Fostering classical music in the community through education, performance, and awards.
May 7th @ 3pm- Chopin in Black & White & Technicolor: Concert Talk on Chopin's Fantaisie in F minor and Ballade No. 2 in F major Tickets are $10 for Members; $30 General Admission; More info here.
Revel in Works by Schumann, Rachmaninoff, and Chopin on May 10th at 12:00pm at Seattle Public Library's Central Branch ! Click here for info about LMC's May Artists | To see LMC's Event Calendar, click here
Lithograph caricature of Thomas Arne, from a painting by Francesco Bartolozzi
A Little English by Burnet Tuthill (1888-1982)
Variations on So ben mi ch’a bon tempo by Orazio Vecchi (1550-1605), arr. Vittoria Rieti (1898-1994)
Quietude by Luther Trowbridge (1892-1978)
Gail Perstein, English horn & Asta Vaicekonis, piano
O Come, O Come, My Dearest by Thomas Arne (1710-1778) If music be the food of love by Henry Purcell (1659-1695)
“O sleep, why dost thou leave me?” from Semele by G.F. Handel (1685-1759)
“So shall the lute and harp awake” from Judas Maccabaeus (HWV 63)by G.F. Handel
Beth Ann Bonnecroy, soprano & Asta Vaicekonis, piano
Ballade voor Althobo en Piano Op. 90 (1981) by Jan Koetsier (1911-2006)
Fantasia per Corno Inglese e Pianoforte by Antonio Pasculli (1842-1924) Amelia – Un pensiero del Ballo in maschera by Guiseppe Verdi (1813-1901)
Gail Perstein, English horn & Asta Vaicekonis, piano
My Life’s Delight by Roger Quilter (1877-1953), poem by Thomas Campion Do not go, my love by Richard Hageman (1881-1966), poem by Rabindranath Tagore Sleep (poem by John Fletcher) by Ivor Gurney (1890-1937) i carry your heart by John Duke (1899-1984), poem by e.e. cummings Love’s Philosophy by Roger Quilter, text by Percy Shelle
Beth Ann Bonnecroy, soprano & Asta Vaicekonis, piano
Chopin: His innovations in style, musical form, and harmony, and his association of music with nationalism, were influential throughout and after the late Romantic period.
Goyescas: Los majos enamorados (The Gallants in Love), Op. 11 by Enrique Granados (1867-1916)
Quejas, o La Maja y el ruiseñor (Laments or The Maja and the Nightingale)
Etude Op.25, No. 9 in Gb Major by Frédéric Chopin (1810-1849)
Etude Op.25, No.12 in C Minor
Geisa Dutra, piano
Claire de Lune Minuet by Gabriel Fauré (1845-1924) The Girl with the Flaxen Hair by Claude Debussy (1862-1918) Pavane for a Dead Princess by Maurice Ravel (1875-1937)
Karin McCullough, piano
Twelve Polonaises Wilhelm Friedemann Bach (1710-1784)
No. 3 in D Major
No. 2 in C Minor
Nocturne in C Minor Op. 48, No. 1 Frédéric Chopin (1810-1849)Intermezzo Manuel Ponce (1882-1948)
Lisa Lanza, piano
Sonnetto 104 de Petrarca, S. 158, No. 1 (“I find no peace”) by Franz Liszt (1811-1866)
Grande Waltz Op. 42, in A flat Major by Frédéric Chopin (1810-1849)
Maria Khavin, piano
Polonaise Fantasie, Op. 61 by Frédéric Chopin (1810-1849)
L’abbandono (Romanza) (The abandonment) Malinconia, Ninfa gentile (Melancholy gentle nymph) Vanne, o rosa fortunate (Go, fortunate rose)
“Eccomi . . . O quante volte,” (Here I am… o how many times) from I Capuleti e I Montecchi
Almen, se non poss’io seguir l’amato bene (At least if I am not able to follow my beloved) Per pietà, bell’idol mio (Have pity, my dearest one) Ma rendi pur contento (Only make her happy)
Emily Riesser, soprano & Lucy Wenger, piano
Works by Frederick Chopin (1810-1849)
Nocturne in F-sharp major, op.15, no.2
Nocturne in C-sharp minor, op.27, no.1
Nocturne in D-flat major, op.27, no.2
Ballade no.4 in F-minor, op.52