Piano Music by Mozart & Debussy, violin music by Bach & Mozart

Please note that seating is limited at the Frye Art Museum. It is still free but guests must have a ticket to enter. Patrons should plan to arrive 1/2 hour early.  See below for details on how to get tickets or click here to MAKE A RESERVATION.

Partita No. 1 in B minor BWV 1002, by J.S. Bach (1685-1750)
II. Corrente – Double (Presto)

Violin Concerto No. 5 in A major, K219, by W.A. Mozart (1756-1791)
I. Allegro aperto – Adagio – Allegro aperto

Candice Chin, violin and Emiko Hori, piano

First movement, “Allegro moderato”  from Sonata K. 330, C Major by W.A. Mozart

from Images, Book 1 by Claude Debussy

-Reflets dans l’eau (“Reflections in the Water”)

-Hommage à Rameau (“Homage to Rameau”)

-Mouvement (“Movement”)

Emiko Hori, piano

REGISTRATION

Tickets to this program are free of charge, and our seating capacity is limited. Free tickets, limit 2 per person, may be reserved in advance, up to two days before the program. The reserved tickets may be picked up on the day of the program at the desk in the foyer outside the auditorium. There is no late seating, so please arrive at least 15 minutes early. All unclaimed tickets (regardless of reservations) will be released to standby 10 minutes before the program!

Frye Members receive advance notice of programs and performances—become a member today and get the benefit of early registration!

TICKETING

On the day of the program, pre-registered and standby tickets may be picked up beginning one hour before the program at the desk in the foyer outside the auditorium. All unclaimed tickets (regardless of reservations) will be released to standby 10 minutes before the program.

The Life and Works of Franz Liszt

Please note that seating is limited at the Frye Art Museum. It is still free but guests must have a ticket to enter. Patrons should plan to arrive 1/2 hour early.  See below for details on how to get tickets or click here to MAKE A RESERVATION.

The Life and Works of Franz Liszt (1811-1886)

Transcription of Schumann’s song Widmung (Dedication), S. 566 (1848)

Valentina Rodov, piano

S’il est un charmant gazon (If there’s a lovely grassy plot) S. 284, no. 1 (1884)
“Comment?” disaient ils (“How then?” he asked) S.276, No. 1 (1882)
Es muss ein wunderbares sein (It must be a wonderful thing), S. 314 (1852)

Ya-Li Lee, soprano and Maria Khavin, piano

Sonetto No 123 del Petrarca (Petrarch’s Sonnet, No. 123), S. 161, No. 6 (1846)

Joyce Gibb, piano

Die Lorelei (The Loreley) S. 273 (1854)
Ah, quand je dors (Ah, when I sleep) s. 282 (1849)

Amber Rose Johnson, soprano and TBA, piano

La Lugubre Gondola (The mournful gondola ), S. 134 (1883)

Erika Pierson, cello and Annie Center, piano

Concert Etude No. 2, La Leggierezza (Lightness) S. 144, No. 2 (1849)

Emiko Hori, piano

REGISTRATION

Tickets to this program are free of charge, and our seating capacity is limited. Free tickets, limit 2 per person, may be reserved in advance, up to two days before the program. The reserved tickets may be picked up on the day of the program at the desk in the foyer outside the auditorium. There is no late seating, so please arrive at least 15 minutes early. All unclaimed tickets (regardless of reservations) will be released to standby 10 minutes before the program!
Frye Members receive advance notice of programs and performances—become a member today and get the benefit of early registration!
TICKETING
On the day of the program, pre-registered and standby tickets will be available at the desk in the foyer outside the auditorium.
Tickets for Members may be picked up beginning one hour before the program.
Pre-registered tickets for nonmembers may be picked up beginning 30 minutes before the program.

All unclaimed tickets (regardless of reservations) will be released to standby 10 minutes before the program.

Song recital: Unsettling femininity, Schubert Trio No. 1 in Bb **CANCELED**

Please note that seating is limited at the Frye Art Museum. It is still free but guests must have a ticket to enter. Patrons should plan to arrive at least 1/2 hour early to get a ticket. Advance reservations for this event will be available for our concerts at the Frye which can be made via this website or via the Frye website. The house will open to audience at 1:30pm on performance day.

Unsettling Femininity: Works about women and by female composers

Amber Rose Johnson, soprano

Gretchen am Spinnrade (Gretchen at the spinning wheel)  by Franz Schubert
Chanson perpétuelle (Everlasting song) by Ernest Chausson
Au pays où se fait la guerre  (In the land of war) by Henri Duparc

Sköldmön  (The Amazon) by Ture Rangström
Die Lorelei (The Loreley) by Franz Lizst

 Amber Rose Johnson, soprano and Grant Hanner (guest artist), piano

Cello, Violin and Piano Trio

Trio No. 1 in B-flat major, D. 898 by Franz Schubert
I)   Allegro moderato
II)  Andante un poco mosso

Ann Rackl, violin
Selena Chu, piano
Lawrence Chu (guest artist), cello

From Baroque to Brazil **CANCELED**

**THIS EVENT HAS BEEN CANCELED DUE TO CONCERNS ABOUT THE CORONAVIRUS**

Please note that seating is limited at the Frye Art Museum. It is still free but guests must have a ticket to enter. Patrons should plan to arrive at least 1/2 hour early to get a ticket. Advance reservations for this event will be available for our concerts at the Frye which can be made via this website or via the Frye website. The house will open to audience at 1:30pm on performance day.

Seattle Guitarist, Composer and Arranger, Hilary Field
Seattle Guitarist, Composer and Arranger, Hilary Field

Rules of Recitation, Poems by Lena Khalaf Tuffaha, Music by Hilary Field

Miss Sahar Listens to Fairuz Sing
“The Bees’ Path”

Jill Carlsen, reader and Hilary Field, guitar

Donzella: Fantasia on a Sephardic Lullaby by Hilary Field
(Inspired by the Sephardic song Durme, Durme)

The Olive Branch and the Rose by Hilary Field
(Inspired by the Sephardic song La Rose Enflorence and the Arabic-Andalusian song Lamma Bada Yatathanna)

Hilary Field, guitar

8 poems from “Killing Marías” , Poems by Claudia Castro Luna, Music by Hilary Field

Oda a la Esperanza (Ode to Hope), Poem by Pablo Neruda, Music by Hilary Field

Jill Carlsen, reader and Hilary Field, guitar

Azuláo by Jayme Ovalle (arr. L. Almeida) (1894-1955)

Modinha by Heitor Villa-Lobos (1887-1959)

Jill Carlsen, soprano and Hilary Field, guitar

Soprano, Emily Riesser

Bachianas Brasileiras #5  by Heitor Villa-Lobos

Emily Riesser, soprano and Hilary Field, guitar

by Jacob do Bandolim  (1918-1969), Arranged by Hilary Field

Receita de Samba
Santa Morena

Jill Carlsen, recorder and Hilary Field, guitar