Archives: Events

Cello Suite No. 2 in D minor, BWV 1008: I. Prélude

Erika Pierson, cello

Mein gläubiges herze (“My faithful heart”) from Cantata, BWV 68

Lin Chen, soprano and Karin McCullough, piano

Nichts kann mich erretten (“Nothing can save me”) from Cantata, BWV 74

Gwen Trussler, mezzo-soprano and Joan Lundquist, piano

Wir eilen mit schwachen doch emsigen schritten (“We hurry with weak yet eager steps”), BWV 78

Katie Hochman and Regina Thomas, sopranos and Karin McCullough, piano

Ich ende behende mein irdisches Leben (“I end quickly my life on earth”), BWV 57, No. 7

Katie Hochman, soprano, Lin Chen, violin and Karin McCullough, piano

Italian Concerto, BWV 971
Selections from Goldberg Variations, BWV 988

Karin McCullough, piano

Ei wie schmeckt der coffee süße (“Oh, how sweet coffee tastes”) from the Coffee Cantata, BWV 211, No. 4

Lin Chen, soprano and Karin McCullough, piano

Loure from Violin partita in E major, BWV 1006

Lin Chen, violin and Karin McCullough, piano

Qui sedes ad dexteram (“You who sit at the right hand of the Father”) from Mass in B minor, BWV 232

Gwen Trussler, mezzo-soprano, Vicki Boeckman, recorder and Joan Lundquist, piano

Siciliano and Allegro from Sonata in F major (orig. Eb maj), BWV 1031

Vicki Boeckman, recorder and Joan Lundquist, piano

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March artist bios

 

Duo #1 in D Major from Six Duos, Op. 21, No. 1 by François Devienne (1759-1803)
Allegro Moderato
Rondeau

Three Dialogues for Clarinet and Bassoon by Øistein Sommerfeldt (1919-1994)
I. Slendtrende Dialog (Strolling Dialogue)
II. Etertenksom Dialog (Thoughtful Dialogue)
III. Munter Dialog (Jovial Dialogue)

Julie Shankland, clarinet
Eric Shankland, bassoon

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April artist bios

 

Violin Sonatas by Bach and Telemann

Sonata No. 2 for Solo Violin in A Minor, S. 1003 by Johann Sebastian Bach (1685–1750)
– Grave
– Andante
– Allegro

Angie Kam, violin

Canonic Sonata No. 1 in G Major by Georg Philipp Telemann (1681–1767)
– Vivace
– Adagio
– Allegro

Canonic Sonata No. 2 in D Major
– Spirito
– Larghetto
– Allegro Assai

Angie and Andrew Kam, violins

The Musical Body – songs featuring the human form

Heavenly Grass by Paul Bowles (1910–1999)

Black Is the Color of My True Love’s Hair by Chuck Israels (b. 1936)

In dem Schatten meiner Locken by Hugo Wolf (1860–1903)

From Cuatro madrigales amatorios by Joaquin Rodrigo (1901–1999)
II. Vos me matásteis

Take, O take those lips away by Peter Warlock (1894–1930)

From Tres Poemas by Joaquin Turina (1882–1949)
II. Tu pupila es azul

Cantique à l’Epouse by Ernest Chausson (1855–1899)

Chanson d’Amour by Gabriel Fauré (1845–1924)

From Giuditta by Franz Lehar (1870–1948)
Meine Lippen, sie küssen so heiss

Tiina Ritalahti, soprano and Joan Lundquist, piano

We are excited to be able to welcome audience members at Music Center of the Northwest! No RSVP is required.

Music Center of the Northwest requires proof of vaccination at the door, and masks are required for all guests.

If you don’t have proof of vaccination, you can request a health or religious exemption by emailing Music Center of the Northwest’s anonymous health email covid@musiccenternw.org at least 72 hours in advance of the concert. Do not provide any medical information in the email correspondence. Those who receive written confirmation of their exemption will be required to show a negative COVID-19 test within 48 hours for each entry into Music Center.

View the concert on YouTube

March artist bios

 

LMC performers will be featured on Classical KING FM’s NW Focus LIVE on Friday, February 4 at 8pm. Tune in to Classical King FM 98.1 or you can listen from the Classical King FM website.

Commentary – Introduction to Florence Price

Feet O’ Jesus by Florence Price (1887-1953)
Resignation by Florence Price
Night by Florence Price

Ibidunni Ojikutu (guest), soprano and Joan Lundquist, piano

Adoration by Florence Price (1887-1953)
The Deserted Garden by Florence Price

Adrianna Hulscher, violin and Karin McCullough, piano

Commentary – Introduction to William Grant Still

“A Black Pierrot” from Songs of Separation by William Grant Still (1895-1978)

Korland Simmons, tenor and Minju Kim, piano

Carmela by William Grant Still (1895-1978)
“Mother and Child,” No. 2 from Suite for Violin and Piano by William Grant Still

Adrianna Hulscher, violin and Karin McCullough, piano

Commentary – Introduction to Robert Owens and Leslie Adams

Sleep from Silver Rain by Robert Owens (1925-2017)

Korland Simmons, tenor and Minju Kim, piano

“Branch by Branch” from Five Millay Songs by H. Leslie Adams (b. 1932)
“Song of the Innkeeper’s Children” from Daybirth by H. Leslie Adams
“The Return from Town” from Five Millay Songs by H. Leslie Adams

Brandi Birdsong, soprano and Karin McCullough, piano

“Prayer” from Nightsongs by H. Leslie Adams (b. 1932)
“Sence you went away” from Nightsongs by H. Leslie Adams
“Creole Girl” from Nightsongs by H. Leslie Adams

Korland Simmons, tenor and Minju Kim, piano

View the concert on YouTube

February artist bios