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Bach Partitia in E Major for Solo Violin BWV 1006
Violin/Keyboard Sonata No. 3 in E Major, BWV 1016 by JS Bach (1720-1723)
I. Adagio
II. Allegro
III. Adagio ma non tanto
IV. Allegro
Italian Piano Concerto in F Major, BWV 971 (1735)
I. Allegro
II. Andante
III. Presto
Adriana Hulscher, violin
Karin McCullough, piano
Three Desert Fables for Solo Oboe by Jenni Brandon (1977-)
Gail Perstein, oboe
Love in the Dictionary by Celius Dougherty (1902-1986)
“Tell me the truth about Love” from Cabaret Songs by Benjamin Britten (1913-1976)
Aria from The Mirror of Arcadia (Brettl-Lieder) from by Arnold Schoenberg (1874-1951)
“I’m a Stranger Here Myself”from One Touch of Venus by Kurt Weill (1900-2012)
“Amor“ from Cabaret Songs by William Bolcom (b. 1938 )
Amber Rose Johnson, soprano and Joan Lundquist, piano
Fantasy No. 3, originally in B minor, for Solo Alto Recorder by Georg Philipp Telemann (1681-1767)
Snake for Solo English Horn by Michael Berkeley (b. 1948-)
Partly inspired by the poem The Snake by D.H. Lawrence
Gail Perstein, English horn and recorder
Toccata in C Minor BWV 911 by J. S. Bach (1685-1750)
6 Lieder, Op. 1 by Fanny Mendelssohn-Hensel (1805-1847)
Impromptu Op. 90, No. 2 by Franz Schubert (1797-1828)
Cantique by Nadia Boulanger (1887-1979)
Vous M’Avez Regardé Avec Toute Votre Ȃme by Lili Boulanger (1893-1918)
Les Lilas Qui Avaint Fleuri by Lili Boulanger (1893-1918)
Chanson by Nadia Boulanger (1887-1979)
From Four Anniversaries (1948) by Leonard Bernstein (1918-1990)
I. For Felicia Montealegre
III. For David Diamond
Fleeting is a Maiden’s Favor by Ethyl Smyth (1858-1944)
Rondo Capriccioso in E Major, Op. 14 by Felix Mendelssohn (1809-1847)
Molly Tomlinson, soprano and Cori Belle, piano
Molly Tomlinson grew up in the Seattle area, where she developed her lifelong passion for music. She earned her BA in Music from Chapman University and her MM in Voice from the Chicago College of Performing Arts. Over the last two decades Molly has been fortunate to participate in both choral and solo music festivals, competitions and Young Artist Programs around the United States and abroad. In addition to performing Molly is a certified NATS teacher and enjoys teaching and collaborating with her students and colleagues. She is also the Choir Director for the Woodinville Unitarian Universalist Church in Woodinville. www.mollytomlinson.co
Cori Belle earned her Piano Performance degree from Grand Canyon University with additional studies at the American Institute of Musical Studies in Graz, Austria. She holds a teaching certificate from the University of Washington. As a collaborative pianist she has worked with a variety of schools, churches, and choral groups in Arizona and Washington and has performed across the United States, England, and Austria. She has served as music director and accompanist at Studio East, Second Story Repertory, and the International School in Bellevue. Currently she is the Kirkland Choral Society’s accompanist. Since 2012 Cori has programmed and performed in house concerts through her creation of Indie Musikhaus, bringing together a variety of musicians in the greater Seattle area. In 2018 she released her first solo classical album, Commonplace Beauty. www.coribelle.com
“O nume tutelar” from La Vestale by Gaspare Spontini (1774-1851)
Katie Hochman as Julia
“Una voce poco fa” from Il barbiere di Siviglia by Giaochino Rossini (1792-1868)
Victoria Chaussee, as Rosina
“Sombre föret” from Guillaume Tell by Gioacchino Rossini
Lori Williams as Mathilde
“Mira, o Norma” from Norma by Vincenzo Bellini
Katie Hochman as Norma and Victoria Chausse as Adalgisa
“O quante volte” from I Capuleti e i Montecchi by Vincenzo Bellini (1801-1835)
Emily Riesser as Giulietta
” Regnava nel Silenzio” from Lucia di Lammermoor by Gaetano Donizetti
Lori Williams as Lucia and Katie Hochman as Alice
“Saria possibile” from L’elisir d’amore by Gaetano Donizetti
Emily Riesser as Gianetta
Katie Hochman and Lori Williams, sopranos
Victoria Chaussee, mezzo-soprano
Janene Nelson, direction and narration
Joan Lundquist, piano
Partita in C Minor, according to BWV 1013
I. Allemande
II. Corrente
III. Sarabande
IV. Bourree Anglaise
Sabine Endrigkeit, recorder
F minor Prelude and Fugue from Well Tempered Clavier, book 2
Katie O’Rourke, piano
“Gerechter Gott, ach, rechnest du”(Righteous God, ah, do you judge?) from BWV 89 Was soll ich aus dir machen, Ephraim (What shall I make of you, Ephraim?)
Molly Tomlinson, soprano
Gail Perstein, oboe
Abigail Habegger, piano
“Ich will auf den Herren schaun” (I will look upon the Lord) from BWV 93, Wer nur den lieben Gott läßt walten (Who only lets dear God rule)
Kristen Swenson, soprano
Gail Perstein, oboe
Abigail Habegger, piano
Italian Piano Concerto in F Major, BWV 971 (1735)
I. Allegro
II. Andante
III. Presto
Karin McCullough, piano
Flute sonata, BWV1031
Gail Perstein, oboe and Abigail Habegger, piano
Sonata for violin and piano in E major, BWV 1016
Adrianna Hulscher, violin and Karin McCullough, piano
“Schafe können sicher weiden” (sheep may safely graze) from Was mir behagt, is nur die muntre Jagd, BWV 208 “The Hunting Cantata”
Susan Strick, soprano
Jill Carlsen, flauto dolce
Sabine Endrigkeit, flauto dolce
Karin McCullough, piano