Fostering classical music in the community through education, performance, and awards.
May 7th @ 3pm- Chopin in Black & White & Technicolor: Concert Talk on Chopin's Fantaisie in F minor and Ballade No. 2 in F major Tickets are $10 for Members; $30 General Admission; More info here.
Revel in Works by Schumann, Rachmaninoff, and Chopin on May 10th at 12:00pm at Seattle Public Library's Central Branch ! Click here for info about LMC's May Artists | To see LMC's Event Calendar, click here
Every March, the Ladies Musical Club of Seattle celebrates and raises money for our impactful community music programs with a gala luncheon, open to the public and members alike. Our 2023 luncheon will be held at the Fremont Abbey, and will feature keynote speaker Brenda Barnes, CEO of Seattle’s Classical KING FM 98.1, as well as a performance by pianist HyeYeon Kim, 2022 Frances Walton Competition’s Alternate Winner.
Tickets are $75 per person, with an option to donate $25 and receive a custom LMC tote and sticker.
A limited number of Sponsored Tables are available. Tables are $1000 and include admission for 8 attendees, custom LMC tote and sticker for each table guest (up to 8), a gift basket worth $150 for table sponsor, and (Optional) logo on program and promotional materials for the event (contact events@lmcseattle.org for questions).
Sponsoring a table is a generous contribution to our programs! Note: guest names are prompted at checkout but can be adjusted after purchase; feel free to use a placeholder (e.g. “guest 1”) if you haven’t confirmed all names yet. We will reach out to you to confirm your guests by email or phone.
For questions about tickets including possible ticket discounts, email events@lmcseattle.org.
Every March, the Ladies Musical Club of Seattle celebrates and raises money for our impactful community music programs with a gala luncheon, open to the public and members alike. This year, our 2022 luncheon will be virtual, and will feature keynote speaker Josephine Cripps as well as performances by Soren Hamm and Joan Lundquist. Please check this page for updated details as the event gets closer! For questions or help purchasing tickets, email events@lmcseattle.org.
Purchase Tickets
LMC will email out an event link to all confirmed guests by Friday, March 25th. Please note that we use both Stripe and PayPal for payment and donation processing. When you purchase tickets or virtual tables online through links below, LMC will contact you by email to confirm you and your guests.
Online:
Single Tickets: $10
Click here to purchase single tickets to the LMC’s 2022 Virtual Luncheon with optional donation via Stripe
Virtual Table (8 Tickets): $75
Click here to purchase a table (8 tickets per table) to the LMC’s 2022 Virtual Luncheon with optional donation via Stripe
Just Donate –
Cannot attend the event but still want to be part of LMC’s mission. We are grateful for your support!
Click here to support LMC with a tax-deductible donation via PayPal
By Mail:
Fill out this online form or email how many tickets you would like to events@lmcseattle.org. Then, mail your check to: Ladies Musical Club of Seattle P.O. Box 94337 Seattle, WA 98124-6637
Fundraising Goal: Exceeded!
We exceeded our goal!
Event
EVENT Schedule:
Log in at 12:30 to mingle with your “table” in a small breakout room. If you purchased a single ticket, you will be assigned a table, or can request to join a table by emailing events@lmcseattle.org. The event starts at 1pm.
A Brief History of the LMC and Overview of Programs
Sonate en ut# by Fernande Decruck, performed by 2018 FWC Solo Winner Soren Hamm, saxophone, and LMC member Joan Lundquist, piano
Très modéré, expressif
II. Andante
III. Fileuse
IV. Nocturne et Final
Keynote Speaker: Josephine Cripps
Video: Public Concerts Series – Connecting Musicians and Community
Toast + Closing
ABOUT OUR KEYNOTE SPEAKER
Keynote speaker Josephine Cripps grew up in the welcoming dark of the great movie palaces and revival houses of Los Angeles. At UCLA, she earned her MFA in Motion Pictures & Television then worked in story development for production companies.
Once she had children, she discovered that working with kids was far more satisfying than working with executives, and she began teaching history, English, and theater in Seattle Schools. Currently she teaches at Licton Springs K-8, the only Native-focused school in Seattle Public Schools.
Every summer Jo returns to the welcoming dark—this time with Screenwriting and Film Studies students at the University of Washington Summer Youth Program.
Luncheon speaker Josephine Cripps poses with 2019 FWC Winners at Licton Springs K-8 School, where she is an arts specialist. The visit was a collaboration with LMC’s Music in Schools (MIS) program. Left to right: Asta Vaičekonis, collaborative pianist; Ling (Holly) Hang, clarinet; Minsun Kim, piano; and Josephine Cripps
about our performers
Soren Hamm
Heard on the popular radio programs Performance Today and Northwest Focus Live, saxophonist Soren Hamm has performed repertoire spanning the Renaissance through the Avant-garde in concerts across North America. He is the only person to win both the solo and (with the Equus Saxophone Quartet) ensemble categories of the Frances Walton Competition, and was a winner of the Northwest MTNA Competitions on multiple occasions. Soren is an avid promoter of new music for saxophone. In addition to dozens of solo and chamber premieres, he has performed by invitation at the Bowling Green New Music Festival, Ball State New Music Festival, and the New Music Gathering. He is a founding member of Onomatopoeia, the world’s first flute/saxophone/horn trio, and helped commission the first original repertoire for this combination of instruments.
Soren teaches on the faculty at Pierce College Puyallup and maintains a private studio in Seattle, WA. He holds degrees from Bowling Green State University (MM) and the University of Oregon (BM) – graduating from the latter with the distinction of Outstanding Undergraduate Performer in Woodwinds; he also completed music education studies at Western Washington University, and was named a winner of that school’s Concerto Competition. Soren’s teachers include John Sampen, Idit Shner, Fred Winkler, and Timothy McAllister.
Joan Lundquist
Joan Lundquist has served as a collaborative pianist for Seattle area musicians and organizations for 30 years. Since moving to the area from Humboldt State University in northern California, where she was staff accompanist, Joan has worked with the Northwest Boychoir, Seattle Choral Company, has taught at Seattle University and Northwest University, and has worked with several area private music teachers. Ms. Lundquist is the rehearsal accompanist for the Seattle Choral Company and retired as the Director of Music at Immanuel Lutheran Church in downtown Seattle. Joan can be seen on many of the LMC’s Public Concerts programs on LMC’s YouTube channel, and has also performed for LMC’s Music In Schools program.
Adoration by Florence B. Price (1887-1953) (arranged by Elaine Fine) The Deserted Garden by Florence B. Price (edited by Owain Evans)
Priere sans paroles by Alfred Tokayer (1900-1943)
Theme from Schindler’s List by John Williams (1993) (dedicated to Itzhak Perlman)
Carmela by William Grant Still (1895-1978)
Mother and Child (second movement of Suite for Violin and Piano) by Wm. Grant Still
V. Hornpipe from Much Ado About Nothing, Op. 11 by Erich Wolfgang Korngold (1897-1957)
Adrianna Hulscher, violin
Karin McCullough, piano
Springtime in Paris: French piano solos
“Clair de lune” (Menuet), Op. 48, No. 2 by Gabriel Fauré (1845-1942)
“Clair de lune” from Suite Bergamasque by Claude Debussy (1862-1918)
First Arabesque by Claude Debussy
Sonatine by Maurice Ravel (1875-1937)
I. Modéré
II Menuet
“Sicilienne” from Neuf pieces breves by Georges Auric (1899-1983)
“Air d’Aline” from Les avventures du roi Pausole, an opera by Arthur Honegger (1892-1955), transcribed for solo piano by Arthur Honegger
“La nuit est venue” (Night has come) from L’histoire de Babar by Francis Poulenc (1899-1963)
“Pastourelle” from L’eventail de Jeanne (Jeanne’s Fan), a children’s ballet, by Francis Poulenc (transcribed for solo piano by Maurice Ravel)