Soprano Clarice Alfonso (May 22), acclaimed for her musical elegance and dynamic expression, enjoys a vibrant performing schedule in the Pacific Northwest. Recent highlights feature Bach’s Cantata 51 with Northwest Corner Chamber Orchestra, Rosita in Seattle Opera’s Frida Kahlo and Lucy in The Telephone with Puget Sound Concert Opera. Favorite performances include Belinda in Dido and Aeneas, Donna Anna in Don Giovanni, and Silvia in Philip Seward’s premiere of Sincerely Yours. As one of the founders of Forte! Chicago (with her duet partner, Susan Payne O’Brien leading the way), she explores diverse genres, presenting concerts of art song, early music, and musical theater. Clarice’s concert career includes her debut at Chicago Orchestra Hall, collaborations with organist David Briggs, and performances in renowned venues like Carnegie Hall with the Chicago Symphony Choir. She actively contributes to Seattle’s music scene, singing at St. James Cathedral, Temple Beth Am, and with local choral groups such as Opus 7 and Emerald Ensemble. Clarice has a boisterous two-year-old and teaches children’s music classes when she can find a smidgen of time.
Singing is an essential part of life for Diane Althaus (May 20), and sharing it with others is a joy. She organized and sang in an opera ensemble program, including music from Simon Boccanegra, Cosi Fan Tutte, Martha, and Carmen. She has sung programs of art songs, and opera arias and ensembles in various local venues, including Stage7. Diane sang in Puccini’s Butterfly in a local opera company, the Countess in a duet from The Marriage of Figaro and Desiree in Sondheim’s A Little Night Music. Pergolesi’s “Stabat Mater” is her favorite sacred music.
Jan Bleakney (May 17) has the commonly paired joint interests of math and music. She grew up playing flute and piano in Anacortes, and went on to earn a math degree at the University of Washington. She earned her living as a consulting actuary. Since retiring, Jan has been able to rebalance her time to put music in the forefront, including taking up the Celtic harp. Jan regularly performs with her BMW Flute Trio and Music Performance Group, as well as previously participating in Music Northwest, Phinney Ridge Orchestra and International Artists Carillon. She is so thrilled to have worked with such wonderful teachers, Zart Dombourian-Eby, Mark Andersen and Gwen Baker.
Sophia Chou (May 20), born and raised in Taiwan, began studying piano at age five, later refining her artistry under Professor Chien-Ying Yang. Throughout her youth, she earned accolades in Taiwan’s music scene, excelling in solo, choral, and chamber music. In 2022, she moved to the U.S. to pursue a Master’s in Computer Science at Carnegie Mellon University. Now based in Seattle as a research scientist specializing in AI, she continues to blend her analytical work with a deep passion for music. Sophia has collaborated with the Skagit Symphony and performed alongside soloists such as Noémie Raymond. As a dedicated collaborative pianist with the Ladies Musical Club of Seattle, she regularly performs and connects with audiences through recitals, sharing her love of classical music.
Lawrence Chu (May 17) is a native of the Seattle area, and currently resides in Bellevue with his family. His former instructors include Phyllis Allport, Frances Walton and Eva Heinitz. After completing 34 years of practice in Emergency Medicine locally, he has begun to reexplore the cello under the guidance of Nathan Chan. He is delighted to have been accepted as an official member of the Ladies Musical Club.
Selina Chu (May 17) has been a part of the music community in the Pacific Northwest for over 40 years, as a master teacher and performer. She has served as an adjudicator and visiting artist as well as Board member for such organizations as Washington State Music Teachers Association, National Federation of Music Clubs, and LMC’s Frances Walton Competition. Selina holds advanced degrees in piano performance, from the College-Conservatory of Music at the University of Cincinnati and the University of Washington, as well as national certification as a teacher of music through MTNA. Thirteen years of experience as Alaska Dance Theatre’s Principal Accompanist taught her to play well with others, and she has a special place in her heart for all types of ensembles.
Diana Gao (May 14) began studying the piano at age 4. She earned her MBA degree at the University of Washington (UW) and is now a Senior Marketing Manager at Microsoft. For years, she has consistently cultivated her passion through regular lessons, performances, and competitions. She is currently studying with Dr. Robin McCabe from the UW, and she’s a prizewinner in many competitions, including Gold Medalist of the Seattle International Piano Competition (Outstanding Amateurs Division), First Prize in the “Golden Classical Music Awards” International Competition, which earned her a solo performance at Carnegie Hall, Second Prize in the Tiziano Rossetti International Music Competition, and an Honorable Mention of the Bradshaw & Buono International Piano Competition. She was a performer of the Piano Texas International Festival, the Aloha International Piano Festival, and the Seattle Piano Institute. As a performing member of the Ladies Musical Club of Seattle, she has been actively performing in the Seattle public concert series. She’s also been a jury member of the Frances Walton Competition. She’s recently joined the Board of Classical KING FM 98.1 and has been a repeated guest of Classical KING’s Northwest Focus Live program. Since 2020, she has presented annual fundraising recitals through the Microsoft Give campaign, raising thousands of dollars in support of local non-profit organizations. Those events reinforced her belief that music has the power to inspire change and make the world a better place.
Mariane Hermanson (guest artist, May 17) started playing the horn in her elementary school band and participated in various groups through the first two years of college. As an adult, she has played the horn for several years with Rainy Day Brass Quintet, West Seattle Community Orchestras, Orchestra of Flight, and many theater pit orchestras. In between musical adventures, Mariane’s career has been mostly in engineering, teaching, and music administration. It is an honor to be invited as a guest artist for LMC in this series.
Katie Hochman (May 11), soprano, can be heard regularly giving recitals with Ladies Musical Club of Seattle. She has also enjoyed singing opera and oratorio with Puget Sound Concert Opera (PSCO), Opera Theater Oregon, Portland Opera, Utah Opera, Columbia Chorale and Southwest Washington Symphony (SWS). Highlights include the title role of Massenet’s Cendrillon and Héro in Berlioz’s Beatrice et Bénédict performed with PSCO and Exultate, jubilate performed with SWS.
Seattle-born cellist Emily Hu (May 2) enjoys a diverse career as an orchestral cellist, chamber musician, and recitalist, performing regularly with the Seattle Symphony, Seattle Opera, and the 5th Avenue Theater, as well as with her duo partner of twenty years, pianist Thomas Lee. She is a former member of the Oregon Symphony Orchestra and has appeared at the Oregon Bach Festival and the Bellingham Festival of Music, along with many other ensembles throughout the Pacific Northwest and across the country. Emily is happiest as a chamber musician and has collaborated in recital with artists including Yo-Yo Ma, Lynn Harrell, and Alban Gerhardt. She holds a Bachelor of Music from the Shepherd School of Music at Rice University, where she studied with Norman Fischer, and a Master’s degree from Northwestern University, where she was a student of Hans Jorgen Jensen.
A native of Taiwan, pianist Michelle Huang (May 22) has a rewarding career as a dynamic soloist and chamber musician. She is equally at home performing music ranging from the esteemed masters to the novel voices. A devoted educator, she held teaching positions at Lincoln Memorial University, Edward Waters College, and Virginia Commonwealth University. Huang received a Doctor of Music in Piano Performance from Florida State University. Currently she resides in Seattle, WA with her husband and maintains a vibrant private teaching studio, where she works with a group of piano students with immense talent.
Violinist Adrianna Hulscher (May 20) began her studies at the age of 6, inspired by a gift from her parents—a record of Mozart’s delightful opera, The Magic Flute. She is currently a freelance violinist in the Seattle area, and a member of the Pacific Northwest Ballet Orchestra. She developed her musical skills at the New England Conservatory and the Guildhall School of Music and Drama in London. Adrianna is a member of the St. Helens String Quartet, and has also performed with Seattle Opera and the Seattle Symphony. As a soloist, she has performed Bartok’s 1st violin Concerto with the University of Texas Symphony and The Lark Ascending by Vaughn Williams with the Lake Sammamish Symphony. Adrianna lives in Seattle with her husband and 12-year-old daughter, Amelia.
Hailed as “dazzling” by Peninsula Reviews, violinist Caitlin Kelley (May 2) enjoys a diverse career as a soloist, chamber musician, orchestral player, and teaching artist. Caitlin has soloed with orchestras across the country and presented recitals in both the United States and Europe. An avid chamber musician, Caitlin is a member of Wild Up, an LA-based modern music collective, and is the co-founder and co-artistic director of Nightjar, Seattle’s newest chamber music society. She has performed as Guest Concertmaster and Interim Assistant Concertmaster of the Louisville Orchestra, and is the former concertmaster of the Colburn and YMF Debut Orchestras. Caitlin performs frequently with the Seattle Symphony, Seattle Opera, and North Corner Chamber Orchestra (NOCCO). Caitlin received a Bachelor of Music degree and Professional Studies Certificate from the Colburn School in Los Angeles, and a Master of Music degree from the Juilliard School in New York.
Monica Kessler (May 14) earned her BM in piano performance from Western Washington University and MM in piano performance from Central Washington University. She has extensive teaching and accompanying experience, having taught on faculty at Wenatchee Valley College, Woods House Conservatory, Northshore Christian Academy as well as her own private teaching studio. While continuing to perform she also has a career as a full-time real estate broker.
Dr. Mia HyeYeon Kim (May 7, 14) is a Seattle-based pianist originally from Seoul, South Korea. She has won top prizes in the Frances Walton, Metropolitan International, and Texas State International Piano Competitions, among others. Recent highlights include performances of Gershwin’s Rhapsody in Blue with the UW Wind Ensemble in Seattle and South Korea, and Chopin’s Piano Concerto No. 1 with the UW Symphony Orchestra. She has also been featured on Classical KING FM 98.1. A passionate collaborator, Kim has performed extensively with vocalists, instrumentalists, choirs, and opera companies. She currently serves as adjunct faculty at Wesleyan College and as a staff pianist at the University of Washington. She holds degrees from Yonsei University (BM), New England Conservatory (MM), Cincinnati Conservatory of Music (AD), and the University of Washington (DMA), studying under Victor Rosenbaum, Soyeon Kate Lee, and Craig Sheppard. A certified yoga instructor, she incorporates wellness into her musical work through workshops and outreach.
Rhonda Kline (May 22) – bio to come
Stasia Kulsa (May 11), flutist, has a Master of Arts in Music from Washington State University that she completed under the guidance of Dr. Sophia Tegart. In addition, she has undergraduate degrees in Music Performance and Mechanical Engineering from WSU. While at WSU, she performed with the Symphonic Wind Ensemble, Orchestra, the Latin Jazz Ensemble, and the Crimson Flute Choir. Since graduating, she has been performing with the Bremerton WestSound Symphony and working as an Acoustics Engineer at Blue Origin.
Pianist Thomas Lee (May 2) has performed extensively around the region and beyond, including solo performances at Carnegie Hall’s Weill Recital Hall, as well as concerto performances with the UW Symphony and the Kostroma Symphony in Russia, and multiple appearances on KING-FM Radio. Tom has claimed top prizes at the NFMC Young Artist Competition, Buono & Bradshaw Int’l Piano Competition, American Fine Arts Festival Concerto Competition, Indianapolis Matinee Musicale Piano Competition, and the Frances Walton Competition. Under the tutelage of Craig Sheppard, Andre Watts, Jon Kimura Parker, Thomas has earned degrees from Rice University, Indiana University, and the University of Washington. His doctoral dissertation, “Evocations of Nature in the Piano Music of Franz Liszt and the Seeds of Impressionism,” uncovers some long-neglected origins of pianistic Impressionism. As a committed educator, Tom has adjudicated and lectured throughout WA, and serves on the board of directors of the SMTA as VP of Student Development.
Joan Lundquist (May 2, 20) has served as a collaborative pianist for Seattle area musicians and organizations for 30 years. Since moving to the area from Humboldt State University in northern California, where she was staff accompanist, Joan has worked with the Northwest Boychoir, Seattle Choral Company, has taught at Seattle University and Northwest University, and has worked with several area private music teachers. Ms. Lundquist is the retired Director of Music at Immanuel Lutheran Church in downtown Seattle and currently is the rehearsal accompanist for the Seattle Choral Company.
Karin McCullough (May 11) is a Nationally Certified Teacher of Music in Piano who gives private lessons in her Ballard studio and performs frequently in Greater Seattle. She co-led two music history tours in Vienna in the early 2000s, is an active volunteer and acting librarian for Seattle Music Teachers Association, and has often performed on KING FM radio on Sean Maclean’s program, Northwest Focus Live. Her most recent performance there—accompanying Brandi Birdsong in songs by H. Leslie Adams—is available on NPR (https://livesessions.npr.org/videos).
Susan Payne O’Brien (May 22) is a poet, performer and opera director living in Seattle. Her writing for theater has been seen on the stages of 2nd Story Chicago, Around the Coyote, Links Hall, The Piven Theatre Workshop and The International Puppetry Festival. She is the founding artistic director of Forte, an all-female improvisational comic opera troupe. In her teaching and work with theatrical and operatic ensembles she is committed to helping students and artists of all levels access authenticity of voice. Recently, she has worked with emerging operatic performers at The Santa Fe Opera, Chicago Opera Theater, DePaul University and The Chicago College of Performing Arts. She is a frequent soloist with Seattle Pro Musica and will be featured in their Spring performances of Ralph Vaughan Williams’ The Sea Symphony in conjunction with The Auburn Symphony.
Gail Perstein (May 17) has a Bachelor of Science from Springfield College, a Bachelor of Music from P.L.U., a Master of Music from U.W. (both in oboe performance) and a Master of Arts in Historical Musicology, also from U.W. She splits her time between teaching oboe privately, performing on oboe/English horn, and performing early music. She played in both early and classical music groups at P.L.U. and U.W., and continues performing in various settings, ranging from Tacoma Opera to local church services. Ms. Perstein performed for many years with her own medieval group, Chansonnier, using period instruments. She was a member of the Board of Trustees of the Ladies Musical Club of Seattle for 22 years and chair of the Frances Walton Competition Committee for 23 years.
Erika Pierson (May 20) earned her bachelor’s in Cello Performance from Indiana University and her master’s in Performance from the University of Michigan. Between her degrees, Erika studied in Berlin, at the Hochschule der Kunste, and in London under Eileen Croxford, FRCM. Her other teachers included Richard Aaron, Tsuyoshi Tsutsumi, Markus Nyikos, and Erling Blondal Bengtsson. Erika has given solo recitals in England, Germany, Spain, and in the United States, and has soloed with orchestras in Berlin, Ann Arbor, and Everett, WA. On the less classical side of things, she has also performed with Mannheim Steamroller, Rod Stewart, The Walkmen, and Deltron 3030. Currently Erika performs regularly in NOCCO Chamber Orchestra, and freelances and teaches in the Seattle area.
Valentina Rodov (May 14) was born and raised in Moscow, Russia, and received her music education as a concert pianist from the famous Moscow Conservatory. She performed solo and in chamber groups prior to emigrating to the United States. Once in the USA, Valentina decided to become a lawyer, which she successfully accomplished upon graduating from law school in Los Angeles and passing the California Bar. Valentina practiced law as a business litigator in Southern California for over twenty years until she and her husband moved to Seattle. With great support and encouragement from the Seattle music community, Valentina came back to piano playing, and soon became a frequent and critically acclaimed recitalist and chamber music performer at various venues in the Seattle area.
Originally from Australia, Stephanie Shadbolt (May 11, 14) has lived and worked in Japan as well as the U.S. She holds a Bachelor of Arts from the Tokyo University of Foreign Studies and a Bachelor of Music from Cornish College of the Arts, where she studied piano performance with Dr. Peter Mack. She is a Seattle International Piano Festival prize winner. Stephanie also holds a Master of Arts degree in ethnomusicology from Monash University (Australia), and performs and records Indonesian gamelan music. She has performed Javanese and Balinese gamelan music in the U.S., Australia, and New Zealand.
Eric Shankland (May 17) has been playing bassoon since age 15. He played in the NCR band and the Youth Philharmonic in Dayton, Ohio. He studied with Arthur Grossman and played in the University Symphony at the University of Washington, and currently studies with Paul Rafanelli of the Seattle Symphony. He was principal bassoon in the Eastside Symphony (Redmond) for fifteen years. Eric is a research scientist at the University of Washington.
Julie Shankland (May 17) has played clarinet since marching band in the Ohio snow. Since moving to Washington, Julie has played in the UW Concert Band, Eastside Symphony, West Seattle Community Orchestras, Rain City Symphony, and various chamber music camps. Julie is an adult student of Jennifer Nelson and recently learned to play bass clarinet. Julie works in the Office of General Counsel at the Washington State Bar Association.
An outstanding member of the Northwest musical community for over 20 years, Regina Thomas (May 11) has performed with a variety of companies including Kitsap Opera, Willamette Concert Opera, Bellevue Opera, Puget Sound Concert Opera, Seattle Opera, and the Seattle Opera Guild. Currently Artistic Director of Puget Sound Concert Opera, Regina has served as Seattle Opera Guild’s VP of Education and is a past President and trustee of concerts for LMC. Favorite operatic roles include Adriana Lecouvreur, Suor Angelica, Tosca, and Judith (Bluebeard’s Castle). Concert work includes Schumann’s Frauenleibe und-leben, Elgar’s Sea Pictures, and Wagner’s Wesendonck-Lieder; soprano solos in Beethoven’s Symphony No. 9, Fauré Requiem, and Berio’s Folk Songs for voice and chamber ensemble.
Kathryn Vinson (May 2) is a mezzo-soprano known for the warmth and richness of her voice. She appears frequently in recital in Seattle in venues ranging from Town Hall to Saint Mark’s cathedral. She has an extensive repertoire of German Lieder and has appeared internationally in operas in Europe and the Middle East. Ms. Vinson is equally at home with oratorio and has been a soloist with Seattle Baroque Orchestra and Orchestra Seattle/Seattle Chamber Singers. Her voice can also be heard on the soundtracks of a number of major motion pictures. Ms. Vinson has been a featured singer with the Pacific Northwest Ballet, performing in A Midsummer Night’s Dream and the annual Christmas production of The Nutcracker.