Virtual Happy Hour Artists, December 2020

Singing is an essential part of life for Diane Althaus, (Dec 18) and sharing it with others is a joy. She organized and sang in an opera ensemble program, including music from Simon Boccanegra, Cosi Fan Tutte, Martha, and Carmen. She and her husband, baritone Mike Dodaro, have sung duet programs of opera arias and art songs, and performed in various local venues, including Stage7. Diane sang in Puccini’s Butterfly in a local opera company, the Countess in a duet from The Marriage of Figaro and Desiree in Sondheim’s A Little Night Music. Pergolesi’s Stabat Mater is her favorite sacred music.

Violinist Candice Chin (Dec. 4) enjoys a musical journey intertwined with a 19-year career in financial management. A Seattle area native, she studied with Steven Staryk while attending the University of Washington. She also pursued orchestral studies at the Eastman School of Music and University of Cincinnati College-Conservatory of Music. Candice holds a Bachelor of Arts in music and economics, and dual MBA/MA arts administration degrees. Her principal teachers include Walter Schwede, Martin Friedmann, and Jesse Mills.

Mike Dodaro (guest artist, Dec 11 & 18) has sung leading roles in regional opera productions of A Midsummer Night’s Dream by Benjamin Britten, Donizetti’s Don Pasquale, Smetana’s The Bartered Bride, Mozart’s La Clemenza di Tito, and Kurt Weill’s Mahagonny. He sang for several seasons as a regular chorister at Seattle Opera. A cantor and choir singer, he has been baritone soloist in the Fauré Requiem, several Bach cantatas, and Handel’s Messiah.

Emiko Hori (Dec 4), a native of Japan, graduated from renowned Indiana University Jacobs School of Music in Piano Performance. She studied with Shigeo Neriki, performed at numerous places including Banff Centre, Schleswig-Holstein Musik Festival, Germany, and others. Emiko became fascinated with and continued her study in Computer Science at Boston University. Busy working in technology companies such as CommerceHub and Microsoft, Emiko thought she would never play the piano again. She was wrong; Emiko became one of the newest performing members of Ladies Musical Club. Emiko enjoys dividing her time between performing concerts, teaching piano, and working at Starbucks HQ’s Digital Commerce team.

Sharon Jung (Dec. 11) was born and raised in the Pacific Northwest. She is a nurse practitioner, and works in a neurology practice in Tacoma, Washington. She freelances for numerous ensembles in the local area. She has been an LMC member since 1999. She is a former student of LMC member Gail Perstein and is also a former student of Bernard Shapiro.

Joan Lundquist, (Dec. 11 & 18) collaborative pianist, has served as a collaborative pianist for Seattle area musicians and organizations for 30 years. Since moving to the area from Humboldt State University in northern California, where she was staff accompanist, Joan has worked with the Northwest Boychoir, Seattle Choral Company, has taught at Seattle University and Northwest University, and has worked with several area private music teachers. Currently, Ms. Lundquist is the Director of Music at Immanuel Lutheran Church in downtown Seattle and rehearsal accompanist for the Seattle Choral Company.

Katie O’Rourke (Dec. 4) served as pianist for Whatcom Symphony Orchestra and has collaborated with Whatcom Wind Ensemble, Skagit Opera, Bellingham Chamber Orchestra, and Opera Popolare. Now in Seattle, Katie enjoys a private teaching studio and is a member of the Ladies Musical Club, Seattle Music Teachers Association, and the Northwest Dalcroze Society. Katie is a graduate of Western Washington University, where she studied piano with Milica Jovanovic and Jeffrey Gilliam.

Erika Pierson (Dec 4) earned her bachelor’s in Cello Performance from Indiana University and her master’s in Performance from the University of Michigan. Between her degrees, Erika studied in Berlin, at the Hochschule der Kunste, and in London under Eileen Croxford, FRCM. Her other teachers included Richard Aaron, Tsuyoshi Tsutsumi, Markus Nyikos, and Erling Blondal Bengtsson. Erika has given solo recitals in England, Germany, Spain, and in the United States, and has soloed with orchestras in Berlin, Ann Arbor, and Everett, WA. On the less classical side of things, she has also performed with Mannheim Steamroller, Rod Stewart, The Walkmen, and Deltron 3030. Currently Erika performs regularly as the cellist in Bella Sala String Quartet, NOCCO Chamber Orchestra, and freelances and teaches in the Seattle area.

Mezzo-soprano Katie Stevenson (Dec 4) has performed in numerous concerts in Seattle with the Puget Sound Concert Opera, including Anna Bolena, Cavalleria Rusticana, and their annual gala. While living in NYC, Katie worked with Dicapo Opera, Amato Opera, and Opera Collective, performing roles such as Romeo in I Capuleti e I Montecchi, Dorabella in CosÍ fan tutte, and Henrichetta in I Puritani. In Philadelphia she sang the title role in Carmen, Lola in Cavalleria Rusticana, and Emilia in Otello. While living in Europe, Katie travelled to perform in concerts and festivals in England, Ireland, and Germany. She now lives in Seattle with her husband and puppies and works as a church music director and private voice instructor, while still enjoying life as a performer. www.katiehstevenson.com

An outstanding member of the Northwest musical community for over 20 years, Regina Thomas (Dec 11 & 18) has performed with a variety of companies including Kitsap Opera, Willamette Concert Opera, Bellevue Opera, Puget Sound Concert Opera, Seattle Opera, and the Seattle Opera Guild. Currently LMC’s trustee of concerts and Artistic Director of Puget Sound Concert Opera, Regina has served as Seattle Opera Guild’s VP of Education and is a past President of LMC. Favorite operatic roles include Adriana Lecouvreur, Suor Angelica, Tosca, and Judith (Bluebeard’s Castle). Concert work includes Schumann’s Frauenleibe und-leben, Elgar’s Sea Pictures, and Wagner’s Wesendonck-Lieder; soprano solos in Beethoven’s Symphony No. 9, Fauré Requiem, and Berio’s Folk Songs for voice and chamber ensemble.

Virtual Happy Hour Artists, November 2020

Vicki Boeckman (Nov 6, 13 & 20) has been performing and teaching since the 1980s. She is embracing the new virtual world with enthusiasm, curiosity, and a sense of awe, finding it to be positive and rewarding amidst the challenges we are all facing. Pre-pandemic she was an internationally acclaimed performing and recording artist who traveled all over the US and to many other countries to perform and teach. Vicki resided in Denmark from 1981-2004 and had the opportunity to collaborate with some of the
finest musicians of the day including Jaap ter Linden, John Holloway, René Jacobs, Lars Ulrik Mortensen, Pedro Memelsdorf and Markus Zahnhausen. Her Danish recorder trio Wood’N’Flutes had a fantastic 15-year run performing all over Europe and working with contemporary composers in addition to doing children’s theater. She was an adjunct professor at the Royal Danish Academy of Music in Copenhagen for 12 years and taught at the Ishøj Municipal School of Music for 23 years. Many of those students
are now professionals, performing and teaching in conservatories in Denmark and around Europe.
Locally Vicki has been a featured soloist with the Seattle Symphony, Seattle Baroque Orchestra, Portland Baroque Orchestra, The Oregon Symphony, Portland Opera, Medieval Women’s Choir, Gallery Concerts, Philharmonia Northwest Orchestra, and the Skagit Symphony. She is currently music director for the Seattle Recorder Society, co-director for the Recorder Orchestra of Puget Sound (ROPS), and Artistic Director for the Port Townsend Early Music Workshop. She dearly hopes that these organizations can withstand the challenges of separation and continue to thrive.

Selina Chu (Nov 6 & 20) has a special place in her heart for all types of ensemble playing, from duo-piano recitals to dance collaboration.  She received her Bachelor of Music degree from the University of Washington, and her Master of Music from the University of Cincinnati College-Conservatory of Music.  A nationally certified member of Music Teachers National Association, Selina has maintained an independent piano studio in Issaquah since 1998.

Violinist Angie Kam (Nov 20) is an established teacher and performer in the Seattle area. In addition to maintaining a violin studio of over 30 students, Angie plays with the Yakima Symphony Orchestra, Tacoma Symphony, North Corner Chamber Chamber Orchestra, and the Tacoma City Ballet. Angie has performed with Idina Menzel, Il Divo, Michael Buble, and the Trans-Siberian Orchestra; she is also an active studio-recording musician. Angie holds a Bachelor in Violin Performance from the University of Oregon, and a Master in Violin Performance and String Pedagogy from the Boston Conservatory. In her spare time, Angie enjoys hiking, yoga, and fuzzy animals.

Joan Lundquist (Nov 6, 13 & 20) has served as a collaborative pianist for Seattle area musicians and organizations for 30 years.  Since moving to the area from Humboldt State University in northern California, where she was staff accompanist, Joan has worked with the Northwest Boychoir, Seattle Choral Company, has taught at Seattle University and Northwest University, and has worked with several area private music teachers.  Currently, Ms. Lundquist is the Pianist/Organist at Immanuel Lutheran Church in downtown Seattle and rehearsal accompanist for the Seattle Choral Company.

Ann Rackl (Nov 6 & 20)  violinist, is the former assistant concertmaster of Philharmonia Northwest chamber orchestra, where she has been a member since 1976. She holds a Master of Music Education degree from the University of Montana, and has studied violin with Emanuel Zetlin and Martin Friedmann in Seattle. Formerly a private violin instructor, these days she especially enjoys playing chamber music.

Emily Riesser’s (Nov 13) diverse experience encompasses opera, oratorio, theatre, and new works. Recent highlights include soloist in Bach’s Wedding Cantata, BWV 202 (several venues), Frasquita in Carmen (Kitsap Opera), Soprano in Silverbells Carolers, Ensemble in Sister Act (Tacoma Musical Playhouse). Favorite experiences include opera roles: Iphigenie in Gluck’s Iphigenie en Tauride (Seattle Opera Guild), Violetta in Verdi’s La Traviata (Kitsap Opera), Tamiri in Mozart’s Il Re Pastore, Sarah in John Duffy’s and Joyce Carol Oates’ Black Water (both OffCenter Opera), and soprano chorus roles at Seattle Opera; soloing in Bach cantatas with Baroque specialists of St Stephen’s Evensong Cantatas; and Shakespeare roles with Greenstage.

An outstanding member of the Northwest Musical community for over 20 years, Regina Thomas (Nov 20) has performed with a variety of companies including Kitsap Opera, Willamette Concert Opera, Bellevue Opera, Puget Sound Concert Opera, Seattle Opera and the Seattle Opera Guild.  Currently, LMC’s Chair of Concerts and Artistic Director of Puget Sound Concert Opera, Regina has served as Seattle Opera Guild’s VP of Education and is a past President of LMC. Favorite operatic roles include Adriana Lecouvreur, Suor Angelica, Tosca and Judith (Bluebeard’s Castle).  Concert work includes Schumann’s Frauenleibe und-leben, Elgar’s Sea Pictures and Wagner’s Wesendonck-Lieder, soprano solos in Beethoven’s Symphony No. 9, Fauré Requiem and Berio’s Folk Songs for voice and chamber ensemble.

Announcing the 2019 Frances Walton Competition Winners

Solo Competition Winners

Ling Hang, clarinet

Diana Yusupov, cello with her collaborative pianist, Evangeliya Delizonas-Khukhua

Diana Yusupov, cello
Ling (Holly) Hang, clarinet
Minsun Kim, piano
Yukino Miyake, piano

Ensemble Competition Winners

Golden Bear Trio( Jolie Huang, piano, Billy Fang, violin and Emiel Cockx, cello)

Golden Bear Trio

Solo Competition Alternates

Cassie Lear, flute
Li Zhen Wu, piano

Ensemble Competition Alternates
Quartet Lyrique

Quartet Lyrique

SPU Faculty member Janene Nelson makes directorial debut with LMC Opera Jan 14 and 21

Janene Nelson, SPU vocal faculty and LMC performing member makes directorial debut with LMC opera this month with performances on January 14 at the West Seattle Library and January 21 at Mirabella in South Lake Union, Seattle. Ms. Nelson leads a cast of four singers and one pianist presenting a historical timeline tracing opera from its genesis through the early classical era of Christoph Willibald Gluck. Other notable debut performances include Seattle Opera teaching artist Darrell J. Jordan, baritone and noted Baroque specialist, Lisa Cardwell Pontén of the St. James Cantorei. Biographies of all three artists are below.

 

Janene Nelson is a Seattle-area mezzo-soprano whose “gorgeously sung” performances range from opera and oratorio to early music. Her operatic roles include Dorabella, Third Lady, Prince Orlofsky, Miss Todd, and Nicklaus, and her recent oratorio performances include Mozart’s Requiem, Haydn’s Lord Nelson Mass, and J.S. Bach’s Mass in B Minor. Janene was a founding member of the early music ensemble Vox Resonat from 2011-2014 and sang with the Oregon Bach Festival for seven seasons as a member of the Berwick Chorus. She holds a doctorate in vocal performance and arts administration from the University of Oregon and is currently on the voice faculty at Seattle Pacific University.

In demand as a recitalist and concert soloist, Darrell J. Jordan’s  recent solo concert engagements have been with Amherst Early Music Festival, the Odyssey Chamber Music Series, Rolla Choral Arts Society, Choral Arts Alliance of Missouri, the Missouri Symphony, the Southside Philharmonic Orchestra, and the Toledo Symphony. Opera credits include Winter Opera Saint Louis, St. Louis Opera Collective, Haymarket Opera Company, Gateway Opera, the Institute for 17th Century Music, the Show-Me Opera, Lawrence Opera Theatre. He will make his Puget Sound Concert Opera debut in the fall of 2017. Additionally, Mr. Jordan is on the Teaching Artist roster for the Seattle Opera. He can be heard as the baritone soloist on the album St. Lawrence Psalter. He is a member and co-founder of the nationally recognized professional vocal chamber ensemble, Vox Nova.

Lisa Cardwell Pontén has performed throughout the Pacific Northwest, both as a soprano soloist and a professional choral singer. She has had solo appearances with ensembles such as Northwest Sinfonietta, Seattle Baroque Orchestra, Seattle Pro Musica, Northwest Chamber Chorus, Baroque Northwest, Opus 7 and The Tudor Choir. She is a regular member of Opus 7 Vocal Ensemble, The Emerald Ensemble and the St. James Cathedral Cantorei. Lisa also records soundtracks for film and video games, maintains a private voice studio for teenagers and adults, and frequently adjudicates for contests and competitions. One of her very favorite summer activities is serving on the faculty of Midsummer Musical Retreat, a camp for amateur adult musicians on the Whitman College campus in beautiful Walla, Walla, WA. Lisa received her Masters of Music in Early Music Performance from Indiana University.