Performing Artists, October 2021

Katie Hochman (Oct 29), soprano, can be heard regularly giving recitals with Ladies Musical Club of Seattle. She has also enjoyed singing opera and oratorio with Puget Sound Concert Opera (PSCO), Opera Theater Oregon, Portland Opera, Utah Opera, Columbia Chorale and Southwest Washington Symphony (SWS). Highlights include the title role of Massenet’s Cendrillon and Héro in Berlioz’s Beatrice et Bénédict performed with PSCO and Exultate, jubilate performed with SWS.

Sharon Jung (Oct 16) was born and raised in the Pacific Northwest. She is a nurse practitioner, and works in a neurology practice in Tacoma, Washington. She freelances for numerous ensembles in the local area. She has been an LMC member since 1999. She is a former student of LMC member Gail Perstein and is also a former student of Bernard Shapiro.

Joan Lundquist (Oct 29) has served as a collaborative pianist for Seattle area musicians and organizations for 30 years. Since moving to the area from Humboldt State University in northern California, where she was staff accompanist, Joan has worked with the Northwest Boychoir, Seattle Choral Company, has taught at Seattle University and Northwest University, and has worked with several area private music teachers. Currently, Ms. Lundquist is the Director of Music at Immanuel Lutheran Church in downtown Seattle and rehearsal accompanist for the Seattle Choral Company.

Pianist Dr. Minju Kim (Oct 15), a native of South Korea, has established herself as a versatile soloist, chamber musician and collaborative pianist. Dr. Kim holds degrees in Piano Performance from Seoul National University (B.M.), Indiana University (M.M./P.D.), and University of Texas in Austin (D.M.A), and in Collaborative Piano from New England Conservatory (M.M.). She has won numerous awards, including the Sidney Wright Accompanying Competition, Korean Music Association Competition, and Korea-Germany Brahms Association Competition. She joined Bowdoin International Music Festival and Music Academy of the West as a fellow in collaborative piano. Currently, Minju is a collaborative pianist at Shoreline Community College, Seattle University and Odle Middle School Choir, and works with several private studios for instruments and voice.

Karin McCullough (Oct 15) took the less-traveled road to a music career. A serious pianist while growing up in Illinois, she suppressed her aspirations and instead became a paralegal. One day she was asked to accompany opera singers at a Fremont Bistro—a weekly engagement lasting 5 years. By then her popularity as an accompanist, soloist & piano teacher let her trade her life as a paralegal for that of a full-time musician. Karin is a Nationally Certified Teacher of Music in Piano. Karin maintains a flourishing piano studio in Ballard and performs frequently in the Seattle area. She is an active volunteer and member of Seattle Music Teachers Association (SMTA), Principal Organizer for the local chapter of Bach in the Subways, of which she is on the Board of Directors, and has served on the boards of SMTA and Musical Experiences, a nonprofit classical music education organization. Karin is the pianist for Third Church of Christ, Scientist, and is also the program Director for Haller Lake Music Series, a neighborhood classical music series featuring local musicians in recital.

Gail Perstein (Oct 16) has a Bachelor of Science from Springfield College, a Bachelor of Music from P.L.U., a Master of Music from U.W. (both in oboe performance) and a Master of Arts in Historical Musicology, also from U.W. She splits her time between teaching oboe privately, performing on oboe/English horn, and performing early music. She played in both early and classical music groups at P.L.U. and U.W., and continues performing in various settings, ranging from Tacoma Opera to local church services. Ms. Perstein performed for many years with her own medieval group, Chansonnier, using period instruments. She was a member of the Board of Trustees of the Ladies Musical Club of Seattle for 22 years and chair of the Frances Walton Competition Committee for 23 years.

Bernard Shapiro (Oct 16) was principal oboe of the Seattle Symphony and Seattle Opera from 1961-2004, participating in over 80 Seattle Symphony recordings. He appeared as soloist with the Seattle Symphony, Philadelphia Quartet, Balamian Quartet, Seoul Symphony, Korean Broadcast Symphony, and Bellevue Symphony. He was co-founder of the New York Baroque Quintet, English horn with the Royal Ballet Touring Orchestra (London), and received the Fromm foundation Fellowship for Contemporary Music Performance at Princeton University and Tanglewood (1960). Mr. Shapiro has been a member of the faculty at University of Washington, Cornish School, Pacific Lutheran University, Western Washington University, and Seattle Pacific University. At PLU, he participated in many programs as a member of the faculty wind quintet, the Camas Quintet. He graduated from the Music and Art High School of New York City, and holds both a Bachelor of Music and Master of Music Education from Manhattan School of Music. In addition to oboe, he also enjoys playing cello.

An outstanding member of the Northwest musical community for over 20 years, Regina Thomas (Oct 29) has performed with a variety of companies including Kitsap Opera, Willamette Concert Opera, Bellevue Opera, Puget Sound Concert Opera, Seattle Opera, and the Seattle Opera Guild. Currently LMC’s trustee of concerts and Artistic Director of Puget Sound Concert Opera, Regina has served as Seattle Opera Guild’s VP of Education and is a past President of LMC. Favorite operatic roles include Adriana Lecouvreur, Suor Angelica, Tosca, and Judith (Bluebeard’s Castle). Concert work includes Schumann’s Frauenleibe und-leben, Elgar’s Sea Pictures, and Wagner’s Wesendonck-Lieder; soprano solos in Beethoven’s Symphony No. 9, Fauré Requiem, and Berio’s Folk Songs for voice and chamber ensemble.

Kathryn Vinson (Oct 15) is a mezzo-soprano known for the warmth and richness of her voice. She appears frequently in recital in Seattle in venues ranging from Town Hall to Saint Mark’s cathedral. She has an extensive repertoire of German Lieder and has appeared internationally in operas in Europe and the Middle East. Ms. Vinson is equally at home with oratorio and has been a soloist with Seattle Baroque Orchestra and Orchestra Seattle/Seattle Chamber Singers. Her voice can also be heard on the soundtracks of a number of major motion pictures. Ms. Vinson has been a featured singer with the Pacific Northwest Ballet, performing in A Midsummer Night’s Dream and the annual Christmas production of The Nutcracker.

Virtual Happy Hour Artists, June 2021

Annie Chang Center (June 4 & 11), violist/pianist, started performing in her native Taiwan for foreign dignitaries when she was six years old. Since coming to the U.S., Annie has performed in Europe, Asia, and the U.S. as a soloist, chamber, and orchestral musician. As a piano soloist, she performed with San Francisco Symphony, Hong Kong Philharmonic, and Cincinnati Symphony Orchestra. As violist, she performed at the Marlboro, Ravinia, Olympic, Utah, Prague, and Red Rocks Festivals, and has collaborated with members of the Juilliard, Guarneri, Emerson, Cleveland, and Philadelphia Quartets. For ten years, she was the assistant principal violist of the Phoenix Symphony, for which she performed regularly as a viola soloist. She has also played in the AZ Musicfest Orchestra, Black Pearl Orchestra, South Florida Symphony, and Seattle Opera. Currently, she plays in the Baltimore Chamber Orchestra.

Pianist Xin Chang (June 4 & 18) is originally from China. She has performed and taught throughout North America and Asia. As an active collaborative pianist, chamber musician and piano teacher, Dr. Chang was a full-time collaborative pianist at the University of Wyoming. She has also been on faculty at the Asia Pacific Saxophone Academy, Texas Low Brass Academy and the International Violin Festival and Competition in Singapore. Dr. Chang attended prestigious summer festivals including Interlochen Center for the Arts, SongFest, Brevard Music Festival, Aspen Music Festival and School, Banff Centre and the Castleman Quartet Program. Dr. Chang has performed with violinist Charles Castleman, baritone David Small, tubaist Charles Villarrubia, saxophonist Toshikazu Nagase and recorded with double bass player DaXun Zhang. As a soloist, Dr. Chang won 2nd prize in the Colorado International Piano Competition at Northern Colorado University. She has also performed with the Jiangsu Orchestra of China. Dr. Xin Chang enjoys teaching piano to all levels of students. She currently maintains a private studio in Seattle and works as a piano instructor at the Yamaha-authorized La Belle Music School in Bellevue, WA. Dr. Chang completed her Doctor of Musical Arts degree from the University of Texas at Austin. She also received a Master of Music degree from the Eastman School of Music, as well as a Bachelor of Music degree from Renmin University of China. Her principal teachers were Colette Valentine, Anne Epperson, Jean Barr and Fang Zhang.

Lin Chen (June 11) keeps herself busy singing and playing the violin as a freelance musician in the Greater Seattle area. Her vocal adventures started at the age of 16 when she started taking singing lessons out of her love for musical theatre. It wasn’t long before she started to discover a new interest for opera and has been singing and learning the classical repertoires ever since. Growing up in Australia, she was fortunate to study with a number of teachers from the Griffith and the Sydney conservatoriums and was an active participant in the local performance scene. Lin is excited to be a part of LMC and looks forward to sharing her music with the LMC community!

Lawrence Chu (guest artist, June 11), cello, is a native of the Seattle area, and currently resides in Bellevue with his family. His former instructors include Phyllis Allport, Frances Walton and Eva Heinitz. He has been practicing Emergency medicine locally for the past 32 years. He would like to thank Ann and Selina for this opportunity to rekindle his passion for making music together.

Selina Chu (June 11) holds a special place in her heart for all types of ensemble playing, from duo-piano recitals to choral works, chamber music, and dance collaboration. During her association with Alaska Dance Theatre as their Principal Accompanist, Selina developed a lifelong interest in the expressive relationships between movement and music. She holds a Bachelor of Music degree from the University of Washington, a Master of Music from the University of Cincinnati’s College-Conservatory of Music, and permanent National Certification from MTNA. Selina maintains an independent piano studio in Issaquah and has served as an adjudicator, clinician, and master teacher throughout the Pacific Northwest. She is known for her sense of humor and creative approach to learning and performance.

Violinist Angie Kam (June 18) is an established performer and teacher in the Seattle area. She enjoys playing regular recitals as a performing chamber musician and soloist with the Ladies Musical Club of Seattle. As a professional orchestral violinist, she is assistant principal second violinist of the Yakima Symphony Orchestra, and a section player in the North Corner Chamber Orchestra. Angie has performed with many major pop groups including the Trans-Siberian Orchestra, Ramin Djawadi (Game of Thrones composer), Il Divo, Idina Menzel, Evanescence, Lindsey Stirling, Sarah Brightman, and Michael Bublé. She is also an active studio recording musician for movies and video games. When she’s not playing, practicing, or teaching, Angie enjoys mountaineering, skiing, hiking, running, eating, and spending time with her family (husband and dog).

Joan Lundquist (June 11) has served as a collaborative pianist for Seattle area musicians and organizations for 30 years. Since moving to the area from Humboldt State University in northern California, where she was staff accompanist, Joan has worked with the Northwest Boychoir, Seattle Choral Company, has taught at Seattle University and Northwest University, and has worked with several area private music teachers. Currently, Ms. Lundquist is the Director of Music at Immanuel Lutheran Church in downtown Seattle and rehearsal accompanist for the Seattle Choral Company.

Ann Rackl (June 11), violinist, is the former assistant concertmaster of Philharmonia Northwest chamber orchestra, where she has been a member since 1976. She holds a Master of Music Education degree from the University of Montana, and has studied violin with Emanuel Zetlin and Martin Friedmann in Seattle. Formerly a private violin instructor, these days she especially enjoys playing chamber music.

Mezzo-soprano Katie Stevenson (June 4 & 18) has performed in numerous concerts in Seattle with the Puget Sound Concert Opera, including Anna Bolena, Cavalleria Rusticana, and their annual gala. While living in NYC, Katie worked with Dicapo Opera, Amato Opera, and Opera Collective, performing roles such as Romeo in I Capuleti e I Montecchi, Dorabella in Cosi fan tutte, and Henrichetta in I Puritani. In Philadelphia she sang the title role in Carmen, Lola in Cavalleria Rusticana, and Emilia in Otello. While living in Europe, Katie travelled to perform in concerts and festivals in England, Ireland, and Germany. She now lives in Seattle with her husband and puppies and works as a church music director and private voice instructor, while still enjoying life as a performer. www.katiehstevenson.com

Virtual Happy Hour Artists, January 2021

Vicki Boeckman (Jan 29) has been performing and teaching since the 1980s. She is embracing the new virtual world with enthusiasm, curiosity, and a sense of awe, finding it to be positive and rewarding amidst the challenges we are all facing. Pre-pandemic she was an internationally acclaimed performing and recording artist who traveled all over the US and to many other countries to perform and teach. Vicki resided in Denmark from 1981-2004 and had the opportunity to collaborate with some of the finest musicians of the day including Jaap ter Linden, John Holloway, René Jacobs, Lars Ulrik Mortensen, Pedro Memelsdorf and Markus Zahnhausen. Her Danish recorder trio Wood’N’Flutes had a fantastic 15-year run performing all over Europe and working with contemporary composers in addition to doing children’s theater. She was an adjunct professor at the Royal Danish Academy of Music in Copenhagen for 12 years and taught at the Ishøj Municipal School of Music for 23 years. Many of those students are now professionals, performing and teaching in conservatories in Denmark and around Europe. Locally, Vicki has been a featured soloist with the Seattle Symphony, Seattle Baroque Orchestra, Portland Baroque Orchestra, The Oregon Symphony, Portland Opera, Medieval Women’s Choir, Gallery Concerts, Philharmonia Northwest Orchestra, and the Skagit Symphony. She is currently music director for the Seattle Recorder Society, co-director for the Recorder Orchestra of Puget Sound (ROPS), and Artistic Director for the Port Townsend Early Music Workshop. She dearly hopes that these organizations can withstand the challenges of separation and continue to thrive.

Violinist Candice Chin (Jan 15, 22 & 29) enjoys a musical journey intertwined with a 19-year career in financial management. A Seattle area native, she studied with Steven Staryk while attending the University of Washington. She also pursued orchestral studies at the Eastman School of Music and University of Cincinnati College-Conservatory of Music. Candice holds a Bachelor of Arts in music and economics, and dual MBA/MA arts administration degrees. Her principal teachers include Walter Schwede, Martin Friedmann, and Jesse Mills.

Katie Hochman (Jan 15), soprano, can be heard regularly giving recitals with Ladies Musical Club of Seattle. She has also enjoyed singing opera and oratorio with Puget Sound Concert Opera (PSCO), Opera Theater Oregon, Portland Opera, Utah Opera, Columbia Chorale and Southwest Washington Symphony (SWS). Highlights include the title role of Massenet’s Cendrillon and Héro in Berlioz’s Beatrice et Bénédict performed with PSCO and Exultate, jubilate performed with SWS.

Emiko Hori (Jan 8), a native of Japan, graduated from renowned Indiana University Jacobs School of Music in Piano Performance. She studied with Shigeo Neriki, performed at numerous places including Banff Centre, Schleswig-Holstein Musik Festival, Germany, and others. Emiko became fascinated with and continued her study in Computer Science at Boston University. Busy working in technology companies such as CommerceHub and Microsoft, Emiko thought she would never play the piano again. She was wrong; Emiko became one of the newest performing members of Ladies Musical Club. Emiko enjoys dividing her time between performing concerts, teaching piano, and working at Starbucks HQ’s Digital Commerce team.

Sharon Jung (Jan 29) was born and raised in the Pacific Northwest. She is a nurse practitioner, and works in a neurology practice in Tacoma, Washington. She freelances for numerous ensembles in the local area. She has been an LMC member since 1999. She is a former student of LMC member Gail Perstein and is also a former student of Bernard Shapiro.

Violinist Angie Kam (Jan 29) is an established performer and teacher in the Seattle area. She enjoys playing regular recitals as a performing chamber musician and soloist with the Ladies Musical Club of Seattle. As a professional orchestral violinist, she is assistant principal second violinist of the Yakima Symphony Orchestra, and a section player in the North Corner Chamber Orchestra. Angie has performed with many major pop groups including the Trans-Siberian Orchestra, Ramin Djawadi (Game of Thrones composer), Il Divo, Idina Menzel, Evanescence, Lindsey Stirling, Sarah Brightman, and Michael Bublé. She is also an active studio recording musician for movies and video games. When she’s not playing, practicing, or teaching, Angie enjoys mountaineering, skiing, hiking, running, eating, and spending time with her family (husband and dog).

Maria Khavin (Jan 8) is a pianist, teacher, and music education enthusiast. Starting her formal education at age six, she subsequently earned her degree in Piano Performance and Pedagogy from Rimsky-Korsakoff State Music College in Saint Petersburg, Russia. Since moving to Seattle in 1992, Ms. Khavin continued to be an active performer and became a passionate educator. She appeared in numerous piano solo performances, and accompanied hundreds of instrumentalists and vocalists. She made her orchestral debut performing Mozart’s G major piano concerto with Fort Worth Symphony Orchestra. In Seattle, she worked with Lyric Opera Northwest, NOISE (Northwest Opera in Schools, Etc.), and Mahler’s Festival, among others. Recently, she became a Ladies Musical Club performing member, presenting several concerts a year. Ms. Khavin holds a Master of Music degree from the University of Washington.

Jeffrey Moidel’s (Jan 22) song cycle— Neruda Love Sonnets received “First Place for the Nation: USA” representing Washington State in the International Ravel Composition Competition held in Bergamo, Italy in 2015 and was advanced to the Semi-Finals. The song, “And now you’re mine…” was singled out by the NATS Art Song Composition Award panel of judges and given the award of “Stand-Out Song,” the first song ever to receive such mention in the ASCA competition’s history. Actually, they created the category specifically to honor this song! The Paul Taylor Dance Company and the Aspen Dance Connection have featured his compositions with Jeff at the piano. As both piano soloist and collaborative pianist Jeff has performed throughout the United States, Europe and South America. He also gave a private concert at Gracie Mansion in New York City for Mayor Koch and his guests. In addition, Jeff has performed and recorded with popular artists including Ann Hampton Calloway and John Denver. A graduate of the Mannes College of Music in New York City, Jeff has been a vocal coach and instructor for Seattle Opera’s Young Artist Program, the Aspen Music Festival, the Vocal Institute at the University of California at Santa Barbara, the Peter Harrower Opera Program at Georgia State University, the Perry Mansfield School for the Performing Arts in Colorado, the Marrowstone Music Festival in Bellingham, Washington and was an Assistant Professor at Cornish College of the Arts in Seattle. In addition, Jeff has served as the Assistant Music Director and Chorus Master for Tacoma Opera and Skagit Opera and has also been chair of the music department at the Washington Academy for the Performing Arts. He believes it is important for children to develop an early appreciation for the arts and has written six children’s musicals and other concert works for young audiences.

Erika Pierson (Jan 22) earned her bachelor’s in Cello Performance from Indiana University and her master’s in Performance from the University of Michigan. Between her degrees, Erika studied in Berlin, at the Hochschule der Kunste, and in London under Eileen Croxford, FRCM. Her other teachers included Richard Aaron, Tsuyoshi Tsutsumi, Markus Nyikos, and Erling Blondal Bengtsson. Erika has given solo recitals in England, Germany, Spain, and in the United States, and has soloed with orchestras in Berlin, Ann Arbor, and Everett, WA. On the less classical side of things, she has also performed with Mannheim Steamroller, Rod Stewart, The Walkmen, and Deltron 3030. Currently Erika performs regularly as the cellist in Bella Sala String Quartet, NOCCO Chamber Orchestra, and freelances and teaches in the Seattle area.

Julie Shankland (Jan 15) has played clarinet since marching band in the Ohio snow. Since moving to Washington, Julie has played in the UW Concert Band, Eastside Symphony, West Seattle Community Orchestras, Rain City Symphony, and various chamber music camps. Julie is an adult student of Jennifer Nelson and recently learned to play bass clarinet. Julie works in the Office of General Counsel at the Washington State Bar Association.

An outstanding member of the Northwest musical community for over 20 years, Regina Thomas (Jan 8) has performed with a variety of companies including Kitsap Opera, Willamette Concert Opera, Bellevue Opera, Puget Sound Concert Opera, Seattle Opera, and the Seattle Opera Guild. Currently LMC’s trustee of concerts and Artistic Director of Puget Sound Concert Opera, Regina has served as Seattle Opera Guild’s VP of Education and is a past President of LMC. Favorite operatic roles include Adriana Lecouvreur, Suor Angelica, Tosca, and Judith (Bluebeard’s Castle). Concert work includes Schumann’s Frauenleibe und-leben, Elgar’s Sea Pictures, and Wagner’s Wesendonck-Lieder; soprano solos in Beethoven’s Symphony No. 9, Fauré Requiem, and Berio’s Folk Songs for voice and chamber ensemble.

Nicole Truesdell (Jan 15) is a pianist and composer living in Seattle, Washington. She chairs the Ladies Musical Club Composers’ Group and enjoys cultivating community and creating performance opportunities for past and present LMC composers’ works. While in college, Nicole became intrigued with the audible and visual relationship possibilities of composing for a smaller, chime-like toy piano and a larger, dynamic full-sized piano. She has written several pieces for this duo including the pieces on this program. Nicole graduated summa cum laude from Cornish College of the Arts in 2007 with an emphasis in music composition. She currently studies composition privately with composer John Muehleisen.

Gwen Trussler, (Jan 22) mezzo-soprano, holds Performance degrees from Florida State University (BM/MM) as well as ARRT Certification in Radiography, Computed Tomography, and Magnetic Resonance Imaging. She has appeared with Tacoma Musical Playhouse, Heavier Than Air Theatre, Evergreen Performers, TMP Family Theater, Amici Opera, Operesque, South Georgia Opera, and Florida State Opera. A Wagner enthusiast, she was chosen to perform in the inaugural year of the Baldwin-Wallace Wagner Intensive where she coached with Jane Eaglen, Timothy Mussard, and Nancy Maultsby. Gwen works with MultiCare and Franciscan Health as an MRI Technologist and is also a Voice Over artist specializing in audiobook narration.

Asta Vaičekonis (Jan 15 & 22) holds her MM in Piano Performance from the University of Washington and her Bachelor’s degree from the Lithuanian Academy of Music. Asta was granted a diploma for best accompaniment in the International Competition of Chamber Music in Kaliningrad (Königsberg), Russia (1992). She was a soloist with the Port Angeles Symphony Orchestra (2002), performed in the University of Washington Summer Arts Festival (2001, 2003), the Bach Fest (2001, 2002) in Lake Chelan, Washington, accompanist for Ladies Musical Club of Seattle’s Awards Tours (2000, 2004, 2007, 2009, 2011, 2013, 2014, 2018), and the Bumbershoot Festival (1999) in Seattle. Asta served as an accompanist and coach in the Summer Chamber Music Seminars in Berlin, Germany (1992, 1993), and has performed with the Chamber Dance Company. She has played many recitals and chamber music programs in various cities of the United States, Lithuania, Latvia, Germany, Russia, and Israel, and made several recordings for the Lithuanian Radio and Television (1993). She was the first solo pianist to play in Seattle’s own Benaroya Hall. Asta is on the piano faculty at Music Works Northwest, has been staff accompanist at Western Washington University, and is currently on the faculty at Seattle Pacific University.

Violist Yi Zhou (Jan 22) is pursuing a diverse career as a violin/viola teacher, chamber musician and soloist. She has appeared in many music venues across North America, Europe and China. Yi has been featured at Benaroya Hall, Nordstrom Recital Hall, Meany Hall for the Performing Arts, Chinese Embassy in France Université de Poitiers, and others. She has played the principal viola in a number of orchestras including the UW Symphony. She has also performed at a number of master classes, including those given by Garth Knox, Yizhak Schotten, and Manchin Zhang, among others. Yi received her Master’s degree in Viola Performance from the University of Washington, supervised by Professor Melia Watras. She has another Master’s degree in Violin Performance from Wuhan Conservatory of Music. Before coming to the U.S., she was faculty member of the School of Music in Nanchang University.

Virtual Happy Hour Artists, December 2020

Singing is an essential part of life for Diane Althaus, (Dec 18) and sharing it with others is a joy. She organized and sang in an opera ensemble program, including music from Simon Boccanegra, Cosi Fan Tutte, Martha, and Carmen. She and her husband, baritone Mike Dodaro, have sung duet programs of opera arias and art songs, and performed in various local venues, including Stage7. Diane sang in Puccini’s Butterfly in a local opera company, the Countess in a duet from The Marriage of Figaro and Desiree in Sondheim’s A Little Night Music. Pergolesi’s Stabat Mater is her favorite sacred music.

Violinist Candice Chin (Dec. 4) enjoys a musical journey intertwined with a 19-year career in financial management. A Seattle area native, she studied with Steven Staryk while attending the University of Washington. She also pursued orchestral studies at the Eastman School of Music and University of Cincinnati College-Conservatory of Music. Candice holds a Bachelor of Arts in music and economics, and dual MBA/MA arts administration degrees. Her principal teachers include Walter Schwede, Martin Friedmann, and Jesse Mills.

Mike Dodaro (guest artist, Dec 11 & 18) has sung leading roles in regional opera productions of A Midsummer Night’s Dream by Benjamin Britten, Donizetti’s Don Pasquale, Smetana’s The Bartered Bride, Mozart’s La Clemenza di Tito, and Kurt Weill’s Mahagonny. He sang for several seasons as a regular chorister at Seattle Opera. A cantor and choir singer, he has been baritone soloist in the Fauré Requiem, several Bach cantatas, and Handel’s Messiah.

Emiko Hori (Dec 4), a native of Japan, graduated from renowned Indiana University Jacobs School of Music in Piano Performance. She studied with Shigeo Neriki, performed at numerous places including Banff Centre, Schleswig-Holstein Musik Festival, Germany, and others. Emiko became fascinated with and continued her study in Computer Science at Boston University. Busy working in technology companies such as CommerceHub and Microsoft, Emiko thought she would never play the piano again. She was wrong; Emiko became one of the newest performing members of Ladies Musical Club. Emiko enjoys dividing her time between performing concerts, teaching piano, and working at Starbucks HQ’s Digital Commerce team.

Sharon Jung (Dec. 11) was born and raised in the Pacific Northwest. She is a nurse practitioner, and works in a neurology practice in Tacoma, Washington. She freelances for numerous ensembles in the local area. She has been an LMC member since 1999. She is a former student of LMC member Gail Perstein and is also a former student of Bernard Shapiro.

Joan Lundquist, (Dec. 11 & 18) collaborative pianist, has served as a collaborative pianist for Seattle area musicians and organizations for 30 years. Since moving to the area from Humboldt State University in northern California, where she was staff accompanist, Joan has worked with the Northwest Boychoir, Seattle Choral Company, has taught at Seattle University and Northwest University, and has worked with several area private music teachers. Currently, Ms. Lundquist is the Director of Music at Immanuel Lutheran Church in downtown Seattle and rehearsal accompanist for the Seattle Choral Company.

Katie O’Rourke (Dec. 4) served as pianist for Whatcom Symphony Orchestra and has collaborated with Whatcom Wind Ensemble, Skagit Opera, Bellingham Chamber Orchestra, and Opera Popolare. Now in Seattle, Katie enjoys a private teaching studio and is a member of the Ladies Musical Club, Seattle Music Teachers Association, and the Northwest Dalcroze Society. Katie is a graduate of Western Washington University, where she studied piano with Milica Jovanovic and Jeffrey Gilliam.

Erika Pierson (Dec 4) earned her bachelor’s in Cello Performance from Indiana University and her master’s in Performance from the University of Michigan. Between her degrees, Erika studied in Berlin, at the Hochschule der Kunste, and in London under Eileen Croxford, FRCM. Her other teachers included Richard Aaron, Tsuyoshi Tsutsumi, Markus Nyikos, and Erling Blondal Bengtsson. Erika has given solo recitals in England, Germany, Spain, and in the United States, and has soloed with orchestras in Berlin, Ann Arbor, and Everett, WA. On the less classical side of things, she has also performed with Mannheim Steamroller, Rod Stewart, The Walkmen, and Deltron 3030. Currently Erika performs regularly as the cellist in Bella Sala String Quartet, NOCCO Chamber Orchestra, and freelances and teaches in the Seattle area.

Mezzo-soprano Katie Stevenson (Dec 4) has performed in numerous concerts in Seattle with the Puget Sound Concert Opera, including Anna Bolena, Cavalleria Rusticana, and their annual gala. While living in NYC, Katie worked with Dicapo Opera, Amato Opera, and Opera Collective, performing roles such as Romeo in I Capuleti e I Montecchi, Dorabella in CosÍ fan tutte, and Henrichetta in I Puritani. In Philadelphia she sang the title role in Carmen, Lola in Cavalleria Rusticana, and Emilia in Otello. While living in Europe, Katie travelled to perform in concerts and festivals in England, Ireland, and Germany. She now lives in Seattle with her husband and puppies and works as a church music director and private voice instructor, while still enjoying life as a performer. www.katiehstevenson.com

An outstanding member of the Northwest musical community for over 20 years, Regina Thomas (Dec 11 & 18) has performed with a variety of companies including Kitsap Opera, Willamette Concert Opera, Bellevue Opera, Puget Sound Concert Opera, Seattle Opera, and the Seattle Opera Guild. Currently LMC’s trustee of concerts and Artistic Director of Puget Sound Concert Opera, Regina has served as Seattle Opera Guild’s VP of Education and is a past President of LMC. Favorite operatic roles include Adriana Lecouvreur, Suor Angelica, Tosca, and Judith (Bluebeard’s Castle). Concert work includes Schumann’s Frauenleibe und-leben, Elgar’s Sea Pictures, and Wagner’s Wesendonck-Lieder; soprano solos in Beethoven’s Symphony No. 9, Fauré Requiem, and Berio’s Folk Songs for voice and chamber ensemble.

LMC showcases music of Spain and South America in its debut concert in Burien on March 4

LMC member performers and guests artists perform music of Spain and South America at Merrill Gardens in Burien on Sunday, March 4, 2018 @ 3:00 pm at Merrill Gardens. This is LMC’s first concert in Burien which is co-sponsored by the City of Burien. Click to view the entire program and for directions.

About the performers

Diane Althaus has explored many arenas of music, classical to sacred, Bach to Dvorak to Gershwin. She has organized opera ensembles, sung in a concert series titled Classy to Sassy, sung leading roles with the Fat Chance Opera company for several seasons and performed Rachmaninov songs at the Russian Community Center. She thoroughly enjoys her musical adventures and tries to entice a younger generation who may not have heard live classical vocal music into wanting to hear more.

Equally at home with viola and piano, Annie Center enjoys an international career as a soloist, chamber, and orchestral musician. She has performed as piano soloist with the San Francisco Symphony, the Hong Kong Philharmonic, and the Cincinnati Symphony Orchestra. As violist, she has performed at the Marlboro, Ravinia, Olympic, Utah, Prague, Red Rocks, and Music In The Mountains Festivals. She has also performed with members of the Juilliard, Guarneri, Emerson, Cleveland, Philadelphia string quartets. Annie holds degrees from the Peabody Conservatory and San Francisco Conservatory. Her major teachers include Robert Schultz, Paul Hersh, Isadore Tinkelman, Robert Weirich, and Paul Coletti. While she lived in Arizona, she was the pianist of the Concorda Trio with her cellist husband, Michael Center and violinist Dana Pasley.

Joyce Gibb was born in Sri Lanka and started her early piano studies with the admired, but feared music critic Elmer DeHaan. After surviving his rigorous training, she moved to London for further studies with Swiss pianist Albert Ferber whose teachers included Rachmaninoff. Studying both piano and cello, she was awarded a gold medal for performance by the Royal Schools of Music. Now a Seattle resident, Joyce teaches and performs regularly and has been the concerto soloist with the Cascade Symphony, Seattle Philharmonic, Rainier Symphony, Port Angeles, Thalia, and Philharmonia Northwest Orchestras. Her performances have included concertos by Beethoven, Poulenc, Grieg, Addinsell, and Chopin and the 1st and 2nd piano concertos by Rachmaninoff.

Joan Lundquist has served as a collaborative pianist for Seattle area musicians and organizations for 30 years. Since moving to the area from Humboldt State University in northern California, where she was staff accompanist, Joan has worked with the Northwest Boychoir, Seattle Choral Company, has taught at Seattle University and Northwest University, and has worked with several area private music teachers. Currently, Ms. Lundquist is the Director of Music at Immanuel Lutheran Church in downtown Seattle and rehearsal accompanist for the Seattle Choral Company.

Erika Pierson grew up in the Seattle area, beginning cello at age 7. She earned her Bachelor’s Degree in Cello from Indiana University and her Master’s Degree in Performance from University of Michigan. Between her degrees Erika studied in Berlin, at the Hochschule der Kunste, and privately in London, England under Eileen Croxford. Erika has given solo recitals in England, including a solo performance at St Martin in the Fields, London, in Germany, Spain, and in the United States. She has performed as featured soloist with orchestras in Berlin, Ann Arbor, and Everett, WA. Currently, Erika performs regularly as the cellist in Bella Sala String Quartet, NOCCO Chamber Orchestra, and freelances and teaches in the Seattle area.

Eric Shankland (guest artist) has been playing bassoon since age 15. He played in the NCR band and the Youth Philharmonic in Dayton, Ohio. He studied with Arthur Grossman and played in the University Symphony at the University of Washington, and currently studies with Paul Rafanelli of the Seattle Symphony. He was principal bassoon in the Eastside Symphony (Redmond) for fifteen years. Eric is a research scientist at the University of Washington.

Julie Shankland has played clarinet since marching band in the Ohio snow. Since moving to Washington, Julie has played in the UW Concert Band, Eastside Symphony, West Seattle Community Orchestras, Rain City Symphony, and various chamber music camps. Julie is an adult student of Jennifer Nelson and recently learned to play bass clarinet. Julie works in the Office of General Counsel at the Washington State Bar Association.

Gwen Trussler, mezzo-soprano, holds Performance degrees from Florida State University (BM/MM) as well as ARRT Certification in Radiography, Computed Tomography, and Magnetic Resonance Imaging. She has appeared with Tacoma Musical Playhouse, Heavier Than Air Theatre, Evergreen Performers, TMP Family Theater, Amici Opera, Operesque, South Georgia Opera, and Florida State Opera. A Wagner enthusiast, she was chosen to perform in the inaugural year of the Baldwin-Wallace Wagner Intensive where she coached with Jane Eaglen, Timothy Mussard, and Nancy Maultsby. Gwen works with MultiCare and Franciscan Health as an MRI Technologist and is also a Voice Over artist specializing in audiobook narration.

Lucas Victor (guest artist) is a guitarist who has been praised for his musicality, unique phrasing and inspiring playing. He studies in the studio of guitarist Michael Partington at the University of Washington. In 2017, Lucas was a finalist in the Adult Solo Guitar Competition at the Northwest Guitar Festival in Portland, Oregon, which is a competition open to the Northwestern U.S. and Western Canada. At the UW, he has been honored to be a recipient of the John Tripp Endowed Fund for Student Support, and the Helen A. Reynolds Endowed Scholarship in Music. Lucas also performs with the UW Guitar Ensemble. As a youth, Lucas studied several years with Jason Williams at the Rosewood Guitar studio in Seattle. During that time, he was a finalist twice in the Youth Solo Guitar Competition of the Northwest Guitar Festivals held in Idaho, and in Washington. Before studying with Jason Williams, he also had instruction from guitarists Mary Lord, Ken Elia, and others. Lucas also performed and recorded with Mark Wilson’s Guitar Orchestra of Seattle. Lucas has been fortunate to have the opportunity to perform in guitar master classes for acclaimed musicians David Russell, Ana Vidovic, Stephen Stubbs, Jorge Caballero, Marc Teicholz, Martha Masters, and others. Lucas Victor can be found online at www.domopod.com/guitar

A recent transplant from Chicago, Il, soprano Clarice Warrick received her master’s degree in voice performance from the Chicago College of Performing Arts. Past feats this season have included her Orchestra Hall debut as the soloist in the North American premiere of Jacob TV’s Mountaintop, First Lady in Die Zauberflöte with Chicago Chamber Opera, and Julia Jellicoe in The Grand Duke. Clarice has sung with the Grant Park Chorus and Chicago Symphony Chorus, is a part of the VOX3 Ensemble, and often gives concerts featuring musical theater, jazz, and opera.