Piano works by Tailleferre, Scriabin, Vine, Schulhoff, Hadyn’s “The Joke” String Quartet

String Quartet, Opus 33 No 2 “The Joke” by Joseph Haydn (1732-1809)

  1. Allegro moderato, cantabile
  2. Scherzo
  3. Largo sostenuto
  4. Presto

A Musical Joke, K 522 by W.A. Mozart ( 1756- 1791)

III. Adagio cantabile

Kathy Zufall & Ann Rackl, violins
Janice Gockel, viola & Frances Walton, cello

Deux pieces pour piano, Germaine Tailleferre, (1892-1983)

Larghetto
Valse Lente

Sonata-Fantasy, Op. 19,  Alexander Scriabin, (1872-1915)

  1. Andante
  2. Presto

The Anne Landa Preludes by Carl Vine, (1954-

V. Ever After Ever

Esquisses de jazz, Erwin Schulhoff,  (1894-1942)

  1. Charleston

Stephanie Shadbolt, piano

Piano and Vocal music by Beethoven, Scenes from Mozart’s La Clemenza di Tito

An die ferne Geliebte (To the distant beloved) by Ludwig van Beethoven (1770-1827)

  1. “Auf dem Hügel sitz ich spähend” (I sit on a hill gazing)
  2. “Wo die Berge so blau” (Rising from the lowering skies)
  3. “Leichte Segler in den Höhen” (Graceful sailor of the heights)
  4. “Diese Wolken in den Höhen” (These clouds on the heights)
  5. “Es kehret der Maien” (Maytime returns)
  6. “Nimm sie hin denn, diese Lieder” (Take these, then, my songs)

Regina Thomas, soprano & Johanna Mastenbrook, piano

Sonata No. 17 in D minor Op. 31, No. 2 “Tempest” by Ludwig van Beethoven (1770-1827)

  1. Largo-Allegro
  2. Adagio
  3. Alegretto

Maria Khavin, piano

Intermission

Scenes from La Clemenza di Tito (The Clemency of Titus) by W. A. Mozart (1756-1791)
Performed costumed and staged, with string quartet and piano

“Come ti piace imponi” (Whatever you wish)

Malya Muth as Vitellia     Katie Stevenson (guest artist) as Sesto

“Deh si piacer mi vuoi” (If you would like to please me)

Malya Muth as Vitellia

“Deh prendi un dolce amplesso” (Accept this heartfelt embrace)

Emily Riesser as Annio    Katie Stevenson (guest artist) as Sesto

“Ah perdona al primo affetto questo accento sconsigliato;” (Forgive this rashness born of my affection)

Emily Riesser as Annio     Leslie Stark as Servilia

“Ah, se fosse intorno al trono ogni cor cosi sincero” (Ah, if about a throne every heart were so sincere)

Brian Minnick, tenor (guest artist) as Tito

“Tu fosti tradito” (You were betrayed)

Emily Riesser as Annio

“Deh, per questo istante” (Ah, for just this moment)

Katie Stevenson as Sesto

Se all’impero, amici Dei, necessario e un cor severo!” (If a hard heart is necessary to a ruler, ye benevolent gods)

Brian Minnick (guest artist) as Tito

“S’altro che lacrime per lui non tenti” (If you do nothing but shed tears for him)

Leslie Stark as Servilia

“Ecco, il punto, o Vitellia…Non più di fiori” (Now is the moment, Vitellia…Flowers no more)

Malya Muth as Vitellia

“Ma, che giorno è mai questo?” (But what a day this is!)

Brian Minnick (guest artist) as Tito

FINALE: “Tu è ver, m’assolvi” (You truly forgive me)

Tom Sunderland (guest artist), stage direction

Joan Lundquist, piano Carolyn Wyman, viola
John Burkhardt (guest artist), conductor Candice Chin & Ann Rackl, violins

Terry Cook, cello

 

Songs by Amy Beach and Cole Porter, Music for oboe and English Horn

Concerto for Oboe and Strings (piano reduction) by Arcangelo Corelli (1653-1713), arr. John Barbirolli

Gail Perstein, oboe and Nobuko Hasegawa, piano

Autumn Song, Op. 56, No. 1 by Amy Marcy Beach (1867-1944)
Four Songs for Children, Op. 75 by Amy Marcy Beach
Sleep, Little Darling, Op. 29, No. 3 by Amy Marcy Beach

Breanna Hanson, soprano and TBA, piano
Fantasy on “Lungi da te” from G. Sarti’s (1729-1802) Armida e Rinaldo for English horn and piano by Gustave Vogt (1781-1870)
Sicilienne for English horn and piano (arranged by Thomas Stacy) by Gabriel Fauré (1845-1924)
Recitative and Rondo for English horn and Piano (reduction)         Anton Reicha (1770-1836)
Gail Perstein, English horn and Nobuko Hasegawa, piano
“Love for Sale” from The New Yorkers (1930) by Cole Porter (1891- 1964)
“So in Love” from Kiss Me Kate (1948) by Cole Porter
Breanna Hanson, soprano and TBA, piano

French and British Songs and Duets of the Late Romantic Period

There is a garden in her face by John Ireland (1879-1962)

Katie Hochman, soprano     Catherine Treadgold, mezzo soprano

Come to me in my dreams by Frank Bridge (1879-1941)
Love went a-riding

Katie Hochman, soprano

Full fathom five by  John Ireland
You spotted snakes by Frederick Keel (1871-1954)
It was a lover by Ralph Vaughan Williams (1872-1958)

Katie Hochman, soprano     Catherine Treadgold, mezzo soprano

Chevaux de bois (Horses of wood) by Claude Debussy (1862-1918)
La Mer est plus belle (The sea is more beautiful)

Catherine Treadgold, mezzo soprano

Puisqu’ici-bas toute âme (As each soul here below) by Gabriel Fauré (1845-1924)
Les trois oiseaux (The three birds) by Leo Delibes (1836-1891)
Au bord de l’eau (Au bord de l’eau) by Émile Paladilhe (1844-1926)

Katie Hochman, soprano     Catherine Treadgold, mezzo soprano

Les trios Chanson (The three song) by Gabriel Pierné (1863-1937)
Mimi Pinson

Katie Hochman, soprano

Joie! (Joy) by Jules Massenet (1842-1912)
Marine (The sea)

Katie Hochman, soprano    Catherine Treadgold, mezzo soprano

Summer schemes by John Ireland
Great things

Catherine Treadgold, mezzo soprano

La Nuit (The night) Op 11, no.1                           Ernest Chausson (1855-1899)
Réveil (The awakening) Op 11, no.2

Katie Hochman, soprano    Catherine Treadgold, mezzo soprano
Joan Lundquist, piano

Solo piano recital, Folksongs and Lullabies for guitar and voice

Bach Birthday Picture
J.S. Bach (born March 31, 1685)

The Well-Tempered Clavier, Book II, No. 4 Prelude in c# minor, BWV 873 by  J.S. Bach (1685-1750)
Sonata in E Major by Domenico Scarlatti (1685-1757)
Milonga del Angel by Astor Piazzolla (1921-1992)
Lotus Land by Cyril Scott (1879-1970)
Barcarolle in A-Flat Major, No 4. Op. 44 by Gabriel Fauré (1845-1924)
Lilacs, Op. 21, No. 5 by Sergei Rachmaninoff (1873-1943)

Katie O’Rourke, piano

Two Italian Lullabies by Traditional, arranged by Hilary Field
La Vo’
Er a La Vó
Ya-Li Lee, soprano and Hilary Field, guitar
Cantilena by Hilary Field (2015)
Donzella: Fantasia on a Sephardic Lullaby by Hilary Field
Variations on “Sakura” by Yoquijiro Yocoh, b. 1925
Hilary Field, guitar
Auf, auf zum fröhlichen Jagen – Folksong, text by Gottfried B. Hancke, 1724
Auf einem Baum ein Kuckuck saß – Folksong 18th century
Sah ein Knab’ ein Röslein stehn’ by Heinrich Werner (1800-1833), text by Johann W. von Goethe (1749-1832)
Der Kuckuck und der Esel by Carl Friedrich Zelter (1758-1832), text by Hoffmann von Fallersleben (1789-1874)
Ach bittrer Winter– Folksong 17th century
Alle Vögel sind schon da – Folksong, text by Hoffmann von Fallersleben (1789-1874)
Es klappert die Mühle am rauschenden Bach – Folksong 19th century, text by Ernst Anschütz 1824
Ya-Li Lee, soprano, Christine Menschner, soprano, and Hilary Field, guitar