Performing Artists, October 2021

Katie Hochman (Oct 29), soprano, can be heard regularly giving recitals with Ladies Musical Club of Seattle. She has also enjoyed singing opera and oratorio with Puget Sound Concert Opera (PSCO), Opera Theater Oregon, Portland Opera, Utah Opera, Columbia Chorale and Southwest Washington Symphony (SWS). Highlights include the title role of Massenet’s Cendrillon and Héro in Berlioz’s Beatrice et Bénédict performed with PSCO and Exultate, jubilate performed with SWS.

Sharon Jung (Oct 16) was born and raised in the Pacific Northwest. She is a nurse practitioner, and works in a neurology practice in Tacoma, Washington. She freelances for numerous ensembles in the local area. She has been an LMC member since 1999. She is a former student of LMC member Gail Perstein and is also a former student of Bernard Shapiro.

Joan Lundquist (Oct 29) has served as a collaborative pianist for Seattle area musicians and organizations for 30 years. Since moving to the area from Humboldt State University in northern California, where she was staff accompanist, Joan has worked with the Northwest Boychoir, Seattle Choral Company, has taught at Seattle University and Northwest University, and has worked with several area private music teachers. Currently, Ms. Lundquist is the Director of Music at Immanuel Lutheran Church in downtown Seattle and rehearsal accompanist for the Seattle Choral Company.

Pianist Dr. Minju Kim (Oct 15), a native of South Korea, has established herself as a versatile soloist, chamber musician and collaborative pianist. Dr. Kim holds degrees in Piano Performance from Seoul National University (B.M.), Indiana University (M.M./P.D.), and University of Texas in Austin (D.M.A), and in Collaborative Piano from New England Conservatory (M.M.). She has won numerous awards, including the Sidney Wright Accompanying Competition, Korean Music Association Competition, and Korea-Germany Brahms Association Competition. She joined Bowdoin International Music Festival and Music Academy of the West as a fellow in collaborative piano. Currently, Minju is a collaborative pianist at Shoreline Community College, Seattle University and Odle Middle School Choir, and works with several private studios for instruments and voice.

Karin McCullough (Oct 15) took the less-traveled road to a music career. A serious pianist while growing up in Illinois, she suppressed her aspirations and instead became a paralegal. One day she was asked to accompany opera singers at a Fremont Bistro—a weekly engagement lasting 5 years. By then her popularity as an accompanist, soloist & piano teacher let her trade her life as a paralegal for that of a full-time musician. Karin is a Nationally Certified Teacher of Music in Piano. Karin maintains a flourishing piano studio in Ballard and performs frequently in the Seattle area. She is an active volunteer and member of Seattle Music Teachers Association (SMTA), Principal Organizer for the local chapter of Bach in the Subways, of which she is on the Board of Directors, and has served on the boards of SMTA and Musical Experiences, a nonprofit classical music education organization. Karin is the pianist for Third Church of Christ, Scientist, and is also the program Director for Haller Lake Music Series, a neighborhood classical music series featuring local musicians in recital.

Gail Perstein (Oct 16) has a Bachelor of Science from Springfield College, a Bachelor of Music from P.L.U., a Master of Music from U.W. (both in oboe performance) and a Master of Arts in Historical Musicology, also from U.W. She splits her time between teaching oboe privately, performing on oboe/English horn, and performing early music. She played in both early and classical music groups at P.L.U. and U.W., and continues performing in various settings, ranging from Tacoma Opera to local church services. Ms. Perstein performed for many years with her own medieval group, Chansonnier, using period instruments. She was a member of the Board of Trustees of the Ladies Musical Club of Seattle for 22 years and chair of the Frances Walton Competition Committee for 23 years.

Bernard Shapiro (Oct 16) was principal oboe of the Seattle Symphony and Seattle Opera from 1961-2004, participating in over 80 Seattle Symphony recordings. He appeared as soloist with the Seattle Symphony, Philadelphia Quartet, Balamian Quartet, Seoul Symphony, Korean Broadcast Symphony, and Bellevue Symphony. He was co-founder of the New York Baroque Quintet, English horn with the Royal Ballet Touring Orchestra (London), and received the Fromm foundation Fellowship for Contemporary Music Performance at Princeton University and Tanglewood (1960). Mr. Shapiro has been a member of the faculty at University of Washington, Cornish School, Pacific Lutheran University, Western Washington University, and Seattle Pacific University. At PLU, he participated in many programs as a member of the faculty wind quintet, the Camas Quintet. He graduated from the Music and Art High School of New York City, and holds both a Bachelor of Music and Master of Music Education from Manhattan School of Music. In addition to oboe, he also enjoys playing cello.

An outstanding member of the Northwest musical community for over 20 years, Regina Thomas (Oct 29) has performed with a variety of companies including Kitsap Opera, Willamette Concert Opera, Bellevue Opera, Puget Sound Concert Opera, Seattle Opera, and the Seattle Opera Guild. Currently LMC’s trustee of concerts and Artistic Director of Puget Sound Concert Opera, Regina has served as Seattle Opera Guild’s VP of Education and is a past President of LMC. Favorite operatic roles include Adriana Lecouvreur, Suor Angelica, Tosca, and Judith (Bluebeard’s Castle). Concert work includes Schumann’s Frauenleibe und-leben, Elgar’s Sea Pictures, and Wagner’s Wesendonck-Lieder; soprano solos in Beethoven’s Symphony No. 9, Fauré Requiem, and Berio’s Folk Songs for voice and chamber ensemble.

Kathryn Vinson (Oct 15) is a mezzo-soprano known for the warmth and richness of her voice. She appears frequently in recital in Seattle in venues ranging from Town Hall to Saint Mark’s cathedral. She has an extensive repertoire of German Lieder and has appeared internationally in operas in Europe and the Middle East. Ms. Vinson is equally at home with oratorio and has been a soloist with Seattle Baroque Orchestra and Orchestra Seattle/Seattle Chamber Singers. Her voice can also be heard on the soundtracks of a number of major motion pictures. Ms. Vinson has been a featured singer with the Pacific Northwest Ballet, performing in A Midsummer Night’s Dream and the annual Christmas production of The Nutcracker.

Performing member auditions on November 5

LMC member auditions to be held on Saturday, November 5 from 12 noon to 4pm at Queen Anne Christian Church

Ladies Musical Club (LMC) members participate in a wide variety of rewarding music activities and collaborations with other women of similar interests. Join us in growing our presence and influence in the community. LMC membership is open to music and fine-arts advocates as well as actively performing musicians. In addition to our outreach programs, LMC promotes music among its members through interest groups, master classes, special events, professional networking and community building. All ages are welcome!

Malya sings Mahler

Applying for membership

Performing and At-Large membership is by invitation of the Board of Trustees, based on audition or résumé review. Annual dues are $100 for both At-large and Performing Members over age 32.  Members who are age 32 and under pay $90 per year. Dues for members accepted during the winter/spring auditions will be half the annual rate. There is a non-refundable $25 application fee, which will be applied to the annual dues for successful applicants. To apply:

Download the LMC application for membership (PDF).
Complete the application. Save and place your name where indicated in the file name.
Email the completed application to our membership committee.
Applicants can email the LMC membership committee at membership@lmcseattle.org with any questions that are not answered on the website, or if the application process cannot be completed.

LMC Member-musician auditions
LMC Performing Member auditions will be held on Saturday November 5, 2016 from 12 p.m. to 4:00 p.m. at Queen Anne Christian Church, Seattle. Please have your application in by October 23, 2016. An application received after this date may still be considered if the audition schedule permits. If not, the application will remain active for the Spring LMC Auditions.

Applicants wishing to be accepted as a performing member have two options: audition either as a solo performer or as a collaborative/ensemble performer. In either case, the applicant shall prepare three pieces in contrasting styles, for a total of about 15 minutes of music. Music does not have to be memorized. Other requirements for specific instruments and for singers are:

Pianists wishing to audition as accompanists, but not as solo pianists, should bring a collaborator to the audition. This may be a current collaborator or LMC may be able to find a current LMC member for this purpose. If a collaborator is needed, the applicant shall notify LMC with enough time to find someone, and for the applicant to be thoroughly rehearsed by the day of the audition.

Pianists desiring to perform both as soloists and accompanists should plan to complete an audition for each category. In this case, please submit only one application and fee.

Singers should prepare songs in three different languages. At least two of the selections should be art songs, as LMC primarily presents recitals.

Applicants wishing to audition as an ensemble-only performer, please indicate this on the application. We would strongly prefer to hear the audition with a collaborator. If you have questions about this, please contact LMC at membership@lmcseattle.org.

More information about the benefits of membership