Category: Public Concerts

Sandra Heinke’s (Jul 18) earliest piano memories begin in the years of her childhood in Oakland, California, where at the age of 8 she was accepted as the only child pupil of Alexander Libermann, faculty member at Mills College. Upon graduation, she then went on to earn a Bachelor of Arts degree at Pomona College (studying under the guidance of Karl Kohn, composer and pianist) and a Master of Fine Arts degree at Western Washington University — with her teacher and mentor, Ford Hill. Upon admitting her to graduate study at Western, the Music Department invited Sandra to join the staff as an accompanist, which role she happily fulfilled even after obtaining her Master’s degree. In addition to her life as an accompanist, Sandra also performs as a soloist and last year presented a full-length recital.

Inspired by his grandmother and singing “The Sound of Music” in middle school choir, Michael Housley (Jul 18) began teaching himself piano before studying with Dr. David Brunell at the University of Tennessee. Since moving to Seattle to pursue a career in Architecture, Michael collaborates regularly with Melet Whinston (cellist), accompanies the Seattle University Chapel of St. Ignatius Choir and has participated in several Chamber Music Madness retreats with various chamber ensembles.

Melet Whinston (Jul 18) studied under Maria DeRungs, and was first chair in the Portland Junior Symphony and Princeton University Orchestra. She has presented school performances as a member of the Leschi Trio and as a duo with Michael Housley, pianist. She has many years of experience as a chamber musician and solo performer, and performs regularly at St Andrew Presbyterian Church and local recitals.

Dhanushi Wijeyakulasuriya (Jul 18), originally from Sri Lanka, holds a Licentiate Diploma in Singing from Trinity College of Music, London. She began voice lessons in 2004, in Sri Lanka with Menaka Sahabandu and also studied with Asitha Tennekoon. At 17, she made her debut with the Symphony Orchestra of Sri Lanka. Dhanushi has performed extensively in Sri Lanka. Highlights include soprano soloist in Vivaldi’s Gloria, scenes from The Marriage of Figaro (Susanna) and The Barber of Seville (Rosina), and The Workshop Players’ The Phantom of the Opera (Christine Daae). After moving to the U.S. in 2015 she studied voice with Timothi Williams and Dr. Rachel Copeland at Penn State. Dhanushi has since presented several solo recitals in the U.S. She currently continues her vocal studies with Rachel Anne Moore and Barbara Bonney. In addition to her musical pursuits, she holds a Ph.D. in Statistics from Penn State and works as a Senior Data Scientist at Microsoft.

Singing is an essential part of life for Diane Althaus (May 16, 20), and sharing it with others is a joy. She organized and sang in an opera ensemble program, including music from Simon Boccanegra, Cosi Fan Tutte, Martha, and Carmen. She and her husband, baritone Mike Dodaro, have sung duet programs of opera arias and art songs, and performed in various local venues, including Stage7. Diane sang in Puccini’s Butterfly in a local opera company, the Countess in a duet from The Marriage of Figaro and Desiree in Sondheim’s A Little Night Music. Pergolesi’s “Stabat Mater” is her favorite sacred music.

Silas Berlin (May 16) is a 2021 graduate of Cornish College of the Arts in Seattle. Silas enjoys performing for communities in the Seattle area as well as for private events and parties. He was awarded the silver medal for both the 2020 Seattle Bach festival and Russian Music Competition. He has his own private teaching practice and teaches an adult extension course at Cornish College of the Arts.

Lin Chen (May 14) is a freelance vocalist, violinist and music educator in the Greater Seattle area. Growing up in Australia, she was fortunate to study music with esteemed teachers from the Griffith Conservatorium in Brisbane and the Sydney conservatorium. Her experience in vocal performance expands multiple genres including Classical, Musical theatre and Jazz. She currently studies voice with Dr Kari Ragan. Lin is also a violin coach for the Bellevue Youth Symphony Orchestra (BYSO) and performs with a number of local ensembles including her own string quartet—Quartet Evolution. Her career highlights include performing at the Sydney Opera House, Westminster Abbey and Cologne Cathedral. She enjoys giving regular recitals in Seattle with the Ladies Musical Club.

Lawrence Chu (May 10) is a native of the Seattle area, and currently resides in Bellevue with his family. His former instructors include Phyllis Allport, Frances Walton and Eva Heinitz. After completing 34 years of practice in Emergency Medicine locally, he has begun to reexplore the cello under the guidance of Nathan Chan. He is delighted to have been accepted as an official member of the Ladies Musical Club.

Selina Chu (May 10) has been a part of the music community in the Pacific Northwest for almost 40 years, as a master teacher and performer. She has served as an adjudicator and visiting artist as well as Board member for such organizations as Washington State Music Teachers Association, National Federation of Music Clubs, and LMC’s Frances Walton Competition. Selina holds advanced degrees in piano performance, from the College-Conservatory of Music at the University of Cincinnati and the University of Washington, as well as national certification as a teacher of music through MTNA. Thirteen years of experience as Alaska Dance Theatre’s Principal Accompanist taught her to play well with others, and she has a special place in her heart for all types of ensembles. She is known for her sense of humor and unfortunate ability to carry a tune.

Katie Hochman (May 14), soprano, can be heard regularly giving recitals with Ladies Musical Club of Seattle. She has also enjoyed singing opera and oratorio with Puget Sound Concert Opera (PSCO), Opera Theater Oregon, Portland Opera, Utah Opera, Columbia Chorale and Southwest Washington Symphony (SWS). Highlights include the title role of Massenet’s Cendrillon and Héro in Berlioz’s Beatrice et Bénédict performed with PSCO and Exultate, jubilate performed with SWS.

Emiko Hori (May 26), a native of Japan, graduated from the renowned Indiana University Jacobs School of Music in Piano Performance. She studied with Shigeo Neriki, and performed at numerous places including Banff Centre, Schleswig-Holstein Musik Festival, Germany. Emiko became fascinated with and continued her study in Computer Science at Boston University. Busy working in technology companies such as CommerceHub and Microsoft, Emiko thought she would never play the piano again. She was wrong; Emiko became one of the newest performing members of Ladies Musical Club. Emiko enjoys dividing her time between performing concerts, teaching piano, and working at Starbucks HQ’s Digital Commerce team.

Eldon Leuning, composer (May 14) has lived his entire life in Washington, growing up on a fruit orchard east of Yakima near Zillah. He earned a BA in English from Whitworth College in Spokane where he also studied music. He subsequently became a high school English teacher before eventually turning to teaching music in the Lake Washington School District. It is the combination of these two interests and studies, poetry and music, that led to and define his current work composing Art Song. His training and passion for both of these are apparent in his musical settings, combining the two into a singular statement of meaning. Music is a passion Eldon shares with his son, Mark, who is a trained tenor and French teacher. Art and artistic expression are central to his life, and are infused with the rigor learned on the end of a shovel, making sure that the irrigation water got all the way to the end of every row of pear trees. He has most recently studied with John Muehleisen.

Joan Lundquist (May 16, 20, 26) has served as a collaborative pianist for Seattle area musicians and organizations for 30 years. Since moving to the area from Humboldt State University in northern California, where she was staff accompanist, Joan has worked with the Northwest Boychoir, Seattle Choral Company, has taught at Seattle University and Northwest University, and has worked with several area private music teachers. Currently, Ms. Lundquist is the Director of Music at Immanuel Lutheran Church in downtown Seattle and rehearsal accompanist for the Seattle Choral Company.

Karin McCullough (May 14) took the less-traveled road to a music career. A serious pianist while growing up in Illinois, she suppressed her aspirations and instead became a paralegal. One day she was asked to accompany opera singers at a Fremont Bistro—a weekly engagement lasting 5 years. By then her popularity as an accompanist, soloist and piano teacher let her trade her life as a paralegal for that of a full-time musician. Karin is a Nationally Certified Teacher of Music in Piano. Karin maintains a flourishing piano studio in Ballard and performs frequently in the Seattle area. She is an active volunteer and member of Seattle Music Teachers Association (SMTA), Principal Organizer for the local chapter of Bach in the Subways, and has served on the boards of SMTA and Musical Experiences, a nonprofit classical music education organization. Karin is the pianist for Third Church of Christ, Scientist.

Susan Payne O’Brien (May 16) is a singer, director and pedagogue living in the Seattle Area. As a soloist, she has performed with Quad Cities Opera, Forte Chicago, Links Hall, IIVA, Orvieto Musica, Chicago Chorale and Seattle Pro Musica. As an opera staging director and pedagogue her work has been featured on the stages of The Santa Fe Opera, Chicago Opera Theater, DePaul Universtiy, North Park Opera, El Paso Opera and The Chicago College of Performing Arts.

Gail Perstein (May 14) has a Bachelor of Science from Springfield College, a Bachelor of Music from P.L.U., a Master of Music from U.W. (both in oboe performance) and a Master of Arts in Historical Musicology, also from U.W. She splits her time between teaching oboe privately, performing on oboe/English horn, and performing early music. She played in both early and classical music groups at P.L.U. and U.W., and continues performing in various settings, ranging from Tacoma Opera to local church services. Ms. Perstein performed for many years with her own medieval group, Chansonnier, using period instruments. She was a member of the Board of Trustees of the Ladies Musical Club of Seattle for 22 years and chair of the Frances Walton Competition Committee for 23 years.

Soprano, Tiina Ritalahti (May 26), holds degrees in music and vocal performance from the University of Washington. She has performed throughout Washington with Northwest Opera in Schools Etcetera (NOISE), Puget Sound Opera, Ladies Musical Club and Puget Sound Concert Opera, as well as being a featured soloist for the Finlandia Foundation. She has sung such roles as the First Spirit and Pamina in Mozart’s The Magic Flute, Despina in Cosi fan tutte, Lisa in Bellini’s La sonnambula, Änchen in Der Freischütz by Weber, Cis in Britten’s Albert Herring, and Olympia in Offenbach’s The Tales of Hoffman. Further, she has performed in multiple operas by Menotti: Lucy in The Telephone, Monica in The Medium, and Laetitia in The Old Maid and the Thief. Her passion for singing also extends to art song repertoire, which she performs regularly in recitals around Western Washington. Tiina has created unique breathing classes for young singers that combine her knowledge and experience as a massage therapist, certified yoga teacher and singer.

Valentina Rodov (May 10, 20) was born and raised in Moscow, Russia, and received her music education as a concert pianist from the famous Moscow Conservatory. She performed solo and in chamber groups prior to emigrating to the United States. Once in the USA, Valentina decided to become a lawyer, which she successfully accomplished upon graduating from law school in Los Angeles and passing the California Bar. Valentina practiced law as business litigator in Southern California for over twenty years until she and her husband moved to Seattle. With great support and encouragement from the Seattle music community, Valentina came back to piano playing, and soon became a frequent and critically acclaimed recitalist and chamber music performer at various venues in the Seattle area.

Julie Shankland (May 14) has played clarinet since marching band in the Ohio snow. Since moving to Washington, Julie has played in the UW Concert Band, Eastside Symphony, West Seattle Community Orchestras, Rain City Symphony, and various chamber music camps. Julie is an adult student of Jennifer Nelson and recently learned to play bass clarinet. Julie works in the Office of General Counsel at the Washington State Bar Association.

Eric Shankland (May 14) has been playing bassoon since age 15. He played in the NCR band and the Youth Philharmonic in Dayton, Ohio. He studied with Arthur Grossman and played in the University Symphony at the University of Washington, and currently studies with Paul Rafanelli of the Seattle Symphony. He was principal bassoon in the Eastside Symphony (Redmond) for fifteen years. Eric is a research scientist at the University of Washington.

Dora Barnes (Apr 10) was born and raised in Yakima Washington and now resides in Seattle. She is a classically trained vocalist, pianist, and saxophonist, and is currently studying with Davida Kagen. Dora attended Yakima Valley Community College and Central Washington University with a focus on vocal performance. Dora has performed with the Seattle Art Song Society, Ladies Musical Club, and the Puget Sound Concert Opera, among others. Notably, she has performed as Zerlina in Don Giovanni, placed 1st in the PAFE Opera division, placed 3rd in the Seattle Opera Guild’s Singer Development Awards, and was an honorable mention in the Metropolitan Opera National Council Awards. When not singing opera, Dora is the lead singer and plays saxophone in two Motown/Oldies bands, and also composes her own music.

Born in Taiwan, Jonas Chen (guest artist, Apr 10) started learning piano at the age of five. After moving to Seattle in 2005, he picked up the cello at the age of ten. He started his studies in piano and Alexander technique with Richard Asher in 2010, and cello with Page Smith in 2013. While obtaining a degree in finance and accounting at the University of Washington, he performed with various ensembles, such as the UW Symphony Orchestra led by David Alexander Rahbee and Ludovic Morlot, both as a cellist and pianist. He was also principal cellist of the UW Campus Philharmonic for their performance of Rimsky-Korsakov’s Scheherazade with Mario Alejandro Torres. He also played in the Seattle Philharmonic Strings, led by Adam Stern and Allion Salvador. After graduating, Jonas continues his playing in orchestras such as the Seattle Collaborative Orchestra, Northwest Mahler Festival, and the Puget Sound Symphony Orchestra. He frequently performs at house concerts, weddings, and churches. Jonas performs on a 2013 cello made by Leo Goujard Spiga in Cremona.

Sandra Heinke’s (Apr 12) earliest piano memories begin in the years of her childhood in Oakland, California, where at the age of 8 she was accepted as the only child pupil of Alexander Libermann, faculty member at Mills College. Upon graduation, she then went on to earn a Bachelor of Arts degree at Pomona College (studying under the guidance of Karl Kohn, composer and pianist) and a Master of Fine Arts degree at Western Washington University — with her teacher and mentor, Ford Hill. Upon admitting her to graduate study at Western, the Music Department invited Sandra to join the staff as an accompanist, which role she happily fulfilled even after obtaining her Master’s degree. In addition to her life as an accompanist, Sandra also performs as a soloist and last year presented a full length recital.

Emiko Hori (Apr 12), a native of Japan, graduated from the renowned Indiana University Jacobs School of Music in Piano Performance. She studied with Shigeo Neriki, and performed at numerous places including Banff Centre, Schleswig-Holstein Musik Festival, Germany. Emiko became fascinated with and continued her study in Computer Science at Boston University. Busy working in technology companies such as CommerceHub and Microsoft, Emiko thought she would never play the piano again. She was wrong; Emiko became one of the newest performing members of Ladies Musical Club. Emiko enjoys dividing her time between performing concerts, teaching piano, and working at Starbucks HQ’s Digital Commerce team.

Inspired by his grandmother and singing “The Sound of Music” in middle school choir, Michael Housley (Apr 15) began teaching himself piano before studying with Dr. David Brunell at the University of Tennessee. Since moving to Seattle to pursue a career in Architecture, Michael collaborates regularly with Melet Whinston (cellist), accompanies the Seattle University Chapel of St. Ignatius Choir and has participated in several Chamber Music Madness retreats with various chamber ensembles.

Luke Raffanti (Apr 10) has been a frequent piano performer around Seattle since moving here in 2017. Before the pandemic, he performed frequently at house concerts, retirement homes, and for benefit concerts. In 2018, he earned the top prize in the Chopin Northwest solo piano competition and in 2019 he was featured as vocal accompanist and solo pianist on Classical KING FM. He has enjoyed collaborating with several professional opera companies: Seattle Opera, Seattle Modern Opera Company, and Northwest Opera in Schools, as well as numerous individual professional vocalists. Luke teaches roughly 40 students of all ages at Cascade Piano Studio in Ravenna, and is the collaborative pianist and organist at Richmond Beach Congregational United Church of Christ in Shoreline. Lately Luke has been taking voice lessons with Davida Kagen and singing with Seattle Pro Musica. He earned a BM in classical piano performance and a BA in environmental studies from Oberlin College and Conservatory of Music.

Valentina Rodov (Apr 10) was born and raised in Moscow, Russia, and received her music education as a concert pianist from the famous Moscow Conservatory. She performed solo and in chamber groups prior to emigrating to the United States. Once in the USA, Valentina decided to become a lawyer, which she successfully accomplished upon graduating from law school in Los Angeles and passing the California Bar. Valentina practiced law as business litigator in Southern California for over twenty years until she and her husband moved to Seattle. With great support and encouragement from the Seattle music community, Valentina came back to piano playing, and soon became a frequent and critically acclaimed recitalist and chamber music performer at various venues in the Seattle area.

Susan Strick (Apr 12) holds a Bachelor of Arts degree from Stanford and a Master of Arts degree from UCLA, and spent a year at the Opera School of the University of Toronto. Although a specialist in classical vocal performance, she “moonlighted” in folk music and musical comedy, with occasional forays into composition and arranging. After several years as a professional singer and voice teacher, she encountered the Celtic harp. Since then, she has become active as a harper, primarily as a member of the ensemble “Labyrinth,” which is based in Seattle, Washington, and has performed throughout the Pacific Northwest.

Melet Whinston (Apr 15) studied under Maria DeRungs, and was first chair in the Portland Junior Symphony and Princeton University Orchestra. She has presented school performances as a member of the Leschi Trio and as a duo with Michael Housley, pianist. She has many years of experience as a chamber musician and solo performer, and performs regularly at St Andrew Presbyterian Church and local recitals.

 

Madeline Beery (Mar 18), M.Ed., was a music major, and worked as a Music Therapist for several years before pursuing public health professionally. Since moving to Seattle in 1985, she has studied with Zart Dambourian-Eby, SSO, Wendy Wilhelmi, Vancouver Symphony and Pam Mooney, SSO. She has played in the Dubuque, Alexandria, and Kuala Lumpur Symphonies, and now plays in the Rain City Symphony. She was the co-founder and President of AIDS Impact for 20 years that educated health professionals on AIDS, prevention, and infection control in over 42 countries. Her final public health project for WA State was to lead the planning for a pandemic.

Jan Bleakney (guest artist, Mar 18) has the commonly paired joint interests of math and music. She grew up playing flute and piano in Anacortes, and went on to earn a math degree at the University of Washington. She earned her living as a consulting actuary. Since retiring, Jan has been able to rebalance her time to put music in the forefront, including taking up the celtic harp. Jan regularly performs with her BMW Flute Trio and Music Performance Group, as well as previously participating in Music Northwest, Phinney Ridge Orchestra and International Artists Carillon. She is so thrilled to have worked with such wonderful teachers, Zart Dombourian-Eby, Mark Andersen and Gwen Baker.

Born in Taiwan, Jonas Chen (guest artist, Mar 18) started learning piano at the age of five. After moving to Seattle in 2005, he picked up the cello at the age of ten. He started his studies in piano and Alexander technique with Richard Asher in 2010, and cello with Page Smith in 2013. While obtaining a degree in finance and accounting at the University of Washington, he performed with various ensembles, such as the UW Symphony Orchestra led by David Alexander Rahbee and Ludovic Morlot, both as a cellist and pianist. He was also principal cellist of the UW Campus Philharmonic for their performance of Rimsky-Korsakov’s Scheherazade with Mario Alejandro Torres. He also played in the Seattle Philharmonic Strings, led by Adam Stern and Allion Salvador. After graduating, Jonas continues his playing in orchestras such as the Seattle Collaborative Orchestra, Northwest Mahler Festival, and the Puget Sound Symphony Orchestra. He frequently performs at house concerts, weddings, and churches. Jonas performs on a 2013 cello made by Leo Goujard Spiga in Cremona.

Lin Chen (Mar 12, 18) is a freelance vocalist, violinist and music educator in the Greater Seattle area. Growing up in Australia, she was fortunate to study music with esteemed teachers from the Griffith Conservatorium in Brisbane and the Sydney conservatorium. Her experience in vocal performance expands multiple genres including Classical, Musical theatre and Jazz. She currently studies voice with Dr Kari Ragan. Lin is also a violin coach for the Bellevue Youth Symphony Orchestra (BYSO) and performs with a number of local ensembles including her own string quartet—Quartet Evolution. Her career highlights include performing at the Sydney Opera House, Westminster Abbey and Cologne Cathedral. She enjoys giving regular recitals in Seattle with the Ladies Musical Club.

Katie Hochman (Mar 18), soprano, can be heard regularly giving recitals with Ladies Musical Club of Seattle. She has also enjoyed singing opera and oratorio with Puget Sound Concert Opera (PSCO), Opera Theater Oregon, Portland Opera, Utah Opera, Columbia Chorale and Southwest Washington Symphony (SWS). Highlights include the title role of Massenet’s Cendrillon and Héro in Berlioz’s Beatrice et Bénédict performed with PSCO and Exultate, jubilate performed with SWS.

Emiko Hori (Mar 14), a native of Japan, graduated from the renowned Indiana University Jacobs School of Music in Piano Performance. She studied with Shigeo Neriki, and performed at numerous places including Banff Centre, Schleswig-Holstein Musik Festival, Germany. Emiko became fascinated with and continued her study in Computer Science at Boston University. Busy working in technology companies such as CommerceHub and Microsoft, Emiko thought she would never play the piano again. She was wrong; Emiko became one of the newest performing members of Ladies Musical Club. Emiko enjoys dividing her time between performing concerts, teaching piano, and working at Starbucks HQ’s Digital Commerce team.

Inspired by his grandmother and singing “The Sound of Music” in middle school choir, Michael Housley (Mar 8) began teaching himself piano before studying with Dr. David Brunell at the University of Tennessee. Since moving to Seattle to pursue a career in Architecture, Michael collaborates regularly with Melet Whinston (cellist), accompanies the Seattle University Chapel of St. Ignatius Choir and has participated in several Chamber Music Madness retreats with various chamber ensembles.

Sharon Jung (Mar 12) was born and raised in the Pacific Northwest. She is a nurse practitioner, and works in a neurology practice in Tacoma, Washington. She freelances for numerous ensembles in the local area. She has been an LMC member since 1999. She is a former student of LMC member Gail Perstein and is also a former student of Bernard Shapiro.

Pianist Dr. Minju Kim (Mar 12), a native of South Korea, has established herself as a versatile soloist, chamber musician and collaborative pianist. Minju has won numerous awards, including the Sidney Wright Accompanying Competition, Korean Music Association Competition, and Korea-Germany Brahms Association Competition. With her avid interest in chamber music, Minju joined Bowdoin International Music Festival and Music Academy of the West as a fellow in collaborative piano. Currently, Minju serves as collaborative pianist at Shoreline Community College, Seattle University, and Northwest Girlchoir, and works with several private studios for instruments and voice. Minju holds degrees in Piano Performance from Seoul National University (B.M.), Indiana University (M.M./P.D.), and University of Texas in Austin (D.M.A), and in Collaborative Piano from New England Conservatory (M.M.).

Joan Lundquist (Mar 12) has served as a collaborative pianist for Seattle area musicians and organizations for 30 years. Since moving to the area from Humboldt State University in northern California, where she was staff accompanist, Joan has worked with the Northwest Boychoir, Seattle Choral Company, has taught at Seattle University and Northwest University, and has worked with several area private music teachers. Currently, Ms. Lundquist is the Director of Music at Immanuel Lutheran Church in downtown Seattle and rehearsal accompanist for the Seattle Choral Company.

Karin McCullough (Mar 18) took the less-traveled road to a music career. A serious pianist while growing up in Illinois, she suppressed her aspirations and instead became a paralegal. One day she was asked to accompany opera singers at a Fremont Bistro—a weekly engagement lasting 5 years. By then her popularity as an accompanist, soloist and piano teacher let her trade her life as a paralegal for that of a full-time musician. Karin is a Nationally Certified Teacher of Music in Piano. Karin maintains a flourishing piano studio in Ballard and performs frequently in the Seattle area. She is an active volunteer and member of Seattle Music Teachers Association (SMTA), Principal Organizer for the local chapter of Bach in the Subways, and has served on the boards of SMTA and Musical Experiences, a nonprofit classical music education organization. Karin is the pianist for Third Church of Christ, Scientist.

Katie O’Rourke (Mar 14) works as a music educator and Feldenkrais® Practitioner in the Seattle area. She frequently presents Feldenkrais workshops to local music teachers groups and conferences. Katie also runs the Awareness Through Music Blog, which is dedicated to providing free resources on injury prevention, musicians’ wellness, breathwork, and mindful pedagogy. Katie is a graduate of Western Washington University where she studied piano with Milica Jovanovic and Jeffrey Gilliam. As a pianist, Katie has collaborated with groups such Whatcom Symphony, Skagit Opera, and Whatcom Wind Ensemble, and Bellingham Chamber Orchestra and has been a Ladies Musical Club member since 2015. Katie O’Rourke found her way to composing in 2018 after a decade of playing piano professionally. As a lifelong creative, Katie was drawn to the endless possibilities and the process of blending her favorite sounds, often experimenting with jazz, impressionism, and classical forms, to make something new. Composing has become a much loved endeavor.

Erika Pierson (Mar 14) earned her bachelor’s in Cello Performance from Indiana University and her master’s in Performance from the University of Michigan. Between her degrees, Erika studied in Berlin, at the Hochschule der Kunste, and in London under Eileen Croxford, FRCM. Her other teachers included Richard Aaron, Tsuyoshi Tsutsumi, Markus Nyikos, and Erling Blondal Bengtsson. Erika has given solo recitals in England, Germany, Spain, and in the United States, and has soloed with orchestras in Berlin, Ann Arbor, and Everett, WA. On the less classical side of things, she has also performed with Mannheim Steamroller, Rod Stewart, The Walkmen, and Deltron 3030. Currently Erika performs regularly as the cellist in NOCCO Chamber Orchestra, and freelances and teaches in the Seattle area.

Ann Rackl (Mar 18), violinist, is the former assistant concertmaster of Philharmonia Northwest chamber orchestra, where she has been a member since 1976. She holds a Master of Music Education degree from the University of Montana, and has studied violin with Emanuel Zetlin and Martin Friedmann in Seattle. Formerly a private violin instructor, these days she especially enjoys playing chamber music.

Michael Summy (guest artist, Mar 18) received bachelor degrees in choral music education and piano performance from the University of Idaho. He taught public school in north Idaho and private music lessons in Spokane before passing the CPA exam and moving to Seattle where he worked for 10 years in a CPA firm, then 25 years as an accounting systems programmer in his own firm, and currently as the Accounting Systems Architect for a multinational internet technology company. He has sung Britten’s War Requiem and Beethoven’s Ninth Symphony under the direction of Robert Shaw with the National Symphony. Closer to home, he sang for many years with the Northwest Chamber Chorus under the direction of Joan Conlon, including serving as board treasurer then president. He currently sings for pleasure with his own small group and with pick-up groups as opportunities arise.

Melet Whinston (Mar 8) studied under Maria DeRungs, and was first chair in the Portland Junior Symphony and Princeton University Orchestra. She has presented school performances as a member of the Leschi Trio and as as a duo with Michael Housley, pianist. She has many years of experience as a chamber musician and solo performer, and performs regularly at St Andrew Presbyterian Church and local recitals.

Jared White (guest artist, Mar 18) is a Seattle-native baritone, actor, and private teacher. Known for his powerful voice and commanding stage presence, Jared has had the pleasure of singing for many local performance companies and in concert recitals. He serves on the Board of Directors for the Lowbrow Opera Collective. His love of opera is matched only by his love of dogs, gardening, reading, and the Oxford comma. jaredwhite.studio

Carolyn Wyman (Mar 18) studied viola at the Cornish College of the Arts, UW, the Mozarteum in Salzburg, Austria, and finally in Oxford, England where she received her diploma L.G.S.M. (Licentiate of the Guildhall School of Music) in London. She has performed internationally in Europe and Canada as well as locally. She plays professionally with the Lake Washington Symphony Orchestra and performs with the Ambrosia String Quartet. Before becoming the director of the Beaux Arts Suzuki Academy of Music, she was a faculty member of the University of Puget Sound Community Music Program. She has been a performing member of LMC since 1989.

Kathryn Zufall (Mar 18) grew up in New Jersey playing string quartets with her sisters. She graduated from Barnard College in mathematics, and then received her MD from Harvard Medical School. After moving to the Northwest, she studied violin with Emanuel Zetlin and Martin Friedmann while still practicing internal medicine and raising 3 sons. She plays chamber music with friends in the Seattle area, and hosts chamber music weekends at her summer home near Snohomish.

 

Diana Gao (Feb 21) began studying piano at age 4. She moved to the U.S. from China in 2013 to pursue her MBA at the University of Washington (UW), and she’s currently a Senior Marketing Manager at Microsoft. Although she has pursued a career outside of music, the piano has remained a significant mainstay in her life. She has consistently cultivated her passion through regular lessons and performances. She’s been studying with Dr. Robin McCabe from UW and is a prizewinner in many competitions, including Gold Medalist of the Seattle International Competition and First Prize of the “Golden Classical Music Awards” International Competition. She also performed at the prestigious Piano Texas International Festival. Since 2020, she has presented annual fundraising recitals through the Microsoft Give campaign, raising thousands of dollars in support of local organizations. Those events reinforced her belief that music has the power to inspire change and make the world a better place.

Joyce Gibb (Feb 8) was born in Sri Lanka and started her early piano studies with the admired, but feared music critic Elmer DeHaan. After surviving his rigorous training, she moved to London for further studies with Swiss pianist Albert Ferber, whose teachers included Rachmaninoff. Studying both piano and cello, she was awarded a gold medal for performance by the Royal Schools of Music. Joyce teaches and performs regularly and has been the concerto soloist with the Cascade Symphony, Seattle Philharmonic, Rainier Symphony, Port Angeles, Thalia, and Philharmonia Northwest Orchestras. Her performances have included concertos by Beethoven, Poulenc, Grieg, Addinsell, and Chopin, and the 1st and 2nd piano concertos by Rachmaninoff.

Whitney Henderson (Feb 21) received her PhD in Music History from the University of Washington in 2018, with her dissertation on Women, Place, Repertory, Race, and The Ladies Musical Club of Seattle, 1891-1950, and is finishing an MLIS program. Before stepping into her current role as LMC’s Executive Director, she served as LMC’s Archives Trustee from 2014 to 2021, where she curated, digitized, and expanded the LMC’s substantial archives. She is publishing an LMC-commissioned book, The Ladies Musical Club of Seattle: 130 Years of Cultivating Music in Seattle (forthcoming), and has presented on LMC’s history at national musicology conferences. An experienced and trained grant writer, editor, and educator, Whitney has also designed various works and websites. She spent four years at Amazon.com in Strategic Planning, and taught at UW for eight years while completing her music studies. Her research interests include: Pacific Northwest music history; American popular and art music; women’s music clubs; music archiving methods; music and genre; sheet music; reception history.

Katie Beisel Hollenbach (Feb 10) received a Bachelor of Music degree in clarinet performance from the University of Denver, twice placing in the Boulder Philharmonic Young Artists Concerto Competition, as well as traveling to Assisi, Italy as a finalist in the International Clarinet Association’s annual research competition. She received her PhD in musicology from University of Illinois at Urbana-Champaign and is currently the assistant director for admissions and lecturer at the University of Washington School of Music. An active musicologist, Katie’s research on 1940s music fandom will soon be published by Oxford University Press, and she is currently serving as the Trustee, Archives for the Ladies Musical Club of Seattle.

Sharon Jung (Feb 18) was born and raised in the Pacific Northwest. She is a nurse practitioner, and works in a neurology practice in Tacoma, Washington. She freelances for numerous ensembles in the local area. She has been an LMC member since 1999. She is a former student of LMC member Gail Perstein and is also a former student of Bernard Shapiro.

Violinist Angie Kam (Feb 10) is an established teacher and performer in the Seattle area. As an orchestral musician, Angie plays with the Auburn Symphony Orchestra, Symphony Tacoma, and the Tacoma City Ballet. As a pop violinist, Angie has performed with many artists including the Eagles, Andrea Bocelli, the Trans Siberian Orchestra, The Who, Ramin Djalwadi, Amy Grant, Il Divo, Idina Menzel, Evanesance, Lindsey Stirling, Sarah Brightman, and Michael Buble. She is also an active studio-recording musician for movies and video games. Angie maintains a successful violin studio of over 30 wonderful students in Bellevue. She holds a Bachelor’s Degree in Violin Performance from the University of Oregon, and a Master’s Degree in Violin Performance and String Pedagogy from the Boston Conservatory. In her spare time Angie enjoys mountaineering, skiing, trail running, yoga, and eating.

Lisa Lanza (Feb 21) has been performing as a solo artist and collaborator for over thirty years on the Olympic Peninsula and in the greater Seattle Area. She has studied with the pianist Maria Joao Pires at Belgais, Portugal and Paul Roberts at The Guildhall School of Theater and Arts in London. She holds a Master of Music degree in Piano Performance and Accompanying from The University of Redlands. As a guest artist she has performed on the Music at St. Leonard’s concert series, Hythe, England, the Young Concert Artists Competition, at Weill Hall, NY, the Olympic Music Festival, Quilcene, WA, Sierra Opera Institute’s chamber music series, Mammoth, CA, the Bloedel Reserve, Bainbridge Island, WA. As an opera and musical theater accompanist she has worked with companies from Orange County to Seattle Opera, to Issaquah’s Village Theater and Key City Players in Port Townsend. She holds 1st and 2nd prize medals from the Greater Spokane Music & Allied Arts Festival for her interpretations of Beethoven and Chopin.

Joan Lundquist (Feb 8) has served as a collaborative pianist for Seattle area musicians and organizations for 30 years. Since moving to the area from Humboldt State University in northern California, where she was staff accompanist, Joan has worked with the Northwest Boychoir, Seattle Choral Company, has taught at Seattle University and Northwest University, and has worked with several area private music teachers. Currently, Ms. Lundquist is the Director of Music at Immanuel Lutheran Church in downtown Seattle and rehearsal accompanist for the Seattle Choral Company.

Laura Martin (guest artist, Feb 10) has always had a tender place in her heart for chamber music; especially of the Baroque. She owns a period instrument and bows, and was a member of two professional Baroque orchestras in New England and an early music consort in Texas. In Seattle, Laura is a professional private studio teacher and maintains a strong studio of violin and viola students from 4 to adult. She has been a freelance musician for many years; playing with shows and religious groups. Her educational experience includes a Master’s Degree in violin performance from the University of Oregon, many classes and private study with internationally known Suzuki Method teachers, and summer sessions at Indiana University with Mimi Zweig. For more information, please visit LinkedIn at https://www.linkedin.com/in/laura-martin-17788515.

Karin McCullough (Feb 10) took the less-traveled road to a music career. A serious pianist while growing up in Illinois, she suppressed her aspirations and instead became a paralegal. One day she was asked to accompany opera singers at a Fremont Bistro—a weekly engagement lasting 5 years. By then her popularity as an accompanist, soloist and piano teacher let her trade her life as a paralegal for that of a full-time musician. Karin is a Nationally Certified Teacher of Music in Piano. Karin maintains a flourishing piano studio in Ballard and performs frequently in the Seattle area. She is an active volunteer and member of Seattle Music Teachers Association (SMTA), Principal Organizer for the local chapter of Bach in the Subways, and has served on the boards of SMTA and Musical Experiences, a nonprofit classical music education organization. Karin is the pianist for Third Church of Christ, Scientist.

Patrick O’Keefe (Feb 10) retired from a decidedly non-musical career (computer programmer/analyst) in 2010, providing time to pursue his life-long interest in classical music. Since 2011 he has been studying music theory and composition with instructor, composer, and bass player Brian Cobb, D.M.A. His compositional style tends to be modal with somewhat nontraditional harmonies. Most of his works are for small chamber ensembles but he occasionally writes for orchestra. In addition to classical music, he also has a deep interest in Balkan folk music and recreational Balkan folkdance.

Katie O’Rourke (Feb 10) found her way to composing in 2018 after a decade of playing piano professionally. As a lifelong creative, Katie was drawn to the endless possibilities and the process of blending her favorite sounds, often experimenting with jazz, impressionism, and classical forms, to make something new. Composing has become a much loved endeavor. Katie works as a music educator and Feldenkrais® Practitioner in the Seattle area. She frequently presents Feldenkrais workshops to local music teachers groups and conferences. Katie also runs the Awareness Through Music Blog, which is dedicated to providing free resources on injury prevention, musicians’ wellness, breathwork, and mindful pedagogy. Katie is a graduate of Western Washington University where she studied piano with Milica Jovanovic and Jeffrey Gilliam. As a pianist, Katie has collaborated with groups such Whatcom Symphony, Skagit Opera, and Whatcom Wind Ensemble, and Bellingham Chamber Orchestra and has been a Ladies Musical Club member since 2015.

Gail Perstein (Feb 13, 18) has a Bachelor of Science from Springfield College, a Bachelor of Music from P.L.U., a Master of Music from U.W. (both in oboe performance) and a Master of Arts in Historical Musicology, also from U.W. She splits her time between teaching oboe privately, performing on oboe/English horn, and performing early music. She played in both early and classical music groups at P.L.U. and U.W., and continues performing in various settings, ranging from Tacoma Opera to local church services. Ms. Perstein performed for many years with her own medieval group, Chansonnier, using period instruments. She was a member of the Board of Trustees of the Ladies Musical Club of Seattle for 22 years and chair of the Frances Walton Competition Committee for 23 years.

Erika Pierson (Feb 10) earned her bachelor’s in Cello Performance from Indiana University and her master’s in Performance from the University of Michigan. Between her degrees, Erika studied in Berlin, at the Hochschule der Kunste, and in London under Eileen Croxford, FRCM. Her other teachers included Richard Aaron, Tsuyoshi Tsutsumi, Markus Nyikos, and Erling Blondal Bengtsson. Erika has given solo recitals in England, Germany, Spain, and in the United States, and has soloed with orchestras in Berlin, Ann Arbor, and Everett, WA. On the less classical side of things, she has also performed with Mannheim Steamroller, Rod Stewart, The Walkmen, and Deltron 3030. Currently Erika performs regularly as the cellist in NOCCO Chamber Orchestra, and freelances and teaches in the Seattle area.

Stephanie Read (guest artist, Feb 10) is a native of Seattle, participating in the SYSO training orchestras as a child. Starting on violin, she switched to viola in college. She was a charter member of George Shangrow’s Broadway Symphony/Orchestra Seattle. After taking a hiatus while raising her children, she rejoined OS (now known as Harmonia Orchestra and Chorus) and enjoys playing under Music Director William White. She regularly plays with her organist husband Ed Walker at Assumption Church, and enjoys playing more chamber music since she retired.

Soprano, Tiina Ritalahti (Feb 8), holds degrees in music and vocal performance from the University of Washington. She has performed throughout Washington with Northwest Opera in Schools Etcetera (NOISE), Puget Sound Opera, Ladies Musical Club and Puget Sound Concert Opera, as well as being a featured soloist for the Finlandia Foundation. She has sung such roles as the First Spirit and Pamina in Mozart’s The Magic Flute, Despina in Cosi fan tutte, Lisa in Bellini’s La sonnambula, Änchen in Der Freischütz by Weber, Cis in Britten’s Albert Herring, and Olympia in Offenbach’s The Tales of Hoffman. Further, she has performed in multiple operas by Menotti: Lucy in The Telephone, Monica in The Medium, and Laetitia in The Old Maid and the Thief. Her passion for singing also extends to art song repertoire, which she performs regularly in recitals around Western Washington. Tiina has created unique breathing classes for young singers that combine her knowledge and experience as a massage therapist, certified yoga teacher and singer.

Eric Shankland (Feb 13, 18) has been playing bassoon since age 15. He played in the NCR band and the Youth Philharmonic in Dayton, Ohio. He studied with Arthur Grossman and played in the University Symphony at the University of Washington, and currently studies with Paul Rafanelli of the Seattle Symphony. He was principal bassoon in the Eastside Symphony (Redmond) for fifteen years. Eric is a research scientist at the University of Washington.

Julie Shankland (Feb 13, 18) has played clarinet since marching band in the Ohio snow. Since moving to Washington, Julie has played in the UW Concert Band, Eastside Symphony, West Seattle Community Orchestras, Rain City Symphony, and various chamber music camps. Julie is an adult student of Jennifer Nelson and recently learned to play bass clarinet. Julie works in the Office of General Counsel at the Washington State Bar Association.

Bernard Shapiro (Feb 18) was principal oboe of the Seattle Symphony and Seattle Opera from 1961-2004, participating in over 80 Seattle Symphony recordings. He appeared as soloist with the Seattle Symphony, Philadelphia Quartet, Balamian Quartet, Seoul Symphony, Korean Broadcast Symphony, and Bellevue Symphony. He was co-founder of the New York Baroque Quintet, English horn with the Royal Ballet Touring Orchestra (London), and received the Fromm foundation Fellowship for Contemporary Music Performance at Princeton University and Tanglewood (1960). Mr. Shapiro has been a member of the faculty at University of Washington, Cornish School, Pacific Lutheran University, Western Washington University, and Seattle Pacific University. At PLU, he participated in many programs as a member of the faculty wind quintet, the Camas Quintet. He graduated from the Music and Art High School of New York City, and holds both a Bachelor of Music and Master of Music Education from Manhattan School of Music. In addition to oboe, he also enjoys playing cello.

Susan Strick (Feb 13), soprano, has appeared with the Seattle Opera, Tacoma Opera, Village Theater (Maria in The Sound of Music), and as a soloist with the Seattle Bach Festival, The Northwest Symphony Orchestra, and the Seattle Choral Company. She earned her B.A. in music at Stanford University, M.A. in music at UCLA, and an Opera Diploma at the University of Toronto. A passionate and devoted voice teacher, she is on the faculty at Music Works Northwest and has her own vocal studio in Seattle.

Nicole Truesdell (Feb 10) is a pianist and composer living in Seattle, Washington. She is a member of the Ladies Musical Club Composers’ Group and enjoys cultivating community and creating performance opportunities for past and present LMC composers’ works. Nicole often turns her observations and imaginations of the world around her into music. The Paris Sonatina was inspired by a week-long trip to Paris which included a stay in the Marais and a Rick Steves self-guided walking tour of the arts-centered Montmartre neighborhood. Nicole graduated summa cum laude from Cornish College of the Arts in 2007 with an emphasis in music composition. She currently studies composition privately with composer John Muehleisen.

Frances Walton (Feb 10), founder of the Frances Walton Competition of LMC, grew up studying piano. She earned her BA in applied piano at Washington State University, studied at the Los Angeles Conservatory, and later completed the requirements for her Master’s in Music in Conducting at the University of Washington, the first woman to do so. She is the founder of the Bellevue Youth Symphony which she conducted for many years, as well as Philharmonia Northwest. She founded and ran the Olympic Music Camp for 25 years. She began studying the cello when she was 27, and has performed extensively since then. She has studied with Eva Heinitz, Gordon Epperson and Cordelia Miedel, and plays string quartets with Kathryn Zufall, Ann Rackl, and Janice Gockel weekly. It is the longest running LMC quartet that we know of. In August 2015 she performed with the Orcas Island Chamber Music Festival.

Sharon Wong (guest artist, Feb 13) is a pianist passionate about playing chamber music with instrumentalists and singers. She began her collaborative piano journey during high school while serving as the organist and choir accompanist for her church. During her university years Sharon studied with Margaret Fabrizio on an 1812 fortepiano (twin to the piano Broadwood sent to Beethoven) while gratifying her inner nerd, earning a BS and MS in Mechanical Engineering. Recently retired after serving as a technology executive at multiple startups and major software companies, Sharon now happily plays with many chamber ensembles and subs at various churches around Seattle.

Kathryn Zufall (Feb 10) grew up in New Jersey playing string quartets with her sisters. She graduated from Barnard College in mathematics, and then received her MD from Harvard Medical School. After moving to the Northwest, she studied violin with Emanuel Zetlin and Martin Friedmann while still practicing internal medicine and raising 3 sons. She plays chamber music with friends in the Seattle area, and hosts chamber music weekends at her summer home near Snohomish.