guild’s VP of Education and is a past President of LMC. Favorite operatic roles include Adriana Lecouvreur, Suor Angelica, Tosca, and Judith (Bluebeard’s Castle). Concert work includes Schumann’s Frauenleibe und-leben, Elgar’s Sea Pictures, and Wagner’s Wesendonck-Lieder; soprano solos in Beethoven’s Symphony No. 9, Fauré Requiem, and Berio’s Folk Songs for voice and chamber ensemble.

Gwen Trussler (Mar 31), mezzo-soprano, holds Performance degrees from Florida State University (BM/MM) as well as ARRT Certification in Radiography, Computed Tomography, and Magnetic Resonance Imaging. She has appeared with Tacoma Musical Playhouse, Heavier Than Air Theatre, Evergreen Performers, TMP Family Theater, Amici Opera, Operesque, South Georgia Opera, and Florida State Opera. A Wagner enthusiast, she was chosen to perform in the inaugural year of the Baldwin-Wallace Wagner Intensive where she coached with Jane Eaglen, Timothy Mussard, and Nancy Maultsby. Gwen works with MultiCare and Franciscan Health as an MRI Technologist and is also a Voice Over artist specializing in audiobook narration.