Free Public Concert Series
LMC’s most visible face is its Public Concert Series that offers over 50 free classical music concerts from October through May by LMC member-musicians and guests. The classical music series is presented at a variety of venues throughout the Seattle metro area, including Seattle Art Museum, Frye Art Museum, Seattle Public Library, Central and West Seattle Branches, University House Wallingford, Mirabella, Bellevue’s Crossroads Community Center Theater and the Music Center of the Northwest in North Seattle.
These intimate, one-hour, music programs are free and open to the public. No advance tickets are required. On the day of the performance at the Frye Museum, attendees are asked to obtain a free ticket at the front desk to monitor auditorium seating.
The sixth Annual Art of the Piano presents:
Darkness and Light
A solo piano showcase complementing the current SAM Gallery exhibit, Darks and Lights.
“The artists in this show contrast darks and lights as autumn turns to winter. Nature’s cycles, retreating to our roots, and finding home are all explored by our premier Northwest artists.” (quoted from the SAM Website description) The SAM Gallery is free today. We invite you to explore the exhibit Darks and Lights after you experience this musical journey and share the magical connection that can exist between the visual and performing arts.
The Seasons, Op. 37a by Pyotr Ilyich Tchaikovsky (1840-1893), “October” and “November”
Valentina Rodov, piano
Winterreigen (Winter Rounds) Op.13, by Ernő Dohnányi (1877 – 1960) – selections
Karin McCullough, piano
Ondine Claude Debussy (1862-1918)
La Cathédrale Engloutie (The Engulfed Cathedral)
Lucy Wenger, piano
Goyescas, Op. 11, subtitled Los majos enamorados (The Gallants in Love) by Enrique Granados (1867 – 1916)
El Amor y la muerte (Balada) (Ballad of Love and Death)
Geisa Dutra, piano
Janet Anderson, piano
For Snow by Janet Anderson
Snow-Flakes (Henry Wadsworth Longfellow)
Silver Filigree (Elinor Wylie)
For Snow (Eleanor Farjeon)
Katie Hochman, soprano, and Janet Anderson, piano
Variations on “She Moved through the Fair” by Janet Anderson
A Play on “Lillibulero” by Janet Anderson
Janet Anderson, piano
The Birds by Nicholas Marshall (b. 1942)
Sughisti by Racheal Cogen
Les Barricades by Matthias Maute
Jill Carlsen, Sabine Endrigkeit, Vicki Boekman (guest artist) and Mike Woolf (guest artist), recorders
Recital programming TBA
Beth Ann Bonnecroy, soprano
Gail Perstein, oboe
Asta Vaicekonis, piano
- Largo – Allegro
- Allegro molto ed appassionato
- Allegretto espressivo alla Romanza
- Allegro animato
Featuring original works by LMC member composers.
Viola sonata in E-Flat Major, Op. 120, No. 2 by Johannes Brahms (1833-1897)
- Allegro amabile
- Allegro appassionato
- Andante con moto; Allegro
Sonata for Viola and Piano by Rebecca Clarke (1886-1979)
Yi Zhou, viola and Grace Huang, piano
Autumn Song, Op. 56, No. 1 Amy Marcy Beach (1867-1944)
Four Songs for Children, Op. 75 Amy Marcy Beach
- The Candy Lion
- The Thanksgiving Fable
- Prayer of a Tired Child
Sleep, Little Darling, Op. 29, No. 3 Amy Marcy Beach
Breanna Hanson, soprano and Lucy Wenger, piano
- Very slowly. Introduction of the characters, one by one, in a suffused light.
- Fast/Allegro. Sudden burst of unison strings in A major arpeggios starts the action. A sentiment both elated and religious gives the keynote to this scene.
- Moderate/Moderato. Duo for the Bride and her Intended – scene of tenderness and passion.
- Quite fast. The Revivalist and his flock. Folksy feeling – suggestions of square dances and country fiddlers.
- Still faster/Subito Allegro. Solo dance of the Bride – presentiment of motherhood. Extremes of joy and fear and wonder.
- Very slowly (as at first). Transition scene to music reminiscent of the introduction.
- Calm and flowing/Doppio Movimento. Scenes of daily activity for the Bride and her Farmer husband. There are five variations on a Shaker theme. The theme, sung by a solo clarinet, was taken from a collection of Shaker melodies compiled by Edward D. Andrews, and published under the title “The Gift to Be Simple.” The melody borrowed and used almost literally is called “Simple Gifts.”
- Moderate. Coda/Moderato – Coda. The Bride takes her place among her neighbors. At the end the couple are left “quiet and strong in their new house.” Muted strings intone a hushed prayerlike chorale passage. The close is reminiscent of the opening music.
Karin McCullough, piano
I Hate Music by Leonard Bernstein (1918-1990)
- My mother says that babies come in bottles
- Jupiter has seven moons
- I hate music
- A big Indian and a little Indian
- I just found out today that I’m a person too
Tiina Ritalahti, soprano and Lucy Wenger, piano
Flames by Tom Cipullo (b. 1956)
Poisoning Pigeons in the Park by Tom Lehrer (b. 1928)
Another Reason Why I Don’t Keep a Gun in the House by Tom Cipullo
Tiina Ritalahti, soprano & Lucy Wenger, piano