Category: Public Concerts

Performing Artists, May 2022

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Sydney Belden (May 21) is a junior at the University of Washington, pursuing a double degree in Environmental Studies and Classical Vocal Performance. She is a student of the UW School of Music training as a coloratura soprano under the study of the accomplished Dr. Tom Harper, and sings in the highly acclaimed University of Washington Chamber Singers, which is comprised of graduate students in the UWSoM and advanced undergraduates, directed by Dr. Geoffery Boers. Sydney is also appearing in the Puget Sound Opera’s Falstaff as a chorister in June as well as productions in their 2022-2033 season.

Lawrence Chu (May 6) is a native of the Seattle area, and currently resides in Bellevue with his family. His former instructors include Phyllis Allport, Frances Walton and Eva Heinitz. After completing 34 years of practice in Emergency Medicine locally, he has begun to reexplore the cello under the guidance of Nathan Chan. He is delighted to have been accepted as an official member of the Ladies Musical Club.

Selina Chu (May 6) holds a special place in her heart for all types of ensemble playing, from duo-piano recitals to choral works, chamber music, and dance collaboration. During her association with Alaska Dance Theatre as their Principal Accompanist, Selina developed a lifelong interest in the expressive relationships between movement and music. She holds a Bachelor of Music degree from the University of Washington, a Master of Music from the University of Cincinnati’s College-Conservatory of Music, and permanent National Certification from MTNA. Selina maintains an independent piano studio in Issaquah and has served as an adjudicator, clinician, and master teacher throughout the Pacific Northwest. She is known for her sense of humor and creative approach to learning and performance.

Emiko Hori (May 6, 27), a native of Japan, graduated from renowned Indiana University Jacobs School of Music in Piano Performance. She studied with Shigeo Neriki, performed at numerous places including Banff Centre, Schleswig-Holstein Musik Festival, Germany, and others. Emiko became fascinated with and continued her study in Computer Science at Boston University. Busy working in technology companies such as CommerceHub and Microsoft, Emiko thought she would never play the piano again. She was wrong; Emiko became one of the newest performing members of Ladies Musical Club. Emiko enjoys dividing her time between performing concerts, teaching piano, and working at Starbucks HQ’s Digital Commerce team.

Inspired by his grandmother and singing “The Sound of Music” in middle school choir, Michael Housley (May 21) began teaching himself piano before studying with Dr. David Brunell at the University of Tennessee. Since moving to Seattle to pursue a career in Architecture, Michael collaborates regularly with Melet Whinston (cellist), accompanies the Seattle University Chapel of St. Ignatius Choir and has participated in several Chamber Music Madness retreats with various chamber ensembles.

Violinist Adrianna Hulscher (May 19) began her studies at the age of 6, inspired by a gift from her parents—a record of Mozart’s delightful opera The Magic Flute. She is currently a freelance violinist in the Seattle area, and a member of the Pacific Northwest Ballet Orchestra. She developed her musical skills at the New England Conservatory and the Guildhall School of Music and Drama in London. Adrianna is a member of the St. Helens String Quartet, and has also performed with Seattle Opera and the Seattle Symphony. As a soloist, she has performed Bartok’s 1st violin Concerto with the University of Texas Symphony and The Lark Ascending by Vaughn Williams with the Lake Sammamish Symphony. Adrianna lives in Seattle with her husband and six year old daughter, Amelia.

Pianist Dr. Minju Kim (May 21), a native of South Korea, has established herself as a versatile soloist, chamber musician and collaborative pianist. Minju has won numerous awards, including the Sidney Wright Accompanying Competition, Korean Music Association Competition, and Korea-Germany Brahms Association Competition. With her avid interest in chamber music, Minju joined Bowdoin International Music Festival and Music Academy of the West as a fellow in collaborative piano. Currently, Minju serves as collaborative pianist at Shoreline Community College, Seattle University, and Northwest Girlchoir, and works with several private studios for instruments and voice. Minju holds degrees in Piano Performance from Seoul National University (B.M.), Indiana University (M.M./P.D.), and University of Texas in Austin (D.M.A), and in Collaborative Piano from New England Conservatory (M.M.).

Joan Lundquist (May 13) has served as a collaborative pianist for Seattle area musicians and organizations for 30 years. Since moving to the area from Humboldt State University in northern California, where she was staff accompanist, Joan has worked with the Northwest Boychoir, Seattle Choral Company, has taught at Seattle University and Northwest University, and has worked with several area private music teachers. Currently, Ms. Lundquist is the Director of Music at Immanuel Lutheran Church in downtown Seattle and rehearsal accompanist for the Seattle Choral Company.

Karin McCullough (May 19) took the less-traveled road to a music career. A serious pianist while growing up in Illinois, she suppressed her aspirations and instead became a paralegal. One day she was asked to accompany opera singers at a Fremont Bistro—a weekly engagement lasting 5 years. By then her popularity as an accompanist, soloist and piano teacher let her trade her life as a paralegal for that of a full-time musician. Karin is a Nationally Certified Teacher of Music in Piano. Karin maintains a flourishing piano studio in Ballard and performs frequently in the Seattle area. She is an active volunteer and member of Seattle Music Teachers Association (SMTA), Principal Organizer for the local chapter of Bach in the Subways, of which she is on the Board of Directors, and has served on the boards of SMTA and Musical Experiences, a nonprofit classical music education organization. Karin is the pianist for Third Church of Christ, Scientist, and is the former program Director for Haller Lake Music Series, a neighborhood classical music series featuring local musicians in recital.

Erika Pierson (May 27) earned her bachelor’s in Cello Performance from Indiana University and her master’s in Performance from the University of Michigan. Between her degrees, Erika studied in Berlin, at the Hochschule der Kunste, and in London under Eileen Croxford, FRCM. Her other teachers included Richard Aaron, Tsuyoshi Tsutsumi, Markus Nyikos, and Erling Blondal Bengtsson. Erika has given solo recitals in England, Germany, Spain, and in the United States, and has soloed with orchestras in Berlin, Ann Arbor, and Everett, WA. On the less classical side of things, she has also performed with Mannheim Steamroller, Rod Stewart, The Walkmen, and Deltron 3030. Currently Erika performs regularly as the cellist in NOCCO Chamber Orchestra, and freelances and teaches in the Seattle area.

Born in Northern CA, Luke Raffanti (May 20) has been a frequent piano performer around Seattle since moving here in 2017. Before the pandemic, he performed frequently at house concerts, retirement homes, and for benefit concerts. In 2018, he earned the top prize in the Chopin Northwest solo piano competition and in 2019 he was featured as vocal accompanist and solo pianist on Classical KING FM. He has enjoyed collaborating with several professional opera companies: Seattle Opera, Seattle Modern Opera Company, and Northwest Opera in Schools, as well as numerous individual professional vocalists. Luke teaches roughly 40 students of all ages at Cascade Piano Studio in Ravenna, and is the collaborative pianist and organist at Richmond Beach Congregational United Church of Christ in Shoreline. Lately Luke has been branching out into voice, and singing in the Seattle Pro Musica choir. He earned a BM in classical piano performance and a BA in environmental studies from Oberlin College and Conservatory of Music.

Emily Riesser’s (May 13) diverse experience encompasses opera, oratorio, theatre, and new works. She recently portrayed Elle in a staging of Poulenc’s one-voice opera, The Human Voice (Ladies Musical Club), sang Frasquita in Carmen (Kitsap Opera), and played a nun in Sister Act (Tacoma Musical Playhouse). In concert, Emily is known for her interpretation of Bach cantatas, including Wedding Cantata, which she sang recently in several venues. Favorite experiences include singing Iphigenie in Gluck’s Iphigenie en Tauride (Seattle Opera Guild), Violetta in Verdi’s La traviata (Kitsap Opera), Tamiri in Mozart’s Il re pastore (Off-Center Opera), and soprano chorus at Seattle Opera. Emily is a graduate of Goshen College (Goshen, IN) and past participant in Bel Canto Northwest (Portland State University).

Melet Whinston (May 21) trained under Maria DeRungs, and was first chair in the Portland Junior Symphony and Princeton University Orchestra. She has presented school performances as a member of Leschi Trio and as a solo performer (with piano). She has many years of experience as chamber musician and solo performer, and she performs regularly at Parkshore and other retirement facilities and schools.

Performing Artists, April 2022

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Lin Chen (Apr 22) is a freelance vocalist, violinist and music educator in the Greater Seattle area. Growing up in Australia, she was fortunate to study music with esteemed teachers from the Griffith Conservatorium in Brisbane and the Sydney conservatorium. Her experience in vocal performance expands multiple genres including Classical, Musical theatre and Jazz. She currently studies voice with Dr Kari Ragan. Lin is also a violin coach for the Bellevue Youth Symphony Orchestra (BYSO) and performs with a number of local ensembles including her own string quartet—Quartet Evolution. Her career highlights include performing at the Sydney Opera House, Westminster Abbey and Cologne Cathedral. She enjoys giving regular recitals in Seattle with the Ladies Musical Club.

Tim Fuller (guest artist, Apr 22) holds a bachelor’s degree from Wesleyan University, where he studied South Indian drumming along with piano performance. He is active in the Seattle area as a collaborative pianist and soloist. He also dances with the Radost and Datina folk ensembles. He is especially passionate about the chamber music of Brahms, Prokofiev and Enescu.

Inspired by his grandmother and singing “The Sound of Music” in middle school choir, Michael Housley (guest artist, Apr 11) began teaching himself piano before studying with Dr. David Brunell at the University of Tennessee. Since moving to Seattle to pursue a career in Architecture, Michael collaborates regularly with Melet Whinston (cellist), accompanies the Seattle University Chapel of St. Ignatius Choir and has participated in several Chamber Music Madness retreats with various chamber ensembles.

Joan Lundquist (Apr 23) has served as a collaborative pianist for Seattle area musicians and organizations for 30 years. Since moving to the area from Humboldt State University in northern California, where she was staff accompanist, Joan has worked with the Northwest Boychoir, Seattle Choral Company, has taught at Seattle University and Northwest University, and has worked with several area private music teachers. Currently, Ms. Lundquist is the Director of Music at Immanuel Lutheran Church in downtown Seattle and rehearsal accompanist for the Seattle Choral Company.

Born in Northern CA, Luke Raffanti (Apr 11) has been a frequent piano performer around Seattle since moving here in 2017. Before the pandemic, he performed frequently at house concerts, retirement homes, and for benefit concerts. In 2018, he earned the top prize in the Chopin Northwest solo piano competition and in 2019 he was featured as vocal accompanist and solo pianist on Classical KING FM. He has enjoyed collaborating with several professional opera companies: Seattle Opera, Seattle Modern Opera Company, and Northwest Opera in Schools, as well as numerous individual professional vocalists. Luke teaches roughly 40 students of all ages at Cascade Piano Studio in Ravenna, and is the collaborative pianist and organist at Richmond Beach Congregational United Church of Christ in Shoreline. Lately Luke has been branching out into voice, and singing in the Seattle Pro Musica choir. He earned a BM in classical piano performance and a BA in environmental studies from Oberlin College and Conservatory of Music.

Emily Riesser’s (Apr 23) diverse experience encompasses opera, oratorio, theatre, and new works. She recently portrayed Elle in a staging of Poulenc’s one-voice opera, The Human Voice (Ladies Musical Club), sang Frasquita in Carmen (Kitsap Opera), and played a nun in Sister Act (Tacoma Musical Playhouse). In concert, Emily is known for her interpretation of Bach cantatas, including Wedding Cantata, which she sang recently in several venues. Favorite experiences include singing Iphigenie in Gluck’s Iphigenie en Tauride (Seattle Opera Guild), Violetta in Verdi’s La traviata (Kitsap Opera), Tamiri in Mozart’s Il re pastore (Off-Center Opera), and soprano chorus at Seattle Opera. Emily is a graduate of Goshen College (Goshen, IN) and past participant in Bel Canto Northwest (Portland State University).

Soprano, Tiina Ritalahti (Apr 23), holds degrees in music and vocal performance from the University of Washington. She has performed throughout Washington with Northwest Opera in Schools Etcetera (NOISE), Puget Sound Opera, Ladies Musical Club and Puget Sound Concert Opera as well as being a featured soloist for the Finlandia Foundation. She has sung such roles as the First Spirit and Pamina in Mozart’s The Magic Flute, Despina in Cosi fan tutte, Lisa in Bellini’s La sonnambula, Änchen in Der Freischütz by Weber, Cis in Britten’s Albert Herring, and Olympia in Offenbach’s The Tales of Hoffman. Further she has performed in multiple operas by Menotti: Lucy in The Telephone, Monica in The Medium, and Laetitia in The Old Maid and the Thief. Her passion for singing also extends to art song repertoire, which she performs regularly in recitals around Western Washington. Tiina has created unique breathing classes for young singers that combine her knowledge and experience as a massage therapist, certified yoga teacher and singer.

Eric Shankland (Apr 29) has been playing bassoon since age 15. He played in the NCR band and the Youth Philharmonic in Dayton, Ohio. He studied with Arthur Grossman and played in the University Symphony at the University of Washington, and currently studies with Paul Rafanelli of the Seattle Symphony. He was principal bassoon in the Eastside Symphony (Redmond) for fifteen years. Eric is a research scientist at the University of Washington.

Julie Shankland (Apr 29) has played clarinet since marching band in the Ohio snow. Since moving to Washington, Julie has played in the UW Concert Band, Eastside Symphony, West Seattle Community Orchestras, Rain City Symphony, and various chamber music camps. Julie is an adult student of Jennifer Nelson and recently learned to play bass clarinet. Julie works in the Office of General Counsel at the Washington State Bar Association.

Melet Whinston (Apr 11) studied under Maria DeRungs, and was first chair in the Portland Junior Symphony and Princeton University Orchestra. She has presented school performances as a member of the Leschi Trio and as as a duo with Michael Housley, pianist. She has many years of experience as a chamber musician and solo performer, and performs regularly at St Andrew Presbyterian Church and local recitals.

 

Performing Artists, March 2022

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Vicki Boeckman (Mar 31) has been performing and teaching since the 1980s. She is embracing the new virtual world with enthusiasm, curiosity, and a sense of awe, finding it to be positive and rewarding amidst the challenges we are all facing. Pre-pandemic she was an internationally acclaimed performing and recording artist who traveled all over the U.S. and to many other countries to perform and teach. Vicki resided in Denmark from 1981-2004 and had the opportunity to collaborate with some of the finest musicians of the day including Jaap ter Linden, John Holloway, René Jacobs, Lars Ulrik Mortensen, Pedro Memelsdorf and Markus Zahnhausen. Her Danish recorder trio Wood’N’Flutes had a fantastic 15-year run performing all over Europe and working with contemporary composers in addition to doing children’s theater. She was an adjunct professor at the Royal Danish Academy of Music in Copenhagen for 12 years and taught at the Ishøj Municipal School of Music for 23 years. Many of those students are now professionals, performing and teaching in conservatories in Denmark and around Europe. Locally Vicki has been a featured soloist with the Seattle Symphony, Seattle Baroque Orchestra, Portland Baroque Orchestra, The Oregon Symphony, Portland Opera, Medieval Women’s Choir, Gallery Concerts, Philharmonia Northwest Orchestra, and the Skagit Symphony. She is currently music director for the Seattle Recorder Society, co-director for the Recorder Orchestra of Puget Sound (ROPS), and Artistic Director for the Port Townsend Early Music Workshop. She dearly hopes that these organizations can withstand the challenges of separation and continue to thrive.

Lin Chen (Mar 31) is a freelance vocalist, violinist and music educator in the Greater Seattle area. Growing up in Australia, she was fortunate to study music with esteemed teachers from the Griffith Conservatorium in Brisbane and the Sydney conservatorium. Her experience in vocal performance expands multiple genres including Classical, Musical theatre and Jazz. She currently studies voice with Dr Kari Ragan. Lin is also a violin coach for the Bellevue Youth Symphony Orchestra (BYSO) and performs with a number of local ensembles including her own string quartet—Quartet Evolution. Her career highlights include performing at the Sydney Opera House, Westminster Abbey and Cologne Cathedral. She enjoys giving regular recitals in Seattle with the Ladies Musical Club.

Katie Hochman (Mar 31), soprano, can be heard regularly giving recitals with Ladies Musical Club of Seattle. She has also enjoyed singing opera and oratorio with Puget Sound Concert Opera (PSCO), Opera Theater Oregon, Portland Opera, Utah Opera, Columbia Chorale and Southwest Washington Symphony (SWS). Highlights include the title role of Massenet’s Cendrillon and Héro in Berlioz’s Beatrice et Bénédict performed with PSCO and Exultate, jubilate performed with SWS.

Sharon Jung (Mar 14) was born and raised in the Pacific Northwest. She is a nurse practitioner, and works in a neurology practice in Tacoma, Washington. She freelances for numerous ensembles in the local area. She has been an LMC member since 1999. She is a former student of LMC member Gail Perstein and is also a former student of Bernard Shapiro.

Andrew Kam (Mar 4) received his BM in Music Education from the University of Miami and an MM in Violin Performance from the University of Oregon. Mr. Kam currently serves as the Orchestra Director at Bellevue High School and conductor for the Cadet String Orchestra with Bellevue Youth Symphony Orchestra. Mr. Kam regularly adjudicates for both small and large ensemble festivals and has served as guest conductor for honors orchestras in the Puget Sound region. As a professional violinist, Mr. Kam is a violinist with Symphony Tacoma. He is one of the recording violinists heard on Kesha’s 2018 Grammy nominated single “Praying,” and has performed on other movie and popular music productions. Each year, Mr. Kam and his wife Angie (violin) tour with Trans-Siberian Orchestra during the band’s stops in Seattle and Portland. Mr. Kam is originally from Honolulu, Hawaii. He enjoys rock climbing, skiing, cooking, and traveling. Mr. Kam also loves hiking with his dog Burt.

Violinist Angie Kam (Mar 4) is an established performer and teacher in the Seattle area. She enjoys playing regular recitals as a performing chamber musician and soloist with the Ladies Musical Club of Seattle. As a professional orchestral violinist, she is assistant principal second violinist of the Yakima Symphony Orchestra, and a section player in the North Corner Chamber Orchestra. Angie has performed with many major pop groups including the Trans-Siberian Orchestra, Ramin Djawadi (Game of Thrones composer), Il Divo, Idina Menzel, Evanescence, Lindsey Stirling, Sarah Brightman, and Michael Bublé. She is also an active studio recording musician for movies and video games. When she’s not playing, practicing, or teaching, Angie enjoys mountaineering, skiing, hiking, running, eating, and spending time with her family (husband and dog).

Joan Lundquist (Mar 4, 31) has served as a collaborative pianist for Seattle area musicians and organizations for 30 years. Since moving to the area from Humboldt State University in northern California, where she was staff accompanist, Joan has worked with the Northwest Boychoir, Seattle Choral Company, has taught at Seattle University and Northwest University, and has worked with several area private music teachers. Currently, Ms. Lundquist is the Director of Music at Immanuel Lutheran Church in downtown Seattle and rehearsal accompanist for the Seattle Choral Company.

Karin McCullough (Mar 31) took the less-traveled road to a music career. A serious pianist while growing up in Illinois, she suppressed her aspirations and instead became a paralegal. One day she was asked to accompany opera singers at a Fremont Bistro—a weekly engagement lasting 5 years. By then her popularity as an accompanist, soloist and piano teacher let her trade her life as a paralegal for that of a full-time musician. Karin is a Nationally Certified Teacher of Music in Piano. Karin maintains a flourishing piano studio in Ballard and performs frequently in the Seattle area. She is an active volunteer and member of Seattle Music Teachers Association (SMTA), Principal Organizer for the local chapter of Bach in the Subways, of which she is on the Board of Directors, and has served on the boards of SMTA and Musical Experiences, a nonprofit classical music education organization. Karin is the pianist for Third Church of Christ, Scientist, and is the former program Director for Haller Lake Music Series, a neighborhood classical music series featuring local musicians in recital.

Gail Perstein (Mar 14) has a Bachelor of Science from Springfield College, a Bachelor of Music from P.L.U., a Master of Music from U.W. (both in oboe performance) and a Master of Arts in Historical Musicology, also from U.W. She splits her time between teaching oboe privately, performing on oboe/English horn, and performing early music. She played in both early and classical music groups at P.L.U. and U.W., and continues performing in various settings, ranging from Tacoma Opera to local church services. Ms. Perstein performed for many years with her own medieval group, Chansonnier, using period instruments. She was a member of the Board of Trustees of the Ladies Musical Club of Seattle for 22 years and chair of the Frances Walton Competition Committee for 23 years.

Erika Pierson (Mar 31) earned her bachelor’s in Cello Performance from Indiana University and her master’s in Performance from the University of Michigan. Between her degrees, Erika studied in Berlin, at the Hochschule der Kunste, and in London under Eileen Croxford, FRCM. Her other teachers included Richard Aaron, Tsuyoshi Tsutsumi, Markus Nyikos, and Erling Blondal Bengtsson. Erika has given solo recitals in England, Germany, Spain, and in the United States, and has soloed with orchestras in Berlin, Ann Arbor, and Everett, WA. On the less classical side of things, she has also performed with Mannheim Steamroller, Rod Stewart, The Walkmen, and Deltron 3030. Currently Erika performs regularly as the cellist in NOCCO Chamber Orchestra, and freelances and teaches in the Seattle area.

Born in Northern CA, Luke Raffanti (Mar 25) has been a frequent piano performer around Seattle since moving here in 2017. Before the pandemic, he performed frequently at house concerts, retirement homes, and for benefit concerts. In 2018, he earned the top prize in the Chopin Northwest solo piano competition and in 2019 he was featured as vocal accompanist and solo pianist on Classical KING FM. He has enjoyed collaborating with several professional opera companies: Seattle Opera, Seattle Modern Opera Company, and Northwest Opera in Schools, as well as numerous individual professional vocalists. Luke teaches roughly 40 students of all ages at Cascade Piano Studio in Ravenna, and is the collaborative pianist and organist at Richmond Beach Congregational United Church of Christ in Shoreline. Lately Luke has been branching out into voice, and singing in the Seattle Pro Musica choir. He earned a BM in classical piano performance and a BA in environmental studies from Oberlin College and Conservatory of Music.

Soprano, Tiina Ritalahti (Mar 4), holds degrees in music and vocal performance from the University of Washington. She has performed throughout Washington with Northwest Opera in Schools Etcetera (NOISE), Puget Sound Opera, Ladies Musical Club and Puget Sound Concert Opera as well as being a featured soloist for the Finlandia Foundation. She has sung such roles as the First Spirit and Pamina in Mozart’s The Magic Flute, Despina in Cosi fan tutte, Lisa in Bellini’s La sonnambula, Änchen in Der Freischütz by Weber, Cis in Britten’s Albert Herring, and Olympia in Offenbach’s The Tales of Hoffman. Further she has performed in multiple operas by Menotti: Lucy in The Telephone, Monica in The Medium, and Laetitia in The Old Maid and the Thief. Her passion for singing also extends to art song repertoire, which she performs regularly in recitals around Western Washington. Tiina has created unique breathing classes for young singers that combine her knowledge and experience as a massage therapist, certified yoga teacher and singer.

Valentina Rodov (Mar 25) was born and raised in Moscow, Russia, and received her music education as a concert pianist from the famous Moscow Conservatory. She performed solo and in chamber groups prior to emigrating to the United States. Once in the U.S., Valentina decided to become a lawyer, which she successfully accomplished upon graduating from law school in Los Angeles and passing the California Bar. Valentina practiced law as business litigator in Southern California for over twenty years until she and her husband moved to Seattle. With great support and encouragement from the Seattle music community, Valentina came back to piano playing, and soon became a frequent and critically acclaimed recitalist and chamber music performer at various venues in the Seattle area.

Eric Shankland (Mar 14) has been playing bassoon since age 15. He played in the NCR band and the Youth Philharmonic in Dayton, Ohio. He studied with Arthur Grossman and played in the University Symphony at the University of Washington, and currently studies with Paul Rafanelli of the Seattle Symphony. He was principal bassoon in the Eastside Symphony (Redmond) for fifteen years. Eric is a research scientist at the University of Washington.

Julie Shankland (Mar 14) has played clarinet since marching band in the Ohio snow. Since moving to Washington, Julie has played in the UW Concert Band, Eastside Symphony, West Seattle Community Orchestras, Rain City Symphony, and various chamber music camps. Julie is an adult student of Jennifer Nelson and recently learned to play bass clarinet. Julie works in the Office of General Counsel at the Washington State Bar Association.

An outstanding member of the Northwest musical community for over 20 years, Regina Thomas (Mar 31) has performed with a variety of companies including Kitsap Opera, Willamette Concert Opera, Bellevue Opera, Puget Sound Concert Opera, Seattle Opera, and the Seattle Opera Guild. Currently LMC’s trustee of concerts and Artistic Director of Puget Sound Concert Opera, Regina has served as Seattle Opera Guild’s VP of Education and is a past President of LMC. Favorite operatic roles include Adriana Lecouvreur, Suor Angelica, Tosca, and Judith (Bluebeard’s Castle). Concert work includes Schumann’s Frauenleibe und-leben, Elgar’s Sea Pictures, and Wagner’s Wesendonck-Lieder; soprano solos in Beethoven’s Symphony No. 9, Fauré Requiem, and Berio’s Folk Songs for voice and chamber ensemble.

Gwen Trussler (Mar 31), mezzo-soprano, holds Performance degrees from Florida State University (BM/MM) as well as ARRT Certification in Radiography, Computed Tomography, and Magnetic Resonance Imaging. She has appeared with Tacoma Musical Playhouse, Heavier Than Air Theatre, Evergreen Performers, TMP Family Theater, Amici Opera, Operesque, South Georgia Opera, and Florida State Opera. A Wagner enthusiast, she was chosen to perform in the inaugural year of the Baldwin-Wallace Wagner Intensive where she coached with Jane Eaglen, Timothy Mussard, and Nancy Maultsby. Gwen works with MultiCare and Franciscan Health as an MRI Technologist and is also a Voice Over artist specializing in audiobook narration.

 

Performing Artists, February 2022

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Praised for her musical elegance and passion, soprano Clarice Alfonso (Feb 24) recently made her Chicago Orchestra Hall debut as the soloist in the North American premiere of Jacob TV’s Mountaintop. Recent engagements include Pamina with Northwest Opera in Schools, Gretel in Hansel and Gretel with Engage Opera, and Samuel Barber’s Knoxville: Summer of 1915 at the Seattle Art Museum. Past feats include Rosina in The Barber of Seville with Northwest Opera in Schools, Sister Genovieffa in Suor Angelica with Puget Sound Concert Opera, Donna Anna in Don Giovanni with Seattle Operamuse, First Lady in Die Zauberflöte with Chicago Chamber Opera, Julia Jellicoe in Gilbert and Sullivan’s The Grand Duke, and Silvia in the world premiere of Philip Seward’s Sincerely Yours. An avid singer of not just classical music, Clarice is one of the founders of Forte! Chicago, an all-women’s opera improv ensemble, and frequently performs concerts consisting of art song, jazz, and cabaret.

Brandi Birdsong (guest artist, Feb 25) has participated in the World Music Video Premiere of “DayBirth” by H. Leslie Adams (2021), was a featured vocalist in the 2021 MLK Day Celebration at the California African American Museum; in the Converse short film, “Variations,” directed by Devontè Hynes; and on Corbin Randall’s debut album, “vii”. Awards include: SEP 2nd Place Division Winner (2020), NATS 2nd Place Division Winner (2019). Recipient of the Jane Smith Rodriguez Memorial Scholarship (2019) and the Anna Ludmila Kruzic Music Scholarship (2019). Brandi received her BM from California State University of Fullerton.

Violinist Adrianna Hulscher (Feb 24, 25) began her studies at the age of 6, inspired by a gift from her parents—a record of Mozart’s delightful opera The Magic Flute. She is currently a freelance violinist in the Seattle area, and a member of the Pacific Northwest Ballet Orchestra. She developed her musical skills at the New England Conservatory and the Guildhall School of Music and Drama in London. Adrianna is a member of the St. Helens String Quartet, and has also performed with Seattle Opera and the Seattle Symphony. As a soloist, she has performed Bartok’s 1st violin Concerto with the University of Texas Symphony and The Lark Ascending by Vaughn Williams with the Lake Sammamish Symphony. Adrianna lives in Seattle with her husband and six-year-old daughter, Amelia.

Cellist Soohyun Juhn (guest artist, Feb 14), currently based in Seattle, received a Doctor of Musical Arts degree in Cello Performance at the University of Texas at Austin under the tutelage of Bion Tsang. She also got a Master’s degree in Cello Performance and Literature at the Eastman School of Music, where she studied with Steven Doane. As a chamber musician, she was selected to perform at the renowned Kennedy Center in Washington D.C. as part of the “Conservatory Project Series.” She has participated in the Banff chamber music residency, and she is a finalist of in the MTNA Competition and Arriaga Competition. Also, she has performed in masterclasses with Leon Fleisher, the Gryphon Trio, Peter Serkin, the Juilliard Quartet and the Tokyo String Quartet. In Korea, she graduated from Seoul Arts High School and received her Bachelor of Music degree at Yonsei University. She graduated with honors under the guidance of Sung-Won Yang, and performed as a principal cellist in Yonsei Symphony Orchestra. She received first prize at the Seoul Solist Cello Ensemble Competition and third prize at the Korean Chamber Orchestra Competition.

Andrew Kam (Feb 24) received his BM in Music Education from the University of Miami and an MM in Violin Performance from the University of Oregon. Mr. Kam currently serves as the Orchestra Director at Bellevue High School and conductor for the Cadet String Orchestra with Bellevue Youth Symphony Orchestra. Mr. Kam regularly adjudicates for both small and large ensemble festivals and has served as guest conductor for honors orchestras in the Puget Sound region. As a professional violinist, Mr. Kam is a violinist with Symphony Tacoma. He is one of the recording violinists heard on Kesha’s 2018 Grammy nominated single “Praying,” and has performed on other movie and popular music productions. Each year, Mr. Kam and his wife Angie (violin) tour with Trans-Siberian Orchestra during the band’s stops in Seattle and Portland. Mr. Kam is originally from Honolulu, Hawaii. He enjoys rock climbing, skiing, cooking, and traveling. Mr. Kam also loves hiking with his dog Burt.

Pianist Dr. Minju Kim (Feb 14, 24, 25), a native of South Korea, has established herself as a versatile soloist, chamber musician and collaborative pianist. Minju has won numerous awards, including the Sidney Wright Accompanying Competition, Korean Music Association Competition, and Korea-Germany Brahms Association Competition. With her avid interest in chamber music, Minju joined Bowdoin International Music Festival and Music Academy of the West as a fellow in collaborative piano. Currently, Minju serves as collaborative pianist at Shoreline Community College, Seattle University, and Northwest Girlchoir, and works with several private studios for instruments and voice. Minju holds degrees in Piano Performance from Seoul National University (B.M.), Indiana University (M.M./P.D.), and University of Texas in Austin (D.M.A), and in Collaborative Piano from New England Conservatory (M.M.).

Joan Lundquist (Feb 19, 24, 25) has served as a collaborative pianist for Seattle area musicians and organizations for 30 years. Since moving to the area from Humboldt State University in northern California, where she was staff accompanist, Joan has worked with the Northwest Boychoir, Seattle Choral Company, has taught at Seattle University and Northwest University, and has worked with several area private music teachers. Currently, Ms. Lundquist is the Director of Music at Immanuel Lutheran Church in downtown Seattle and rehearsal accompanist for the Seattle Choral Company.

Johanna Mastenbrook (Feb 14) holds a B.A. degree in Piano Performance from the University of Washington, graduating in 1950. She studied with the eminent Berthe Poncy Jacobson, with continued study in her master class for many years. She specializes in chamber music and accompanying, working with countless singers, instrumentalists, and choruses for over 70 years. Her chamber music concerts included series at the Seattle Concert Theatre, the Seattle Art Museum, and Seattle Symphony from 1974 through the ‘80s. She joined Ladies Musical Club in 1948 and has performed at many of their recitals throughout her long career.

Karin McCullough (Feb 17, 19, 24, 25) took the less-traveled road to a music career. A serious pianist while growing up in Illinois, she suppressed her aspirations and instead became a paralegal. One day she was asked to accompany opera singers at a Fremont Bistro—a weekly engagement lasting 5 years. By then her popularity as an accompanist, soloist and piano teacher let her trade her life as a paralegal for that of a full-time musician. Karin is a Nationally Certified Teacher of Music in Piano. Karin maintains a flourishing piano studio in Ballard and performs frequently in the Seattle area. She is an active volunteer and member of Seattle Music Teachers Association (SMTA), Principal Organizer for the local chapter of Bach in the Subways, of which she is on the Board of Directors, and has served on the boards of SMTA and Musical Experiences, a nonprofit classical music education organization. Karin is the pianist for Third Church of Christ, Scientist, and is the former program Director for Haller Lake Music Series, a neighborhood classical music series featuring local musicians in recital.

Ibidunni Ojikutu (guest artist, Feb 24, 25) made her Seattle Opera debut as Strawberry Woman in their 2011 production of Porgy and Bess. “Opera News” said of her performance, “Ibidunni Ojikutu’s turn as Strawberry Woman was as charming as the lilt in her voice.” A recipient of the 2017 Seattle Opera Guild Training Grant, Ms. Ojikutu is a teaching artist in Seattle Opera’s Community Education and Engagement division. As a teaching artist, she is currently appearing in The Three Feathers as Princess Tilda/The Frog Prince. Career highlights include a concert at the Monroe County Fine Arts Center with Grammy Award winning baritone, Charles Wesley Evans, Much Ado About Music—A SOG Concert at Soma, Summertime—The SOG Porgy Preview and Strawberry Woman/Serena cover in Seattle Opera’s 2018 production of Porgy and Bess. She was a special guest performer for the Mahler Festival’s Women Composer fundraising concert in which she performed the work of Florence Price. Ms. Ojikutu is a current member of the Seattle Opera Chorus.

Valentina Rodov (Feb 14) was born and raised in Moscow, Russia, and received her music education as a concert pianist from the famous Moscow Conservatory. She performed solo and in chamber groups prior to emigrating to the United States. Once in the U.S., Valentina decided to become a lawyer, which she successfully accomplished upon graduating from law school in Los Angeles and passing the California Bar. Valentina practiced law as business litigator in Southern California for over twenty years until she and her husband moved to Seattle. With great support and encouragement from the Seattle music community, Valentina came back to piano playing, and soon became a frequent and critically acclaimed recitalist and chamber music performer at various venues in the Seattle area.

Praised for his ringing voice and easy stage presence, Korland Simmons (guest artist, Feb 25) is quickly making a name for himself. A social justice advocate, Korland has been actively engaged in music that speaks for those who have no voice. In 2015 he joined a group of black male artists for an evening of music, poetry and prose at the Cathedral of St. John the Divine (New York). This Freedom Concert, a response to the killings of Trayvon Martin, Eric Garner and countless others, benefitted the ACLU and included a brief performance on MSNBC’s Melissa Harris-Perry Show. Korland’s socially aware performances continued in 2016 and 2017 with Chorosynthesis Singers’ (Seattle) Empowering Silenced Voices and two more installments in the growing Freedom Concert series (2016 – Trinity Wall Street and 2017 – Holy Trinity Lutheran Church). As a budding opera performer, he has continued to add new roles to his repertoire. In the past two years his operatic role debuts have included: Don Basilio/Don Curzio (Le Nozze di Figaro), Mendoza (Hiram Titus’ Rosina), and Mime (Das Rheingold). Korland’s previous operatic roles include Remus (Treemonisha), Remendado (Carmen), Eduardo Milfort (La Cambiale Matrimonio) and Mayor Upfold (Albert Herring). A frequent interpreter of new works, he premiered Shawn Jaeger’s The Generals, Richard Webster’s Empathy, and sang the role of Conrad in Thomas Pasatieri’s The Goose Girl. His oratorio credits include the Mozart Requiem, Handel’s Messiah, and Bach’s Magnificat in D. Korland is a native of Little Rock, AR and holds a Bachelor of Arts in Music from Duke University. He continued his vocal studies at the University of Michigan under the tutelage of George Shirley. He currently studies with Neil Semer.

Mezzo-soprano Katie Stevenson (Feb 14, 19) has recently performed with Pacific Northwest Opera as Flora in La Traviata. She has also been seen performing art songs and arias in livestream concerts with the Ladies Musical Club and Epiphany Parish of Seattle’s “Music in Our Community” concert series. Since moving to Seattle she has performed roles and concerts with the Seattle Opera Guild, Puget Sound Concert Opera, N.O.I.S.E., and Seattle Modern Opera Company. While living in NYC Katie worked with Dicapo Opera, Amato Opera, and Riverside Opera performing roles such as Romeo in I Capuleti e I Montecchi, Dorabella in Cosi fan tutte, and Henrichetta in I Puritani. In Philadelphia she performed the title role in Carmen and as Emilia in Otello. While living in Europe, she performed in concerts and festivals in Germany, Ireland, and England. In addition to performing, Katie teaches piano and voice lessons in the Seattle area.

Performing Artists, January 2022

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John Burkhardt (Jan 22), principal accompanist and chorus master for Puget Sound Concert Opera, is musically active in the Unitarian Universalist church and has been an opera and musical theater pianist for many years in Seattle and elsewhere. Other operatic work includes rehearsal accompanist for Skagit Opera (now Pacific Northwest Opera) and long-time chorus master for Bellevue Opera. In addition to his musical life, John manages communications for University of Washington, Tacoma and resides in Tacoma, Washington with his husband, abstract artist, J.W. Harrington.

Pianist Dr. Xin Chang (Jan 28) is originally from China. She is active as a collaborative pianist, chamber musician and piano teacher throughout North America and Asia. She was a full-time Collaborative Pianist at the University of Wyoming. She holds a doctoral degree from the University of Texas at Austin, a Master of Music from the Eastman School of Music and a Bachelor’s degree from Renmin University of China. Her principal teachers were Dr. Colette Valentine, Anne Epperson, Dr. Jean Barr and Dr. Fang Zhang. Dr. Chang moved to Seattle in 2020 and currently works as the accompanist of Seattle Bach Choir. She enjoys teaching piano to all levels of students. She currently maintains a private studio in Seattle and works as a piano instructor at the Yamaha-authorized La Belle Music School in Bellevue, WA.

Lin Chen (Jan 28) is a freelance vocalist, violinist and music educator in the Greater Seattle area. Growing up in Australia, she was fortunate to study music with esteemed teachers from the Griffith Conservatorium in Brisbane and the Sydney conservatorium. Her experience in vocal performance expands multiple genres including Classical, Musical theatre and Jazz. She currently studies voice with Dr Kari Ragan. Lin is also a violin coach for the Bellevue Youth Symphony Orchestra (BYSO) and performs with a number of local ensembles including her own string quartet—Quartet Evolution. Her career highlights include performing at the Sydney Opera House, Westminster Abbey and Cologne Cathedral. She enjoys giving regular recitals in Seattle with the Ladies Musical Club.

Lawrence Chu (Jan 20), cello, is a native of the Seattle area, and currently resides in Bellevue with his family. His former instructors include Phyllis Allport, Frances Walton and Eva Heinitz. He has been practicing Emergency medicine locally for the past 32 years. He would like to thank Ann and Selina for this opportunity to rekindle his passion for making music together.

Selina Chu (Jan 20) holds a special place in her heart for all types of ensemble playing, from duo-piano recitals to choral works, chamber music, and dance collaboration. During her association with Alaska Dance Theatre as their Principal Accompanist, Selina developed a lifelong interest in the expressive relationships between movement and music. She holds a Bachelor of Music degree from the University of Washington, a Master of Music from the University of Cincinnati’s College-Conservatory of Music, and permanent National Certification from MTNA. Selina maintains an independent piano studio in Issaquah and has served as an adjudicator, clinician, and master teacher throughout the Pacific Northwest. She is known for her sense of humor and creative approach to learning and performance.

Emiko Hori (Jan 15, 20), a native of Japan, graduated from renowned Indiana University Jacobs School of Music in Piano Performance. She studied with Shigeo Neriki, performed at numerous places including Banff Centre, Schleswig-Holstein Musik Festival, Germany, and others. Emiko became fascinated with and continued her study in Computer Science at Boston University. Busy working in technology companies such as CommerceHub and Microsoft, Emiko thought she would never play the piano again. She was wrong; Emiko became one of the newest performing members of Ladies Musical Club. Emiko enjoys dividing her time between performing concerts, teaching piano, and working at Starbucks HQ’s Digital Commerce team.

Sharon Jung (Jan 22) was born and raised in the Pacific Northwest. She is a nurse practitioner, and works in a neurology practice in Tacoma, Washington. She freelances for numerous ensembles in the local area. She has been an LMC member since 1999. She is a former student of LMC member Gail Perstein and is also a former student of Bernard Shapiro.

Dr. Jennifer Li (Jan 15) completed her Doctorate of Musical Arts in Piano Performance from the Manhattan School of Music in 2001. In that same year, she was awarded the Special Presentation Award by Artists International, which presented her solo debut recital at Carnegie’s Weill Recital Hall. Jennifer has performed in master classes for renowned concert pianists including John Perry, Lazar Berman, John O’Conor, and Roslyn Tureck, among others. She has given solo recitals in New York, New Jersey, Maryland, Washington, and the Netherlands. Since returning to her hometown of Seattle in 2003, Jennifer has established a successful private teaching studio and continues to perform as a soloist and chamber musician.

Karin McCullough (Jan 15) took the less-traveled road to a music career. A serious pianist while growing up in Illinois, she suppressed her aspirations and instead became a paralegal. One day she was asked to accompany opera singers at a Fremont Bistro—a weekly engagement lasting 5 years. By then her popularity as an accompanist, soloist and piano teacher let her trade her life as a paralegal for that of a full-time musician. Karin is a Nationally Certified Teacher of Music in Piano. Karin maintains a flourishing piano studio in Ballard and performs frequently in the Seattle area. She is an active volunteer and member of Seattle Music Teachers Association (SMTA), Principal Organizer for the local chapter of Bach in the Subways, of which she is on the Board of Directors, and has served on the boards of SMTA and Musical Experiences, a nonprofit classical music education organization. Karin is the pianist for Third Church of Christ, Scientist, and is also the program Director for Haller Lake Music Series, a neighborhood classical music series featuring local musicians in recital.

Gail Perstein (Jan 22) has a Bachelor of Science from Springfield College, a Bachelor of Music from P.L.U., a Master of Music from U.W. (both in oboe performance) and a Master of Arts in Historical Musicology, also from U.W. She splits her time between teaching oboe privately, performing on oboe/English horn, and performing early music. She played in both early and classical music groups at P.L.U. and U.W., and continues performing in various settings, ranging from Tacoma Opera to local church services. Ms. Perstein performed for many years with her own medieval group, Chansonnier, using period instruments. She was a member of the Board of Trustees of the Ladies Musical Club of Seattle for 22 years and chair of the Frances Walton Competition Committee for 23 years.

Ann Rackl (Jan 20), violinist, is the former assistant concertmaster of Philharmonia Northwest chamber orchestra, where she has been a member since 1976. She holds a Master of Music Education degree from the University of Montana, and has studied violin with Emanuel Zetlin and Martin Friedmann in Seattle. Formerly a private violin instructor, these days she especially enjoys playing chamber music.

An outstanding member of the Northwest musical community for over 20 years, Regina Thomas (Jan 22) has performed with a variety of companies including Kitsap Opera, Willamette Concert Opera, Bellevue Opera, Puget Sound Concert Opera, Seattle Opera, and the Seattle Opera Guild. Currently LMC’s trustee of concerts and Artistic Director of Puget Sound Concert Opera, Regina has served as Seattle Opera Guild’s VP of Education and is a past President of LMC. Favorite operatic roles include Adriana Lecouvreur, Suor Angelica, Tosca, and Judith (Bluebeard’s Castle). Concert work includes Schumann’s Frauenleibe und-leben, Elgar’s Sea Pictures, and Wagner’s Wesendonck-Lieder; soprano solos in Beethoven’s Symphony No. 9, Fauré Requiem, and Berio’s Folk Songs for voice and chamber ensemble.