News

LMC premieres new works by Australian, British and American Composers on December 7

Thursday, December 7 at the Seattle Art Museum features premieres by cogan, marshall and anderson.

Thursday, December 7 at noon
Seattle Art Museum
Plestcheff Auditorium
1300 First Ave, Seattle WA
*All our Concerts are Free and open to the Public*

​LMC member Jill Carlsen and guest performers from the active Puget Sound recorder community will present a West Coast premiere of the recorder quartet Sughisti, written in 2014 by Racheal Cogan. This composition features an alto recorder with three types of bass recorder: standard bass in F (sometimes affectionately referred to as the “baby bass”), Great Bass in C, and Contrabass, an octave lower than the baby bass.

Ms. Cogan composed Sughisti as a gift for Geri Bollinger, who is the maker of the Küng bass recorders featured in her piece. She writes that he came across her website with a photo of her holding one of his bass recorders, heard her music, and sent her an email. This became the start of their friendship.

She goes on to describe that while they corresponded from their respective homes in Canada and Switzerland, they discovered a shared love for cooking and bottling tomato sauces from their summer harvests. (Or maybe a necessity in her case​? She adds, this was “All to ferret away for the long, insistently cold and icy Winter in Alberta.”)

Geri referred to his tomato sauce using the Italian word, “sugo.” Sughisti are the sauce makers. You can get a “taste of sugo” on YouTube. Ms. Cogan was born in Australia and has lived in various parts of the world. Her extensive time in Greece is reflected in many of her works, including Sughisti. She currently lives in Montreal.

 

The program is rounded out by two contemporary vocal works.

The US premiere of British composer, Nicholas Marshall’s song cycle The Birds, for soprano, recorder and piano.

And, rounding out the program is the winter themed song cycle composed by LMC’s own Janet Anderson, For Snow.

UPS Voice Chair, Dawn Padula makes LMC Debut

December 2 program at the Frye Art Museum to feature Dawn Padula, mezzo-soprano and Hilary Field, guitar

 

University of Puget Sound Director of Vocal Studies, Dawn Padula, mezzo-soprano makes her LMC debut on Saturday, December 2 at the Frye Art Museum.

Dr. Padula will perform Maurice Ravel’s Histoires Naturelles (Natural Histories) a song cycle of poems about various animals and will be accompanied by Joan Lundquist on piano. Dr. Padula’s detailed biography, recordings and upcoming performances can be found at dawnpadula.com

Hilary Field, guitar is a former Frances Walton Competition winner

The other half of the one-hour program will be international performing and recording artist Hilary Field, guitar, performing works of her own composition. Find out more about Hilary at hilaryfield.com.

*The five songs of Histoires Naturelles are:

  1. Le paon (The peacock) – The peacock is described as waiting in his finery for the peahen he is to marry. She does not appear, but his vanity makes him confident that she will come tomorrow.
  2. Le grillon (The cricket) – The cricket returns to his home at the end of the day and obsessively puts it in order, before burrowing deep into the earth.
  3. Le cygne (The swan) – The swan is distracted by reflections in the water, confusing the image of his own neck for a woman’s arm. Each time he plunges his beak into the water vainly fishing for reflections he brings out a worm, and so grows fat.
  4. Le martin-pêcheur (The kingfisher) – A fisherman is pleased and proud that a beautiful kingfisher has just perched on his fishing rod before eventually flying on.
  5. La pintade (The guinea fowl) – The guinea fowl is ugly and belligerent, attacking the hens and even the turkey in the farmyard. She occasionally gives them some respite when she leaves the yard to lay an egg out of sight, in the countryside.

*Song descriptions taken from Wikipedia.org.

For detailed program information see our web calendar.

All of our concerts are FREE and open to the public.

LMC Opera travels to Russia on November 13, 2017

Russian Opera of the 19th Century
Monday, November 13 at 7:30 PM ~ University House, Wallingford

 

Widely considered the golden age of Russian opera, the 19th Century was a time of flourishing growth and development of an original Russian style.

LMC Opera Group  will trace Russian operatic history  beginning with the groundbreaking work of Mikhail Glinka. He is regarded at the father of Russian classical music and his style was highly influential on those who came after, notably a group who were referred to as “The Five” or “The Mighty Handful.”

Our first ever program of Russian opera program features arias and scenes sung concert style in Russian with historical notes and commentary by Director Regina Thomas with music by Glinka, Dargomyzhsky, Rubinstein, Musorgsky, Borodin, Rimsky-Korsakov and Tchaikovsky.

Featured performers: Regina Thomas and Meg Daly, sopranos, Dawn Padula and Janene Nelson mezzo-sopranos and Maria Khavin, pianist and Russian language coach.

New Afternoon Concert Series at Crossroads Community Center

LMC kicks off the 17-18 season at the Crossroads Community Center with a new time and day: Thursdays at 1:00pm

The series is sure to appeal to seniors, home school families and people who work in the neighborhood who want to enjoy music with their lunch.

Dates and Programming Planned:

Thursday, November 9 – Russian Opera of the 19th Century
Thursday, January 11 – Music of Spain and South America, solo piano, guitar and vocal music
Thursday, February 8 – Violin sonatas by Beethoven and Grieg
Thursday, March 8 – Soprano recital and instrumental recital TBA
Thursday, April 12 – Music by Schubert for solo voice and for violin, cello and piano trio

As with all of our concerts, this series is FREE and open to the public

Fall 2017 Performing Member Auditions on Saturday, Nov 11

LMC member auditions to be held on Saturday, November 11 from 2 PM to 6 PM at Queen Anne Christian Church

Ladies Musical Club (LMC) members participate in a wide variety of rewarding music activities and collaborations with other women of similar interests. Join us in growing our presence and influence in the community. LMC membership is open to music and fine-arts advocates as well as actively performing musicians. In addition to our outreach programs, LMC promotes music among its members through interest groups, master classes, special events, professional networking and community building. All ages are welcome!

Applying for membership

Performing and At-Large membership is by invitation of the Board of Trustees, based on audition or résumé review. Annual dues are $100 for both At-large and Performing Members over age 32.  Members who are age 32 and under pay $90 per year. Dues for members accepted during the winter/spring auditions will be half the annual rate. There is a non-refundable $25 application fee, which will be applied to the annual dues for successful applicants. To apply:

Download the LMC application for membership (PDF).
Complete the application. Save and place your name where indicated in the file name.
Email the completed application to our membership committee.
Applicants can email the LMC membership committee at membership@lmcseattle.org with any questions that are not answered on the website, or if the application process cannot be completed.

LMC Member-musician auditions
LMC Performing Member auditions will be held on Saturday November 11, 2017 from 2:00 p.m. to 6:00 p.m. at Queen Anne Christian Church, Seattle. Please have your application in by October 30, 2017. An application received after this date may still be considered if the audition schedule permits. If not, the application will remain active for the Spring LMC Auditions.

Applicants wishing to be accepted as a performing member have two options: audition either as a solo performer or as a collaborative/ensemble performer. In either case, the applicant shall prepare three pieces in contrasting styles, for a total of about 15 minutes of music. Music does not have to be memorized. Other requirements for specific instruments and for singers are:

Pianists wishing to audition as accompanists, but not as solo pianists, should bring a collaborator to the audition. This may be a current collaborator or LMC may be able to find a current LMC member for this purpose. If a collaborator is needed, the applicant shall notify LMC with enough time to find someone, and for the applicant to be thoroughly rehearsed by the day of the audition.

Pianists desiring to perform both as soloists and accompanists should plan to complete an audition for each category. In this case, please submit only one application and fee.

Singers should prepare songs in three different languages. At least two of the selections should be art songs, as LMC primarily presents recitals.

Applicants wishing to audition as an ensemble-only performer, please indicate this on the application. We would strongly prefer to hear the audition with a collaborator. If you have questions about this, please contact LMC at membership@lmcseattle.org.

More information about the benefits of membership