Virtual Happy Hour Artists, April 2021

A recent transplant from Chicago, Il, soprano Clarice Alfonso (April 30) received her master’s degree in voice performance from the Chicago College of Performing Arts. Past feats this season have included her Orchestra Hall debut as the soloist in the North American premiere of Jacob TV’s Mountain Top, First Lady in Die Zauberflöte with Chicago Chamber Opera, and Julia Jellicoe in The Grand Duke. Clarice has sung with the Grant Park Chorus and Chicago Symphony Chorus, is a part of the VOX3 Ensemble, and often gives concerts featuring musical theater, jazz, and opera.

Vicki Boeckman (April 9) has been performing and teaching since the 1980s. She is embracing the new virtual world with enthusiasm, curiosity, and a sense of awe, finding it to be positive and rewarding amidst the challenges we are all facing. Pre-pandemic she was an internationally acclaimed performing and recording artist who traveled all over the US and to many other countries to perform and teach. Vicki resided in Denmark from 1981-2004 and had the opportunity to collaborate with some of the finest musicians of the day including Jaap ter Linden, John Holloway, René Jacobs, Lars Ulrik Mortensen, Pedro Memelsdorf and Markus Zahnhausen. Her Danish recorder trio Wood’N’Flutes had a fantastic 15-year run performing all over Europe and working with contemporary composers in addition to doing children’s theater. She was an adjunct professor at the Royal Danish Academy of Music in Copenhagen for 12 years and taught at the Ishøj Municipal School of Music for 23 years. Many of those students are now professionals, performing and teaching in conservatories in Denmark and around Europe. Locally Vicki has been a featured soloist with the Seattle Symphony, Seattle Baroque Orchestra, Portland Baroque Orchestra, The Oregon Symphony, Portland Opera, Medieval Women’s Choir, Gallery Concerts, Philharmonia Northwest Orchestra, and the Skagit Symphony. She is currently music director for the Seattle Recorder Society, co-director for the Recorder Orchestra of Puget Sound (ROPS), and Artistic Director for the Port Townsend Early Music Workshop. She dearly hopes that these organizations can withstand the challenges of separation and continue to thrive.

Lin Chen (April 9 & 23) keeps herself busy singing and playing the violin as a freelance musician in the Greater Seattle area. Her vocal adventures started at the age of 16 when she started taking singing lessons out of her love for musical theatre. It wasn’t long before she started to discover a new interest for opera and has been singing and learning the classical repertoires ever since. Growing up in Australia, she was fortunate to study with a number of teachers from the Griffith and the Sydney conservatoriums and was an active participant in the local performance scene. Lin is excited to be a part of LMC and looks forward to sharing her music with the LMC community!

Born and raised in Chicago, IL, Abigail Habegger (April 9) is new to the Seattle area. She started playing the piano at 5 years of age and enjoyed playing in competitions and accompanying concerts while growing up. She is known for her teaching, solo work as well as her collaborative work, including opera, chamber music, juries, and competitions. Abigail has accompanied rehearsals for La Traviata in Urbania, Italy, Broadway shows such as Cabaret, touring children's choirs, and members of the Chicago Youth Symphony Orchestra. She holds a Bachelor in Music from DePaul University and a Master’s in Music from Northern Illinois University. She is currently the piano accompanist for Puget Soundworks Chorus of Seattle. Abigail also loves hiking, running, baking, and keeping up with her 3 young children Alyse, Arakel, and Anya, as well as her husband Steve.

Katie Hochman (April 16), soprano, can be heard regularly giving recitals with Ladies Musical Club of Seattle. She has also enjoyed singing opera and oratorio with Puget Sound Concert Opera (PSCO), Opera Theater Oregon, Portland Opera, Utah Opera, Columbia Chorale and Southwest Washington Symphony (SWS). Highlights include the title role of Massenet’s Cendrillon and Héro in Berlioz’s Beatrice et Bénédict performed with PSCO and Exultate, jubilate performed with SWS.

Joan Lundquist (April 9, 16, 23 & 30) has served as a collaborative pianist for Seattle area musicians and organizations for 30 years. Since moving to the area from Humboldt State University in northern California, where she was staff accompanist, Joan has worked with the Northwest Boychoir, Seattle Choral Company, has taught at Seattle University and Northwest University, and has worked with several area private music teachers. Currently, Ms. Lundquist is the Director of Music at Immanuel Lutheran Church in downtown Seattle and rehearsal accompanist for the Seattle Choral Company.

Karin McCullough (April 23) took the less-traveled road to a music career. A serious pianist while growing up in Illinois, she suppressed her aspirations and instead became a paralegal. One day she was asked to accompany opera singers at a Fremont Bistro—a weekly engagement lasting 5 years. By then her popularity as an accompanist, soloist and piano teacher let her trade her life as a paralegal for that of a full-time musician. Karin is a Nationally Certified Teacher of Music in Piano. Karin maintains a flourishing piano studio in Ballard and performs frequently in the Seattle area. She is an active volunteer and member of Seattle Music Teachers Association (SMTA), Principal Organizer for the local chapter of Bach in the Subways, of which she is on the Board of Directors, and has served on the boards of SMTA and Musical Experiences, a nonprofit classical music education organization. Karin is the pianist for Third Church of Christ, Scientist.

Valentina Rodov (April 16, 23 & 30) was born and raised in Moscow, Russia, and received her music education as a concert pianist from the famous Moscow Conservatory. She performed solo and in chamber groups prior to emigrating to the United States. Once in the U.S., Valentina decided to become a lawyer, which she successfully accomplished upon graduating from law school in Los Angeles and passing the California Bar. Valentina practiced law as business litigator in Southern California for over twenty years until she and her husband moved to Seattle. With great support and encouragement from the Seattle music community, Valentina came back to piano playing, and soon became a frequent and critically acclaimed recitalist and chamber music performer at various venues in the Seattle area.

Virtual Happy Hour Artists, January 2021

Vicki Boeckman (Jan 29) has been performing and teaching since the 1980s. She is embracing the new virtual world with enthusiasm, curiosity, and a sense of awe, finding it to be positive and rewarding amidst the challenges we are all facing. Pre-pandemic she was an internationally acclaimed performing and recording artist who traveled all over the US and to many other countries to perform and teach. Vicki resided in Denmark from 1981-2004 and had the opportunity to collaborate with some of the finest musicians of the day including Jaap ter Linden, John Holloway, René Jacobs, Lars Ulrik Mortensen, Pedro Memelsdorf and Markus Zahnhausen. Her Danish recorder trio Wood’N’Flutes had a fantastic 15-year run performing all over Europe and working with contemporary composers in addition to doing children’s theater. She was an adjunct professor at the Royal Danish Academy of Music in Copenhagen for 12 years and taught at the Ishøj Municipal School of Music for 23 years. Many of those students are now professionals, performing and teaching in conservatories in Denmark and around Europe. Locally, Vicki has been a featured soloist with the Seattle Symphony, Seattle Baroque Orchestra, Portland Baroque Orchestra, The Oregon Symphony, Portland Opera, Medieval Women’s Choir, Gallery Concerts, Philharmonia Northwest Orchestra, and the Skagit Symphony. She is currently music director for the Seattle Recorder Society, co-director for the Recorder Orchestra of Puget Sound (ROPS), and Artistic Director for the Port Townsend Early Music Workshop. She dearly hopes that these organizations can withstand the challenges of separation and continue to thrive.

Violinist Candice Chin (Jan 15, 22 & 29) enjoys a musical journey intertwined with a 19-year career in financial management. A Seattle area native, she studied with Steven Staryk while attending the University of Washington. She also pursued orchestral studies at the Eastman School of Music and University of Cincinnati College-Conservatory of Music. Candice holds a Bachelor of Arts in music and economics, and dual MBA/MA arts administration degrees. Her principal teachers include Walter Schwede, Martin Friedmann, and Jesse Mills.

Katie Hochman (Jan 15), soprano, can be heard regularly giving recitals with Ladies Musical Club of Seattle. She has also enjoyed singing opera and oratorio with Puget Sound Concert Opera (PSCO), Opera Theater Oregon, Portland Opera, Utah Opera, Columbia Chorale and Southwest Washington Symphony (SWS). Highlights include the title role of Massenet’s Cendrillon and Héro in Berlioz’s Beatrice et Bénédict performed with PSCO and Exultate, jubilate performed with SWS.

Emiko Hori (Jan 8), a native of Japan, graduated from renowned Indiana University Jacobs School of Music in Piano Performance. She studied with Shigeo Neriki, performed at numerous places including Banff Centre, Schleswig-Holstein Musik Festival, Germany, and others. Emiko became fascinated with and continued her study in Computer Science at Boston University. Busy working in technology companies such as CommerceHub and Microsoft, Emiko thought she would never play the piano again. She was wrong; Emiko became one of the newest performing members of Ladies Musical Club. Emiko enjoys dividing her time between performing concerts, teaching piano, and working at Starbucks HQ’s Digital Commerce team.

Sharon Jung (Jan 29) was born and raised in the Pacific Northwest. She is a nurse practitioner, and works in a neurology practice in Tacoma, Washington. She freelances for numerous ensembles in the local area. She has been an LMC member since 1999. She is a former student of LMC member Gail Perstein and is also a former student of Bernard Shapiro.

Violinist Angie Kam (Jan 29) is an established performer and teacher in the Seattle area. She enjoys playing regular recitals as a performing chamber musician and soloist with the Ladies Musical Club of Seattle. As a professional orchestral violinist, she is assistant principal second violinist of the Yakima Symphony Orchestra, and a section player in the North Corner Chamber Orchestra. Angie has performed with many major pop groups including the Trans-Siberian Orchestra, Ramin Djawadi (Game of Thrones composer), Il Divo, Idina Menzel, Evanescence, Lindsey Stirling, Sarah Brightman, and Michael Bublé. She is also an active studio recording musician for movies and video games. When she’s not playing, practicing, or teaching, Angie enjoys mountaineering, skiing, hiking, running, eating, and spending time with her family (husband and dog).

Maria Khavin (Jan 8) is a pianist, teacher, and music education enthusiast. Starting her formal education at age six, she subsequently earned her degree in Piano Performance and Pedagogy from Rimsky-Korsakoff State Music College in Saint Petersburg, Russia. Since moving to Seattle in 1992, Ms. Khavin continued to be an active performer and became a passionate educator. She appeared in numerous piano solo performances, and accompanied hundreds of instrumentalists and vocalists. She made her orchestral debut performing Mozart’s G major piano concerto with Fort Worth Symphony Orchestra. In Seattle, she worked with Lyric Opera Northwest, NOISE (Northwest Opera in Schools, Etc.), and Mahler’s Festival, among others. Recently, she became a Ladies Musical Club performing member, presenting several concerts a year. Ms. Khavin holds a Master of Music degree from the University of Washington.

Jeffrey Moidel’s (Jan 22) song cycle— Neruda Love Sonnets received “First Place for the Nation: USA” representing Washington State in the International Ravel Composition Competition held in Bergamo, Italy in 2015 and was advanced to the Semi-Finals. The song, “And now you’re mine…” was singled out by the NATS Art Song Composition Award panel of judges and given the award of “Stand-Out Song,” the first song ever to receive such mention in the ASCA competition’s history. Actually, they created the category specifically to honor this song! The Paul Taylor Dance Company and the Aspen Dance Connection have featured his compositions with Jeff at the piano. As both piano soloist and collaborative pianist Jeff has performed throughout the United States, Europe and South America. He also gave a private concert at Gracie Mansion in New York City for Mayor Koch and his guests. In addition, Jeff has performed and recorded with popular artists including Ann Hampton Calloway and John Denver. A graduate of the Mannes College of Music in New York City, Jeff has been a vocal coach and instructor for Seattle Opera’s Young Artist Program, the Aspen Music Festival, the Vocal Institute at the University of California at Santa Barbara, the Peter Harrower Opera Program at Georgia State University, the Perry Mansfield School for the Performing Arts in Colorado, the Marrowstone Music Festival in Bellingham, Washington and was an Assistant Professor at Cornish College of the Arts in Seattle. In addition, Jeff has served as the Assistant Music Director and Chorus Master for Tacoma Opera and Skagit Opera and has also been chair of the music department at the Washington Academy for the Performing Arts. He believes it is important for children to develop an early appreciation for the arts and has written six children’s musicals and other concert works for young audiences.

Erika Pierson (Jan 22) earned her bachelor’s in Cello Performance from Indiana University and her master’s in Performance from the University of Michigan. Between her degrees, Erika studied in Berlin, at the Hochschule der Kunste, and in London under Eileen Croxford, FRCM. Her other teachers included Richard Aaron, Tsuyoshi Tsutsumi, Markus Nyikos, and Erling Blondal Bengtsson. Erika has given solo recitals in England, Germany, Spain, and in the United States, and has soloed with orchestras in Berlin, Ann Arbor, and Everett, WA. On the less classical side of things, she has also performed with Mannheim Steamroller, Rod Stewart, The Walkmen, and Deltron 3030. Currently Erika performs regularly as the cellist in Bella Sala String Quartet, NOCCO Chamber Orchestra, and freelances and teaches in the Seattle area.

Julie Shankland (Jan 15) has played clarinet since marching band in the Ohio snow. Since moving to Washington, Julie has played in the UW Concert Band, Eastside Symphony, West Seattle Community Orchestras, Rain City Symphony, and various chamber music camps. Julie is an adult student of Jennifer Nelson and recently learned to play bass clarinet. Julie works in the Office of General Counsel at the Washington State Bar Association.

An outstanding member of the Northwest musical community for over 20 years, Regina Thomas (Jan 8) has performed with a variety of companies including Kitsap Opera, Willamette Concert Opera, Bellevue Opera, Puget Sound Concert Opera, Seattle Opera, and the Seattle Opera Guild. Currently LMC’s trustee of concerts and Artistic Director of Puget Sound Concert Opera, Regina has served as Seattle Opera Guild’s VP of Education and is a past President of LMC. Favorite operatic roles include Adriana Lecouvreur, Suor Angelica, Tosca, and Judith (Bluebeard’s Castle). Concert work includes Schumann’s Frauenleibe und-leben, Elgar’s Sea Pictures, and Wagner’s Wesendonck-Lieder; soprano solos in Beethoven’s Symphony No. 9, Fauré Requiem, and Berio’s Folk Songs for voice and chamber ensemble.

Nicole Truesdell (Jan 15) is a pianist and composer living in Seattle, Washington. She chairs the Ladies Musical Club Composers’ Group and enjoys cultivating community and creating performance opportunities for past and present LMC composers’ works. While in college, Nicole became intrigued with the audible and visual relationship possibilities of composing for a smaller, chime-like toy piano and a larger, dynamic full-sized piano. She has written several pieces for this duo including the pieces on this program. Nicole graduated summa cum laude from Cornish College of the Arts in 2007 with an emphasis in music composition. She currently studies composition privately with composer John Muehleisen.

Gwen Trussler, (Jan 22) mezzo-soprano, holds Performance degrees from Florida State University (BM/MM) as well as ARRT Certification in Radiography, Computed Tomography, and Magnetic Resonance Imaging. She has appeared with Tacoma Musical Playhouse, Heavier Than Air Theatre, Evergreen Performers, TMP Family Theater, Amici Opera, Operesque, South Georgia Opera, and Florida State Opera. A Wagner enthusiast, she was chosen to perform in the inaugural year of the Baldwin-Wallace Wagner Intensive where she coached with Jane Eaglen, Timothy Mussard, and Nancy Maultsby. Gwen works with MultiCare and Franciscan Health as an MRI Technologist and is also a Voice Over artist specializing in audiobook narration.

Asta Vaičekonis (Jan 15 & 22) holds her MM in Piano Performance from the University of Washington and her Bachelor’s degree from the Lithuanian Academy of Music. Asta was granted a diploma for best accompaniment in the International Competition of Chamber Music in Kaliningrad (Königsberg), Russia (1992). She was a soloist with the Port Angeles Symphony Orchestra (2002), performed in the University of Washington Summer Arts Festival (2001, 2003), the Bach Fest (2001, 2002) in Lake Chelan, Washington, accompanist for Ladies Musical Club of Seattle’s Awards Tours (2000, 2004, 2007, 2009, 2011, 2013, 2014, 2018), and the Bumbershoot Festival (1999) in Seattle. Asta served as an accompanist and coach in the Summer Chamber Music Seminars in Berlin, Germany (1992, 1993), and has performed with the Chamber Dance Company. She has played many recitals and chamber music programs in various cities of the United States, Lithuania, Latvia, Germany, Russia, and Israel, and made several recordings for the Lithuanian Radio and Television (1993). She was the first solo pianist to play in Seattle’s own Benaroya Hall. Asta is on the piano faculty at Music Works Northwest, has been staff accompanist at Western Washington University, and is currently on the faculty at Seattle Pacific University.

Violist Yi Zhou (Jan 22) is pursuing a diverse career as a violin/viola teacher, chamber musician and soloist. She has appeared in many music venues across North America, Europe and China. Yi has been featured at Benaroya Hall, Nordstrom Recital Hall, Meany Hall for the Performing Arts, Chinese Embassy in France Université de Poitiers, and others. She has played the principal viola in a number of orchestras including the UW Symphony. She has also performed at a number of master classes, including those given by Garth Knox, Yizhak Schotten, and Manchin Zhang, among others. Yi received her Master’s degree in Viola Performance from the University of Washington, supervised by Professor Melia Watras. She has another Master’s degree in Violin Performance from Wuhan Conservatory of Music. Before coming to the U.S., she was faculty member of the School of Music in Nanchang University.

Virtual Happy Hour Artists, December 2020

Singing is an essential part of life for Diane Althaus, (Dec 18) and sharing it with others is a joy. She organized and sang in an opera ensemble program, including music from Simon Boccanegra, Cosi Fan Tutte, Martha, and Carmen. She and her husband, baritone Mike Dodaro, have sung duet programs of opera arias and art songs, and performed in various local venues, including Stage7. Diane sang in Puccini’s Butterfly in a local opera company, the Countess in a duet from The Marriage of Figaro and Desiree in Sondheim’s A Little Night Music. Pergolesi’s Stabat Mater is her favorite sacred music.

Violinist Candice Chin (Dec. 4) enjoys a musical journey intertwined with a 19-year career in financial management. A Seattle area native, she studied with Steven Staryk while attending the University of Washington. She also pursued orchestral studies at the Eastman School of Music and University of Cincinnati College-Conservatory of Music. Candice holds a Bachelor of Arts in music and economics, and dual MBA/MA arts administration degrees. Her principal teachers include Walter Schwede, Martin Friedmann, and Jesse Mills.

Mike Dodaro (guest artist, Dec 11 & 18) has sung leading roles in regional opera productions of A Midsummer Night’s Dream by Benjamin Britten, Donizetti’s Don Pasquale, Smetana’s The Bartered Bride, Mozart’s La Clemenza di Tito, and Kurt Weill’s Mahagonny. He sang for several seasons as a regular chorister at Seattle Opera. A cantor and choir singer, he has been baritone soloist in the Fauré Requiem, several Bach cantatas, and Handel’s Messiah.

Emiko Hori (Dec 4), a native of Japan, graduated from renowned Indiana University Jacobs School of Music in Piano Performance. She studied with Shigeo Neriki, performed at numerous places including Banff Centre, Schleswig-Holstein Musik Festival, Germany, and others. Emiko became fascinated with and continued her study in Computer Science at Boston University. Busy working in technology companies such as CommerceHub and Microsoft, Emiko thought she would never play the piano again. She was wrong; Emiko became one of the newest performing members of Ladies Musical Club. Emiko enjoys dividing her time between performing concerts, teaching piano, and working at Starbucks HQ’s Digital Commerce team.

Sharon Jung (Dec. 11) was born and raised in the Pacific Northwest. She is a nurse practitioner, and works in a neurology practice in Tacoma, Washington. She freelances for numerous ensembles in the local area. She has been an LMC member since 1999. She is a former student of LMC member Gail Perstein and is also a former student of Bernard Shapiro.

Joan Lundquist, (Dec. 11 & 18) collaborative pianist, has served as a collaborative pianist for Seattle area musicians and organizations for 30 years. Since moving to the area from Humboldt State University in northern California, where she was staff accompanist, Joan has worked with the Northwest Boychoir, Seattle Choral Company, has taught at Seattle University and Northwest University, and has worked with several area private music teachers. Currently, Ms. Lundquist is the Director of Music at Immanuel Lutheran Church in downtown Seattle and rehearsal accompanist for the Seattle Choral Company.

Katie O’Rourke (Dec. 4) served as pianist for Whatcom Symphony Orchestra and has collaborated with Whatcom Wind Ensemble, Skagit Opera, Bellingham Chamber Orchestra, and Opera Popolare. Now in Seattle, Katie enjoys a private teaching studio and is a member of the Ladies Musical Club, Seattle Music Teachers Association, and the Northwest Dalcroze Society. Katie is a graduate of Western Washington University, where she studied piano with Milica Jovanovic and Jeffrey Gilliam.

Erika Pierson (Dec 4) earned her bachelor’s in Cello Performance from Indiana University and her master’s in Performance from the University of Michigan. Between her degrees, Erika studied in Berlin, at the Hochschule der Kunste, and in London under Eileen Croxford, FRCM. Her other teachers included Richard Aaron, Tsuyoshi Tsutsumi, Markus Nyikos, and Erling Blondal Bengtsson. Erika has given solo recitals in England, Germany, Spain, and in the United States, and has soloed with orchestras in Berlin, Ann Arbor, and Everett, WA. On the less classical side of things, she has also performed with Mannheim Steamroller, Rod Stewart, The Walkmen, and Deltron 3030. Currently Erika performs regularly as the cellist in Bella Sala String Quartet, NOCCO Chamber Orchestra, and freelances and teaches in the Seattle area.

Mezzo-soprano Katie Stevenson (Dec 4) has performed in numerous concerts in Seattle with the Puget Sound Concert Opera, including Anna Bolena, Cavalleria Rusticana, and their annual gala. While living in NYC, Katie worked with Dicapo Opera, Amato Opera, and Opera Collective, performing roles such as Romeo in I Capuleti e I Montecchi, Dorabella in CosÍ fan tutte, and Henrichetta in I Puritani. In Philadelphia she sang the title role in Carmen, Lola in Cavalleria Rusticana, and Emilia in Otello. While living in Europe, Katie travelled to perform in concerts and festivals in England, Ireland, and Germany. She now lives in Seattle with her husband and puppies and works as a church music director and private voice instructor, while still enjoying life as a performer. www.katiehstevenson.com

An outstanding member of the Northwest musical community for over 20 years, Regina Thomas (Dec 11 & 18) has performed with a variety of companies including Kitsap Opera, Willamette Concert Opera, Bellevue Opera, Puget Sound Concert Opera, Seattle Opera, and the Seattle Opera Guild. Currently LMC’s trustee of concerts and Artistic Director of Puget Sound Concert Opera, Regina has served as Seattle Opera Guild’s VP of Education and is a past President of LMC. Favorite operatic roles include Adriana Lecouvreur, Suor Angelica, Tosca, and Judith (Bluebeard’s Castle). Concert work includes Schumann’s Frauenleibe und-leben, Elgar’s Sea Pictures, and Wagner’s Wesendonck-Lieder; soprano solos in Beethoven’s Symphony No. 9, Fauré Requiem, and Berio’s Folk Songs for voice and chamber ensemble.

Virtual Happy Hour Artists, November 2020

Vicki Boeckman (Nov 6, 13 & 20) has been performing and teaching since the 1980s. She is embracing the new virtual world with enthusiasm, curiosity, and a sense of awe, finding it to be positive and rewarding amidst the challenges we are all facing. Pre-pandemic she was an internationally acclaimed performing and recording artist who traveled all over the US and to many other countries to perform and teach. Vicki resided in Denmark from 1981-2004 and had the opportunity to collaborate with some of the
finest musicians of the day including Jaap ter Linden, John Holloway, René Jacobs, Lars Ulrik Mortensen, Pedro Memelsdorf and Markus Zahnhausen. Her Danish recorder trio Wood’N’Flutes had a fantastic 15-year run performing all over Europe and working with contemporary composers in addition to doing children’s theater. She was an adjunct professor at the Royal Danish Academy of Music in Copenhagen for 12 years and taught at the Ishøj Municipal School of Music for 23 years. Many of those students
are now professionals, performing and teaching in conservatories in Denmark and around Europe.
Locally Vicki has been a featured soloist with the Seattle Symphony, Seattle Baroque Orchestra, Portland Baroque Orchestra, The Oregon Symphony, Portland Opera, Medieval Women’s Choir, Gallery Concerts, Philharmonia Northwest Orchestra, and the Skagit Symphony. She is currently music director for the Seattle Recorder Society, co-director for the Recorder Orchestra of Puget Sound (ROPS), and Artistic Director for the Port Townsend Early Music Workshop. She dearly hopes that these organizations can withstand the challenges of separation and continue to thrive.

Selina Chu (Nov 6 & 20) has a special place in her heart for all types of ensemble playing, from duo-piano recitals to dance collaboration.  She received her Bachelor of Music degree from the University of Washington, and her Master of Music from the University of Cincinnati College-Conservatory of Music.  A nationally certified member of Music Teachers National Association, Selina has maintained an independent piano studio in Issaquah since 1998.

Violinist Angie Kam (Nov 20) is an established teacher and performer in the Seattle area. In addition to maintaining a violin studio of over 30 students, Angie plays with the Yakima Symphony Orchestra, Tacoma Symphony, North Corner Chamber Chamber Orchestra, and the Tacoma City Ballet. Angie has performed with Idina Menzel, Il Divo, Michael Buble, and the Trans-Siberian Orchestra; she is also an active studio-recording musician. Angie holds a Bachelor in Violin Performance from the University of Oregon, and a Master in Violin Performance and String Pedagogy from the Boston Conservatory. In her spare time, Angie enjoys hiking, yoga, and fuzzy animals.

Joan Lundquist (Nov 6, 13 & 20) has served as a collaborative pianist for Seattle area musicians and organizations for 30 years.  Since moving to the area from Humboldt State University in northern California, where she was staff accompanist, Joan has worked with the Northwest Boychoir, Seattle Choral Company, has taught at Seattle University and Northwest University, and has worked with several area private music teachers.  Currently, Ms. Lundquist is the Pianist/Organist at Immanuel Lutheran Church in downtown Seattle and rehearsal accompanist for the Seattle Choral Company.

Ann Rackl (Nov 6 & 20)  violinist, is the former assistant concertmaster of Philharmonia Northwest chamber orchestra, where she has been a member since 1976. She holds a Master of Music Education degree from the University of Montana, and has studied violin with Emanuel Zetlin and Martin Friedmann in Seattle. Formerly a private violin instructor, these days she especially enjoys playing chamber music.

Emily Riesser’s (Nov 13) diverse experience encompasses opera, oratorio, theatre, and new works. Recent highlights include soloist in Bach’s Wedding Cantata, BWV 202 (several venues), Frasquita in Carmen (Kitsap Opera), Soprano in Silverbells Carolers, Ensemble in Sister Act (Tacoma Musical Playhouse). Favorite experiences include opera roles: Iphigenie in Gluck’s Iphigenie en Tauride (Seattle Opera Guild), Violetta in Verdi’s La Traviata (Kitsap Opera), Tamiri in Mozart’s Il Re Pastore, Sarah in John Duffy’s and Joyce Carol Oates’ Black Water (both OffCenter Opera), and soprano chorus roles at Seattle Opera; soloing in Bach cantatas with Baroque specialists of St Stephen’s Evensong Cantatas; and Shakespeare roles with Greenstage.

An outstanding member of the Northwest Musical community for over 20 years, Regina Thomas (Nov 20) has performed with a variety of companies including Kitsap Opera, Willamette Concert Opera, Bellevue Opera, Puget Sound Concert Opera, Seattle Opera and the Seattle Opera Guild.  Currently, LMC’s Chair of Concerts and Artistic Director of Puget Sound Concert Opera, Regina has served as Seattle Opera Guild’s VP of Education and is a past President of LMC. Favorite operatic roles include Adriana Lecouvreur, Suor Angelica, Tosca and Judith (Bluebeard’s Castle).  Concert work includes Schumann’s Frauenleibe und-leben, Elgar’s Sea Pictures and Wagner’s Wesendonck-Lieder, soprano solos in Beethoven’s Symphony No. 9, Fauré Requiem and Berio’s Folk Songs for voice and chamber ensemble.

New LMC member YeonSoo Lee performs in her LMC debut concert February 18 at Mirabella

Mezzo-soprano YeonSoo Lee makes her LMC debut joining fellow LMC member performers on Sunday, February 18 at 3pm in a concert at Mirabella in Seattle. They will perform songs by Obradors, Italian and French Opera, and Korean composers for soprano and mezzo-soprano

A graduate of Kyung Hee University (Seoul), mezzo-soprano YeonSoo Lee also participated in stage director HoKeun Moon’s Opera Workshop Program (Seoul). She made several appearances on “Today’s Art Song” (KBS-TV, Seoul) and received the “Best Voice Award” from MBC-TV’s Korean Art Song Competition. South Korean roles include Rosette (Manon) with Kim-Cha-Kyung Opera, Dangeville (Adriana Lecouvreur) with Seoul Metropolitan Opera and Flora (La Traviata) with International Opera. Concert work includes Alto solos in Mozart’s Coronation Mass with Seoul Metropolitan Chorus and Beethoven’s C Major Mass with Seoul Philharmonic Orchestra. YeonSoo Lee has been a regular chorister with Seattle Opera since 2001, having performed in sixty-one productions. Solo appearances include Second Bridesmaid (Le Nozze di Figaro) with Seattle Opera and Alto soloist (Elijah) with Masterworks Choral Ensemble, WA. She is a favored performer within Seattle’s Korean American Community and has been a guest journalist for the Eumak Journal, a monthly classical music magazine in South Korea since 2014.

Joining YeonSoo will be soprano Ki-Jung Jun who completed her Master’s degree at New York University and was in the emerging artist program at Pacific Opera in New York City. Her operatic roles there included Nora (Riders to the Sea), First Knitter (A Game of Chance), Princess (L’enfant et les sortileges) and the role of Hyangdan in Chun-Hyang-Jeon, an opera celebrating the 100th anniversary of Korean immigration in America. In the Northwest, her most recent opera role is Giulietta (Cover) in Bellini’s I Capuletti ed i Montecchi and Caterina in Mascagni’s L’Amico Fritz with Puget Sound Concert Opera.

Also performing will be Joan Lundquist who has served as a collaborative pianist for Seattle area musicians and organizations for 30 years. Since moving to the area from Humboldt State University in northern California, where she was staff accompanist, Joan has worked with the Northwest Boychoir, Seattle Choral Company, has taught at Seattle University and Northwest University, and has worked with several area private music teachers. Currently, Ms. Lundquist is the Director of Music at Immanuel Lutheran Church in downtown Seattle and rehearsal accompanist for the Seattle Choral Company.

Click for concert program details.