Artist Bios, October 2024

Madeline Beery (Oct 21), M.Ed., was a music major, and worked as a Music Therapist for several years before pursuing public health professionally. Since moving to Seattle in 1985, she has studied with Zart Dambourian-Eby, SSO, Wendy Wilhelmi, Vancouver Symphony and Pam Mooney, SSO. She has played in the Dubuque, Alexandria, and Kuala Lumpur Symphonies, and now plays in the Rain City Symphony. She was the co-founder and President of AIDS Impact for 20 years that educated health professionals on AIDS, prevention, and infection control in over 42 countries. Her final public health project for WA State was to lead the planning for a pandemic.

A student of Bernard Shapiro and Dan Williams, Rosemary Bell (Oct 21) played in the Seattle Youth Symphony under Vilem Sokol and later studied at the Cornish school. Rosemary has freelanced throughout the Seattle area for 30 years and has played in local orchestras including Thalia Symphony and Broadway Chamber Orchestra. She has been a soloist for many local churches.

Jane Hoyt Buckner, M.D. (Oct 21) studied clarinet under Joseph Longo, principal Clarinetist at the Minnesota Orchestra and was a member of the Minnesota Youth Symphony during her middle and high school years. She attended Carleton College she was principal clarinetist in the Carleton Orchestra, studied voice and was a member of the Carleton Choir. While attending the Johns Hopkins School of Medicine she was a member of the JHU Chamber Music Society, she continued to play chamber music throughout her Residency in Internal Medicine at the University of Minnesota. Jane moved to Seattle 30 years ago and has been a member of Rain City Symphony for over 15 years. She is a practicing rheumatologist at Virginia Mason and the President of the Benaroya Research Institute. As a physician and immunologist, she works to understand and treat autoimmune diseases including rheumatoid arthritis, type 1 diabetes and multiple sclerosis. She is a scientific co-founder of Gentibio, a company developing cell-based therapies to treat autoimmunity.

Diana Gao (Oct 1, 19) is a concert pianist and a Senior Marketing Manager at Microsoft. She earned her MBA degree at the University of Washington (UW) in 2015 and is currently studying the piano with Dr. Robin McCabe from UW. She won the Gold Medal of the Seattle International Piano Competition (Outstanding Amateurs Division) and First Prize in the “Golden Classical Music Awards” International Competition, which earned her a solo performance at Carnegie Hall. She’s an active performer in Seattle and international piano festivals. She’s also a Board member of Classical KING and has been a repeated guest of Classical KING’s Northwest Focus Live program. Since 2020, she has presented annual fundraising recitals through the Microsoft Give campaign supporting local non-profit organizations. Those events reinforced her belief that music has the power to inspire change and make the world a better place.

Stephanie Guasch (Oct 1) is a classically trained singer and educator with over 10 years of experience in formal singing. She earned her Master’s Degree at the Mannes School of Music (New York, NY) and a Bachelor’s Degree in Music Education from the Interamerican University of Puerto Rico (San Germán, P.R.). During her time at Mannes she studied with Ruth Falcon, and performed in multiple master classes, opera workshops, outreach programs, and recitals. Back in her native Puerto Rico, and an active performer, she was a member of the San Juan Philharmonic Chorale as well as Coralia, the renowned concert choir of the University of Puerto Rico led by the distinguished conductor Carmen Acevedo Lucío. Since relocating to Seattle in 2020 Ms. Guasch has been an active freelance vocalist performing in a wide variety of genres including classical music, bossa nova, jazz, Latin jazz, as well as backup singer for local Latin music ensembles.

Emiko Hori (Oct 15), a native of Japan, graduated from the renowned Indiana University Jacobs School of Music in Piano Performance. She studied with Shigeo Neriki, and performed at numerous places including Banff Centre, Schleswig-Holstein Musik Festival, Germany. Emiko became fascinated with and continued her study in Computer Science at Boston University. Busy working in technology companies such as CommerceHub and Microsoft, Emiko thought she would never play the piano again. She was wrong; Emiko became one of the newest performing members of Ladies Musical Club. Emiko enjoys dividing her time between performing concerts, teaching piano, and working at Starbucks HQ’s Digital Commerce team.

Seattle-born cellist Emily Hu (Oct 9) enjoys a diverse career as an orchestral cellist, chamber musician, and recitalist, performing regularly with the Seattle Symphony, Seattle Opera, and the 5th Avenue Theater, as well as with her duo partner of twenty years, pianist Thomas Lee. She is a former member of the Oregon Symphony Orchestra and has appeared at the Oregon Bach Festival and the Bellingham Festival of Music, along with many other ensembles throughout the Pacific Northwest and across the country. Emily is happiest as a chamber musician and has collaborated in recital with artists including Yo-Yo Ma, Lynn Harrell, and Alban Gerhardt. She holds a Bachelor of Music from the Shepherd School of Music at Rice University, where she studied with Norman Fischer, and a Master’s degree from Northwestern University, where she was a student of Hans Jorgen Jensen.

Hailed as “dazzling” by Peninsula Reviews, violinist Caitlin Kelley (Oct 9) enjoys a diverse career as a soloist, chamber musician, orchestral player, and teaching artist. Caitlin has soloed with orchestras across the country and presented recitals in both the United States and Europe. An avid chamber musician, Caitlin is a member of Wild Up, an LA-based modern music collective, and is the co-founder and co-artistic director of Nightjar, Seattle’s newest chamber music society. She has performed as Guest Concertmaster and Interim Assistant Concertmaster of the Louisville Orchestra, and is the former concertmaster of the Colburn and YMF Debut Orchestras. Caitlin performs frequently with the Seattle Symphony, Seattle Opera, and North Corner Chamber Orchestra (NOCCO). Caitlin received a Bachelor of Music degree and Professional Studies Certificate from the Colburn School in Los Angeles, and a Master of Music degree from the Juilliard School in New York.

Monica Kessler (Oct 15) earned her BM in piano performance from Western Washington University and MM in piano performance from Central Washington University. She has extensive teaching and accompanying experience, having taught on faculty at Wenatchee Valley College, Woods House Conservatory, Northshore Christian Academy as well as her own private teaching studio. While continuing to perform she also has a career as a full-time real estate broker.

Peter Klein (Oct 21) grew up in Lexington, Massachusetts. He earned a BFA in Theater and Music from Emerson College in Boston, also studying at the Longy School of Music. His bassoon teachers include Louise Cavalieri Goni, Dan Welcher and Francine Peterson. He currently plays in the Rain City Symphony and in several informal chamber groups. Peter has composed several chamber and choral pieces, incidental music for theatrical productions, and musicals for children. Now retired from a career in information technology, he also announced classical music at public radio stations and wrote about music for newspapers and magazines.

Lisa Lanza (guest artist, Oct 19) has been performing as a solo artist and collaborator for over thirty years on the Olympic Peninsula and in the greater Seattle Area. She has studied with the pianist Maria Joao Pires at Belgais, Portugal and Paul Roberts at The Guildhall School of Theater and Arts in London. She holds a Master of Music degree in Piano Performance and Accompanying from The University of Redlands. As a guest artist she has performed on the Music at St. Leonard’s concert series, Hythe, England, the Young Concert Artists Competition, at Weill Hall, NY, the Olympic Music Festival, Quilcene, WA, Sierra Opera Institute’s chamber music series, Mammoth, CA, the Bloedel Reserve, Bainbridge Island, WA. As an opera and musical theater accompanist she has worked with companies from Orange County to Seattle Opera, to Issaquah’s Village Theater and Key City Players in Port Townsend. She holds 1st and 2nd prize medals from the Greater Spokane Music & Allied Arts Festival for her interpretations of Beethoven and Chopin.

Pianist Thomas Lee (Oct 9) has performed extensively around the region and beyond, including solo performances at Carnegie Hall’s Weill Recital Hall, as well as concerto performances with the UW Symphony and the Kostroma Symphony in Russia, and multiple appearances on KING-FM Radio. Tom has claimed top prizes at the NFMC Young Artist Competition, Buono & Bradshaw Int’l Piano Competition, American Fine Arts Festival Concerto Competition, Indianapolis Matinee Musicale Piano Competition, and the Frances Walton Competition. Under the tutelage of Craig Sheppard, Andre Watts, Jon Kimura Parker, Thomas has earned degrees from Rice University, Indiana University, and the University of Washington. His doctoral dissertation, “Evocations of Nature in the Piano Music of Franz Liszt and the Seeds of Impressionism,” uncovers some long-neglected origins of pianistic Impressionism. As a committed educator, Tom has adjudicated and lectured throughout WA, and serves on the board of directors of the SMTA as VP of Student Development.

Karin McCullough (Oct 15) is a Nationally Certified Teacher of Music in Piano who gives private lessons in her Ballard studio and performs frequently in Greater Seattle. She co-led two music history tours in Vienna in the early 2000s, is an active volunteer and acting librarian for Seattle Music Teachers Association, and has often performed on KING FM radio on Sean Maclean’s program, Northwest Focus Live. Her most recent performance there—accompanying Brandi Birdsong in songs by H. Leslie Adams—is available on NPR (https://livesessions.npr.org/videos).

Sean-Wyn Ng (Oct 21) is a cellist from Mesa, Arizona. She has experience performing as a soloist and in orchestral and chamber music settings. In addition to the Ladies Musical Club of Seattle, she is involved with the Seattle Philharmonic and Amazon Symphony Orchestra. Sean-Wyn has also previously played with the MCC Community Orchestra, Princeton Sinfonia, and the Phoenix Youth Symphony. She graduated from Princeton University with a degree in computer science in 2021 and currently works as a software engineer at Amazon.

Known for her expressive and passionate performances, Jensina Oliver (Oct 15) has delighted audiences as soloist and chamber musician in the United States, China, Canada, Costa Rica, Israel, and throughout Europe. Her performances with orchestra include appearances with the Hubei Provincial Orchestra of Wuhan, China, and the Utah Philharmonia. She was a national finalist of the MTNA Chamber Music Competition, a resident artist at the Banff Chamber Music Festival, and has won several solo and concerto competitions throughout the United States. Dr. Oliver is in high demand as guest performer, clinician, and adjudicator at events, conferences, and competitions throughout the Pacific Northwest. She has taught at Shoreline Community College since 1998 and has a thriving piano studio with students of all ages. Dr. Oliver currently resides with her family in Shoreline, WA, where she loves to enjoy all of the beautiful outdoor opportunities that the Pacific Northwest provides.

Soprano Laurel Sprigg (Oct 19) has delighted audiences in the San Francisco Bay Area for many years with her warm, vibrant singing as a concert soloist, recitalist, and chamber music soloist. In public performances, private events, and intimate gatherings, her artistry is communicated through her fresh, clear, and heartfelt singing. Laurel studied vocal performance and music theory at the San Francisco Conservatory of Music, and Dance at Bennington College. An advocate of community engagement, Laurel has given recitals to benefit many community groups. She has recently moved to Poulsbo Washington, and has joined the Bremerton Symphony Chorale, Kitsap Opera outreach program, and the Ladies Musical Club of Seattle.

Artist Bios, September 2024

Hilary Field (Sep 27) is a past winner of the Northwest Young Artist Series Competition and was the first guitarist to win the Ladies Musical Club Frances Walton Competition. She has held faculty positions as the head of the Guitar department at Seattle Pacific University and Pacific Lutheran University. Hilary was recently awarded a US Artists International Grant to perform a concert tour throughout Chile with the International Guitar Festival Entrecuerdas in October 2024, and has performed concerts throughout North and South America. Her latest CD, “Premieres,” features new works for guitar that were composed and dedicated to her. She has received grants for composing and performing new music by the Seattle Office of Arts and Culture, 4Culture, and Artist Trust. The Seattle Times exclaims that classical guitarist, “Hilary Field, is a dynamic player. She doesn’t just recite what can often be complex work, but imbues it with fire and grace.” www.hilaryfield.com

Stephanie Guasch (Sep 27) is a classically trained singer and educator with over 10 years of experience in formal singing. She earned her Master’s Degree at the Mannes School of Music (New York, NY) and a Bachelor’s Degree in Music Education from the Interamerican University of Puerto Rico (San Germán, P.R.). During her time at Mannes she studied with Ruth Falcon, and performed in multiple master classes, opera workshops, outreach programs, and recitals. Back in her native Puerto Rico, and an active performer, she was a member of the San Juan Philharmonic Chorale as well as Coralia, the renowned concert choir of the University of Puerto Rico led by the distinguished conductor Carmen Acevedo Lucío. Since relocating to Seattle in 2020 Ms. Guasch has been an active freelance vocalist performing in a wide variety of genres including classical music, bossa nova, jazz, Latin jazz, as well as backup singer for local Latin music ensembles.

Stasia Kulsa (Sep 27), flutist, has a Master of Arts in Music from Washington State University that she completed under the guidance of Dr. Sophia Tegart. In addition, she has undergraduate degrees in Music Performance and Mechanical Engineering from WSU. While at WSU, she performed with the Symphonic Wind Ensemble, Orchestra, the Latin Jazz Ensemble, and the Crimson Flute Choir. Since graduating, she has been performing with the Bremerton WestSound Symphony and working as an Acoustics Engineer at Blue Origin.

Karin McCullough (Sep 27) is a Nationally Certified Teacher of Music in Piano who gives private lessons in her Ballard studio and performs frequently in Greater Seattle. She co-led two music history tours in Vienna in the early 2000s, is an active volunteer and acting librarian for Seattle Music Teachers Association, and has often performed on KING FM radio on Sean Maclean’s program, Northwest Focus Live. Her most recent performance there—accompanying Brandi Birdsong in songs by H. Leslie Adams—is available on NPR (https://livesessions.npr.org/videos).

Susan Payne O’Brien (Sep 27) is a poet, performer and opera director living in Seattle. Her writing for theater has been seen on the stages of 2nd Story Chicago, Around the Coyote, Links Hall, The Piven Theatre Workshop and The International Puppetry Festival. She is the founding artistic director of Forte, an all-female improvisational comic opera troupe. In her teaching and work with theatrical and operatic ensembles she is committed to helping students and artists of all levels access authenticity of voice. Recently, she has worked with emerging operatic performers at The Santa Fe Opera, Chicago Opera Theater, DePaul University and The Chicago College of Performing Arts. She is a frequent soloist with Seattle Pro Musica and will be featured in their Spring performances of Ralph Vaughan Williams’ The Sea Symphony in conjunction with The Auburn Symphony.

Artist Bios, July 2024

Jan Bleakney (July 16) has the commonly paired joint interests of math and music. She grew up playing flute and piano in Anacortes, and went on to earn a math degree at the University of Washington. She earned her living as a consulting actuary. Since retiring, Jan has been able to rebalance her time to put music in the forefront, including taking up the Celtic harp. Jan regularly performs with her BMW Flute Trio and Music Performance Group, as well as previously participating in Music Northwest, Phinney Ridge Orchestra, and International Artists Carillon. She is so thrilled to have worked with such wonderful teachers, Zart Dombourian-Eby, Mark Andersen, and Gwen Baker.

Diana Gao (July 16) manages a double life as a Senior Marketing Manager at Microsoft and a concert pianist. She earned her MBA degree at the University of Washington (UW) in 2015 and is currently studying the piano with Dr. Robin McCabe from UW. She won the Gold Medal of the Seattle International Piano Competition (Outstanding Amateurs Division) and First Prize in the “Golden Classical Music Awards” International Competition, which earned her a solo performance at Carnegie Hall. She’s an active performer in Seattle and international piano festivals. She’s also a Board member of Classical KING and has been a repeated guest of Classical KING’s Northwest Focus Live program. Since 2020, she has presented annual fundraising recitals through the Microsoft Give campaign supporting local non-profit organizations. Those events reinforced her belief that music has the power to inspire change and make the world a better place.

Artist Bios, May 2024

Dora Barnes (May 8) was born and raised in Yakima Washington and now resides in Seattle. She is a classically trained vocalist, pianist, and saxophonist, and is currently studying with Davida Kagen. Dora attended Yakima Valley Community College and Central Washington University with a focus on vocal performance. Dora has performed with the Seattle Art Song Society, Ladies Musical Club, and the Puget Sound Concert Opera, among others. Notably, she has performed as Zerlina in Don Giovanni, placed 1st in the PAFE Opera division, placed 3rd in the Seattle Opera Guild’s Singer Development Awards, and was an honorable mention in the Metropolitan Opera National Council Awards. When not singing opera, Dora is the lead singer and plays saxophone in two Motown/Oldies bands, and also composes her own music.

Julia Bezems (May 12) is excited to join the Ladies Musical Club of Seattle this year as a performing member. Hailing from Allentown, PA, Julia holds Bachelors degrees in voice performance and computer science from the University of Michigan, and she is now active as a singer and choral conductor in the Seattle area. While at the University of Michigan, she performed frequently as a soprano with the Chamber Choir and as a soloist with the University Baroque Orchestra. Since moving to the Seattle area in 2022, she has sung with Seattle Pro Musica, Opus 7 Vocal Ensemble, and the Northwest Symphony Orchestra; and she currently sings with Radiance vocal ensemble. She serves as the Student Assistant Conductor of the Bellevue Chamber Chorus for the 2023-2024 season, and she is co-leader of the Seattle branch of Crescendo North America, an international organization for Christian musicians. Julia works as a software engineer at Microsoft, and she enjoys hiking and studying theology.

Lin Chen (May 8, 10, 12, 30) is a freelance vocalist, violinist and music educator in the Greater Seattle area. Growing up in Australia, she was fortunate to study music with esteemed teachers from the Griffith Conservatorium in Brisbane and the Sydney conservatorium. Her experience in vocal performance spans multiple genres including Classical, Musical theatre and Jazz. She currently studies voice with Dr Kari Ragan. Lin is also a violin coach for the Bellevue Youth Symphony Orchestra (BYSO) and performs with a number of local ensembles including her own string quartet—Quartet Evolution. Her career highlights include performing at the Sydney Opera House, Westminster Abbey and Cologne Cathedral. She enjoys giving regular recitals in Seattle with the Ladies Musical Club.

Lawrence Chu (May 18) is a native of the Seattle area, and currently resides in Bellevue with his family. His former instructors include Phyllis Allport, Frances Walton and Eva Heinitz. After completing 34 years of practice in Emergency Medicine locally, he has begun to reexplore the cello under the guidance of Nathan Chan. He is delighted to have been accepted as an official member of the Ladies Musical Club.

Selina Chu (May 18) has been a part of the music community in the Pacific Northwest for over 40 years, as a master teacher and performer. She has served as an adjudicator and visiting artist as well as Board member for such organizations as Washington State Music Teachers Association, National Federation of Music Clubs, and LMC’s Frances Walton Competition. Selina holds advanced degrees in piano performance, from the College-Conservatory of Music at the University of Cincinnati and the University of Washington, as well as national certification as a teacher of music through MTNA. Thirteen years of experience as Alaska Dance Theatre’s Principal Accompanist taught her to play well with others, and she has a special place in her heart for all types of ensembles.

Steven Damouni (guest artist, May 8) is an active performer of both contemporary and traditional repertoires. He holds a Bachelor of Music in Piano Performance and a Master of Arts in Music from Washington State University, where he graduated Magna Cum Laude. Steven has performed in masterclasses for many prominent teachers, including: Nelita True, Doug Humphreys, Robert McDonald, Stephen Drury, and Jonathan Feldman, among others. He has won numerous regional and state competitions in solo piano and is equally at ease as a chamber musician. Steven is also a founding member of Morsel Trio, and is a member of the Partch Ensemble and Inverted Space Ensemble. Performances as both a soloist and a member of these groups have taken him throughout the United States, including performances in Boston, Cincinnati, Chicago, and Kansas City. He completed a Doctor of Musical Arts at the University of Washington, where he studied with Dr. Robin McCabe.

Diana Gao (May 8) manages a double life as a Senior Marketing Manager at Microsoft and a concert pianist. She earned her MBA degree at the University of Washington (UW) in 2015 and is currently studying the piano with Dr. Robin McCabe from UW. She won the Gold Medal of the Seattle International Piano Competition (Outstanding Amateurs Division) and First Prize in the “Golden Classical Music Awards” International Competition, which earned her a solo performance at Carnegie Hall. She’s an active performer in Seattle and international piano festivals. She’s also a Board member of Classical KING and has been a repeated guest of Classical KING’s Northwest Focus Live program. Since 2020, she has presented annual fundraising recitals through the Microsoft Give campaign supporting local non-profit organizations. Those events reinforced her belief that music has the power to inspire change and make the world a better place.

Katie Hochman (May 10, 30), soprano, can be heard regularly giving recitals with Ladies Musical Club of Seattle. She has also enjoyed singing opera and oratorio with Puget Sound Concert Opera (PSCO), Opera Theater Oregon, Portland Opera, Utah Opera, Columbia Chorale and Southwest Washington Symphony (SWS). Highlights include the title role of Massenet’s Cendrillon and Héro in Berlioz’s Beatrice et Bénédict performed with PSCO and Exultate, jubilate performed with SWS.

Katie Beisel Hollenbach (May 8) received a Bachelor of Music degree in clarinet performance from the University of Denver, twice placing in the Boulder Philharmonic Young Artists Concerto Competition, as well as traveling to Assisi, Italy as a finalist in the International Clarinet Association’s annual research competition. She received her PhD in musicology from University of Illinois at Urbana-Champaign and currently works at the University of Washington Graduate School. An active musicologist, Katie’s research on 1940s music fandom will soon be published by Oxford University Press, and she is currently serving as the Trustee, Archives for the Ladies Musical Club of Seattle.

Violinist Angie Kam (May 21) is an established teacher and performer in the Seattle area. As an orchestral musician, Angie plays with the Auburn Symphony Orchestra, Symphony Tacoma, and the Tacoma City Ballet. As a pop violinist, Angie has performed with many artists including the Eagles, Andrea Bocelli, the Trans Siberian Orchestra, The Who, Ramin Djalwadi, Amy Grant, Il Divo, Idina Menzel, Evanesance, Lindsey Stirling, Sarah Brightman, and Michael Buble. She is also an active studio-recording musician for movies and video games. Angie maintains a successful violin studio of over 30 wonderful students in Bellevue. She holds a Bachelor’s Degree in Violin Performance from the University of Oregon, and a Master’s Degree in Violin Performance and String Pedagogy from the Boston Conservatory. In her spare time Angie enjoys mountaineering, skiing, trail running, yoga, and eating.

Mariya Ksondzyk (guest artist, May 12) has a busy career as a performance violinist and violist. She has served as principal and associate principal violist of several symphonies in Washington, Massachusetts, and Montana. She has also embarked on several recital tours as a soloist throughout Washington State and runs a project that brings classical music to Washington’s prisons. As a professional event soloist, she has partnered with prominent local businesses, such as Bloodworks Northwest, Seattle Junior League, and Dick’s Drive In, and performances at venues such as The Fairmont Hotel, Seattle Art Museum, and the Chihuly Museum of Glass. Her playing can also be heard on various artists’ tracks on Spotify and Apple Music, most recently with composer Dmytro Gordon on his single, “To Ukraine with Hope.” An avid teacher, Mariya runs a private studio and serves on the faculty of the Bellevue Youth Symphony. Mariya holds undergraduate and graduate degrees from The Boston Conservatory, where she studied with Rictor Noren.

Taiwanese-American cellist and pianist Janice Ching-Jung Lee (guest artist, May 21) is an active performer and music educator in the greater Seattle area. She is the cellist for the Seattle-based Nexus Quartet, plays frequently with the Gilbert and Sullivan Society, Auburn Symphony, Symphony Tacoma, Tacoma City Ballet Orchestra, Puget Sound Concert Opera, and many other ensembles.  She also served as pianist at Methodist Church in Renton from 2011-2019.

Ellyn Liu (May 30) is a classically trained violinist with a BA in Music from the University of Chicago. She has played with the Puget Sound Symphony Orchestra, Seattle Philharmonic Orchestra, Seattle Metropolitan Chamber Orchestra, and most recently, with the Ladies Musical Club of Seattle. She is particularly fond of chamber and choral music and enjoys performing in an intimate atmosphere.

Joan Lundquist (May 10, 30) has served as a collaborative pianist for Seattle area musicians and organizations for 30 years. Since moving to the area from Humboldt State University in northern California, where she was staff accompanist, Joan has worked with the Northwest Boychoir, Seattle Choral Company, has taught at Seattle University and Northwest University, and has worked with several area private music teachers. Currently, Ms. Lundquist is the Director of Music at Immanuel Lutheran Church in downtown Seattle and rehearsal accompanist for the Seattle Choral Company.

Karin McCullough (May 8) is a Nationally Certified Teacher of Music who gives piano lessons in her Ballard studio & performs often in the Seattle area. She co-led two music history tours of Vienna in the early 2000s. She’s the Principal Organizer in Puget Sound for the international movement Bach in the Subways (this year on March 23 & 24) and is the Acting Librarian for Seattle Music Teachers Association. She has frequently played on KING FM’s show NW Focus Live; her most recent radio performance there was recorded & is available on NPR (https://livesessions.npr.org/videos/brandi-birdsong-karin-mccullough-h-leslie-adams-branch-by-branch-from-five-millay-songs)

Peter Nelson-King (guest artist, May 12) is a multi-instrumentalist, composer and writer based on the Eastside. Born and raised in King County, they earned performance degrees from University of Puget Sound and Boston University before settling here. They are a regular member of Lake Washington Symphony, Brass Band Northwest, Seattle Philharmonic Orchestra and the experimental improvisation group Scrambler, and freelance with many other groups in the area. They also teach private lessons, host solo and chamber recitals, and collaborate with Seattle’s poetry scene.

Susan Payne O’Brien (May 10, 30) is a poet, performer and opera director living in Seattle. Her writing for theater has been seen on the stages of 2nd Story Chicago, Around the Coyote, Links Hall, The Piven Theatre Workshop and The International Puppetry Festival. She is the founding artistic director of Forte, an all-female improvisational comic opera troupe. In her teaching and work with theatrical and operatic ensembles she is committed to helping students and artists of all levels access authenticity of voice. Recently, she has worked with emerging operatic performers at The Santa Fe Opera, Chicago Opera Theater, DePaul University and The Chicago College of Performing Arts. She is a frequent soloist with Seattle Pro Musica and will be featured in their Spring performances of Ralph Vaughan Williams’ The Sea Symphony in conjunction with The Auburn Symphony.

Ann Rackl (May 18), violinist, has retired from a career as an English as a second language teacher at South Seattle College. She is the former assistant concertmaster of Philharmonia Northwest chamber orchestra, where she has been a member since 1976. She holds a Master of Music Education degree from the University of Montana and has studied violin with Emanuel Zetlin and Martin Friedmann in Seattle. Formerly a private violin instructor, these days she especially enjoys playing chamber and orchestral music.

Emily Riesser’s (May 10, 30) diverse experience encompasses opera, oratorio, theatre, and new works. She recently portrayed Missy Hart in 9 to 5: The Musical (Twelfth Night Productions), sang Dolcina in Suor Angelica (Puget Sound Concert Opera), and sang Frasquita in Carmen (Kitsap Opera). In concert, Emily is known for her interpretation of Bach cantatas, including Wedding Cantata, which she has sung in several venues. Favorite experiences include singing Iphigenie in Gluck’s Iphigenie en Tauride (Seattle Opera Guild), Violetta in Verdi’s La Traviata (Kitsap Opera), Tamiri in Mozart’s Il re pastore (Off-Center Opera), and soprano chorus at Seattle Opera. Emily is a graduate of Goshen College (Goshen, IN) and past participant in Bel Canto Northwest (Portland State University).

Originally from Australia, Stephanie Shadbolt (May 21) has lived and worked in Japan as well as the U.S. She holds a Bachelor of Arts from the Tokyo University of Foreign Studies, a Bachelor of Music from Cornish College of the Arts, and a Master of Arts degree in ethnomusicology from Monash University (Australia). Stephanie is also an active gamelan musician, and has performed Javanese and Balinese gamelan in the U.S., Australia, and New Zealand. She frequently performs and records both traditional and new music with Gamelan Pacifica in Seattle.

Soprano Laurel Sprigg (May 10, 30) has delighted audiences in the San Francisco Bay Area for many years with her warm, vibrant singing as a concert soloist, recitalist, and chamber music soloist. In public performances, private events, and intimate gatherings, her artistry is communicated through her fresh, clear, and heartfelt singing. Laurel studied vocal performance and music theory at the San Francisco Conservatory of Music, and Dance at Bennington College. An advocate of community engagement, Laurel has given recitals to benefit many community groups. She has recently moved to Poulsbo Washington, and has joined the Bremerton Symphony Chorale, Kitsap Opera outreach program, and the Ladies Musical Club of Seattle.

An outstanding member of the Northwest musical community for over 20 years, Regina Thomas (May 10, 30) has performed with a variety of companies including Kitsap Opera, Willamette Concert Opera, Bellevue Opera, Puget Sound Concert Opera, Seattle Opera, and the Seattle Opera Guild. Currently Artistic Director of Puget Sound Concert Opera, Regina has served as Seattle Opera Guild’s VP of Education and is a past President and trustee of concerts for LMC. Favorite operatic roles include Adriana Lecouvreur, Suor Angelica, Tosca, and Judith (Bluebeard’s Castle). Concert work includes Schumann’s Frauenleibe und-leben, Elgar’s Sea Pictures, and Wagner’s Wesendonck-Lieder; soprano solos in Beethoven’s Symphony No. 9, Fauré Requiem, and Berio’s Folk Songs for voice and chamber ensemble.

Colin Ward (May 8) is an alumnus of Western Washington University, having performed with the WWU Concert Choir and appearing in many opera productions, including as Conte Almaviva in Le Nozze di Figaro. Colin has also appeared in many productions with Puget Sound Concert Opera and with the Seattle Opera Chorus, and is a regular soloist at Christian Science churches in the Seattle area.

Artist Bios, April 2024

Singing is an essential part of life for Diane Althaus (Apr 16), and sharing it with others is a joy. She organized and sang in an opera ensemble program, including music from Simon Boccanegra, Cosi Fan Tutte, Martha, and Carmen. She and her husband, baritone Mike Dodaro, have sung duet programs of opera arias and art songs, and performed in various local venues, including Stage7. Diane sang in Puccini’s Butterfly in a local opera company, the Countess in a duet from The Marriage of Figaro and Desiree in Sondheim’s A Little Night Music. Pergolesi’s “Stabat Mater” is her favorite sacred music.

Lin Chen (Apr 8) is a freelance vocalist, violinist and music educator in the Greater Seattle area. Growing up in Australia, she was fortunate to study music with esteemed teachers from the Griffith Conservatorium in Brisbane and the Sydney conservatorium. Her experience in vocal performance expands multiple genres including Classical, Musical theatre and Jazz. She currently studies voice with Dr Kari Ragan. Lin is also a violin coach for the Bellevue Youth Symphony Orchestra (BYSO) and performs with a number of local ensembles including her own string quartet—Quartet Evolution. Her career highlights include performing at the Sydney Opera House, Westminster Abbey and Cologne Cathedral. She enjoys giving regular recitals in Seattle with the Ladies Musical Club.

Katie Hochman (Apr 8), soprano, can be heard regularly giving recitals with Ladies Musical Club of Seattle. She has also enjoyed singing opera and oratorio with Puget Sound Concert Opera (PSCO), Opera Theater Oregon, Portland Opera, Utah Opera, Columbia Chorale and Southwest Washington Symphony (SWS). Highlights include the title role of Massenet’s Cendrillon and Héro in Berlioz’s Beatrice et Bénédict performed with PSCO and Exultate, jubilate performed with SWS.

Emiko Hori (Apr 16), a native of Japan, graduated from the renowned Indiana University Jacobs School of Music in Piano Performance. She studied with Shigeo Neriki, and performed at numerous places including Banff Centre, Schleswig-Holstein Musik Festival, Germany. Emiko became fascinated with and continued her study in Computer Science at Boston University. Busy working in technology companies such as CommerceHub and Microsoft, Emiko thought she would never play the piano again. She was wrong; Emiko became one of the newest performing members of Ladies Musical Club. Emiko enjoys dividing her time between performing concerts, teaching piano, and working at Starbucks HQ’s Digital Commerce team.

A native of Taiwan, pianist Michelle Huang (Apr 10) has a rewarding career as a dynamic soloist and chamber musician. She is equally at home performing music ranging from the esteemed masters to the novel voices. A devoted educator, she held teaching positions at Lincoln Memorial University, Edward Waters College, and Virginia Commonwealth University. Huang received a Doctor of Music in Piano Performance from Florida State University. Currently she resides in Seattle, WA with her husband and maintains a vibrant private teaching studio, where she works with a group of piano students with immense talent.

Ellyn Liu (Apr 8) is a classically trained violinist with a BA in Music from the University of Chicago. She has played with the Puget Sound Symphony Orchestra, Seattle Philharmonic Orchestra, Seattle Metropolitan Chamber Orchestra, and most recently, with the Ladies Musical Club of Seattle. She is particularly fond of chamber and choral music and enjoys performing in an intimate atmosphere.

Joan Lundquist (Apr 8, 16, 20) has served as a collaborative pianist for Seattle area musicians and organizations for 30 years. Since moving to the area from Humboldt State University in northern California, where she was staff accompanist, Joan has worked with the Northwest Boychoir, Seattle Choral Company, has taught at Seattle University and Northwest University, and has worked with several area private music teachers. Currently, Ms. Lundquist is the Director of Music at Immanuel Lutheran Church in downtown Seattle and rehearsal accompanist for the Seattle Choral Company.

Susan Payne O’Brien (Apr 8, 10) is a poet, performer and opera director living in Seattle. Her writing for theater has been seen on the stages of 2nd Story Chicago, Around the Coyote, Links Hall, The Piven Theatre Workshop and The International Puppetry Festival. She is the founding artistic director of Forte, an all-female improvisational comic opera troupe. In her teaching and work with theatrical and operatic ensembles she is committed to helping students and artists of all levels access authenticity of voice. Recently, she has worked with emerging operatic performers at The Santa Fe Opera, Chicago Opera Theater, DePaul University and The Chicago College of Performing Arts. She is a frequent soloist with Seattle Pro Musica and will be featured in their Spring performances of Ralph Vaughan Williams’ The Sea Symphony in conjunction with The Auburn Symphony.

Gail Perstein (Apr 20) has a Bachelor of Science from Springfield College, a Bachelor of Music from P.L.U., a Master of Music from U.W. (both in oboe performance) and a Master of Arts in Historical Musicology, also from U.W. She splits her time between teaching oboe privately, performing on oboe/English horn, and performing early music. She played in both early and classical music groups at P.L.U. and U.W., and continues performing in various settings, ranging from Tacoma Opera to local church services. Ms. Perstein performed for many years with her own medieval group, Chansonnier, using period instruments. She was a member of the Board of Trustees of the Ladies Musical Club of Seattle for 22 years and chair of the Frances Walton Competition Committee for 23 years.

Emily Riesser’s (Apr 8) diverse experience encompasses opera, oratorio, theatre, and new works. She recently portrayed Missy Hart in 9 to 5: The Musical (Twelfth Night Productions), sang Dolcina in Suor Angelica (Puget Sound Concert Opera), and sang Frasquita in Carmen (Kitsap Opera). In concert, Emily is known for her interpretation of Bach cantatas, including Wedding Cantata, which she has sung in several venues. Favorite experiences include singing Iphigenie in Gluck’s Iphigenie en Tauride (Seattle Opera Guild), Violetta in Verdi’s La Traviata (Kitsap Opera), Tamiri in Mozart’s Il re pastore (Off-Center Opera), and soprano chorus at Seattle Opera. Emily is a graduate of Goshen College (Goshen, IN) and past participant in Bel Canto Northwest (Portland State University).

Soprano Tiina Ritalahti (Apr 20) holds degrees in music and vocal performance from the University of Washington. She has performed throughout Washington with Northwest Opera in Schools Etcetera (NOISE), Puget Sound Opera, Ladies Musical Club and Puget Sound Concert Opera, as well as being a featured soloist for the Finlandia Foundation. She has sung such roles as the First Spirit and Pamina in Mozart’s The Magic Flute, Despina in Cosi fan tutte, Lisa in Bellini’s La sonnambula, Änchen in Der Freischütz by Weber, Cis in Britten’s Albert Herring, and Olympia in Offenbach’s The Tales of Hoffman. Further, she has performed in multiple operas by Menotti: Lucy in The Telephone, Monica in The Medium, and Laetitia in The Old Maid and the Thief. Her passion for singing also extends to art song repertoire, which she performs regularly in recitals around Western Washington. Tiina has created unique breathing classes for young singers that combine her knowledge and experience as a massage therapist, certified yoga teacher and singer.

Soprano Laurel Sprigg (Apr 8) has delighted audiences in the San Francisco Bay Area for many years with her warm, vibrant singing as a concert soloist, recitalist, and chamber music soloist. In public performances, private events, and intimate gatherings, her artistry is communicated through her fresh, clear, and heartfelt singing. Laurel studied vocal performance and music theory at the San Francisco Conservatory of Music, and Dance at Bennington College. An advocate of community engagement, Laurel has given recitals to benefit many community groups. She has recently moved to Poulsbo Washington, and has joined the Bremerton Symphony Chorale, Kitsap Opera outreach program, and the Ladies Musical Club of Seattle.

Susan Strick (Apr 10), soprano, has sung and taught in Seattle for many years. She has appeared with the Seattle Opera, Tacoma Opera, Village Theater (Maria in The Sound of Music) and as a soloist with the Seattle Bach Festival, the Northwest Symphony Orchestra, and the Seattle Choral Company. Susan earned her B.A. in music from Stanford University, M.A. in music from UCLA, and an Opera Diploma from the University of Toronto’s Royal Conservatory. A regional finalist in both the Metropolitan and San Francisco Opera national auditions, she has performed leading roles with many small opera companies. Susan has been a faculty member of the University of Colorado, Colorado Springs, where she created and taught “Opera as Theater” in the Honors seminar program as well as teaching voice and being an active performer, music director, and coach in the theater department. Currently she teaches in Seattle and at Music Works Northwest in Bellevue.

An outstanding member of the Northwest musical community for over 20 years, Regina Thomas (Apr 8) has performed with a variety of companies including Kitsap Opera, Willamette Concert Opera, Bellevue Opera, Puget Sound Concert Opera, Seattle Opera, and the Seattle Opera Guild. Currently Artistic Director of Puget Sound Concert Opera, Regina has served as Seattle Opera Guild’s VP of Education and is a past President and trustee of concerts for LMC. Favorite operatic roles include Adriana Lecouvreur, Suor Angelica, Tosca, and Judith (Bluebeard’s Castle). Concert work includes Schumann’s Frauenleibe und-leben, Elgar’s Sea Pictures, and Wagner’s Wesendonck-Lieder; soprano solos in Beethoven’s Symphony No. 9, Fauré Requiem, and Berio’s Folk Songs for voice and chamber ensemble.

Asta Vaičekonis (Apr 10, 20) holds her MM in Piano Performance from the University of Washington and her Bachelor’s degree from the Lithuanian Academy of Music. Asta was granted a diploma for best accompaniment in the International Competition of Chamber Music in Kaliningrad (Königsberg), Russia (1992). She was a soloist with the Port Angeles Symphony Orchestra (2002), performed in the University of Washington Summer Arts Festival (2001, 2003), the Bach Fest (2001, 2002) in Lake Chelan, Washington, accompanist for Ladies Musical Club of Seattle’s Awards Tours (2000, 2004, 2007, 2009, 2011, 2013, 2014, 2018), and the Bumbershoot Festival (1999) in Seattle. Asta served as an accompanist and coach in the Summer Chamber Music Seminars in Berlin, Germany (1992, 1993), and has performed with the Chamber Dance Company. She has played many recitals and chamber music programs in various cities of the United States, Lithuania, Latvia, Germany, Russia, and Israel, and made several recordings for the Lithuanian Radio and Television (1993). She was the first solo pianist to play in Seattle’s own Benaroya Hall. Asta has been on the faculty at Music Works Northwest and staff accompanist at Western Washington University, and is currently on the faculty at Seattle Pacific University, while maintaining a private piano studio.